Eshe

POETRY – FREEVERSE

She was the kind of woman you never really get over.
Sure, you move on.
Build a good life, one full of blessings by any measure.
But somewhere beneath the memories—
Woven into the joy and the pain,
Tucked among the totems of a life well lived—
She’s still there.
Sitting quietly. Unmoved.

Time shifts, and I have a moment of return.
No warning, no ceremony.
Just a scent, a song, a slant of light—
And there I am again.
Back where she was.
Back where I was, too.

The first time I noticed her,
The room was buzzing with chatter and I was minding my own business.
Then she turned—head tilted,
Hair falling in that certain way—
And looked straight at me.
I held my breath.
Years later, I exhale.

Time shifts again.
The room was dark,
But dawn’s light peeked through the blinds and yawned.
I watched her eyelids flutter,
Saw the twitch at the corner of her mouth.
She was lost in a dream.
Was she dreaming of me?
Was I good enough to deserve that?

Time shifts again.
The look in her eyes when she said the words—
It told me she needed to hear them back.
But that same look told me:
If I said them,
She’d never let me take them back.

I knew she deserved better.
Knew she had the kind of soul
That life should greet with its best.
And I wasn’t it.

Time shifts back.
Things aligned and proper.
Decisions made—
Whether wrong or right,
You make them.
You live with them.
No regrets.


Still Flying

Daily writing prompt
When you were five, what did you want to be when you grew up?

DAILY PROMPT RESPONSE

When you’re five, everything feels big.
The world, your dreams, your backpack.

But as you get older, you can’t always hold onto things without a little help.

That’s what happened when I found it—
a flash of memory caught in an old photo,
a school project that somehow survived.
Battered, scarred, but solid.
Like the dreams taped inside it.

I just wanted to fly.
I couldn’t explain why, not then.
I just did.

To see the world.
The wonders from our primers,
the postcard places that looked too perfect to be real.

Maybe I’d discover new lands,
find cool toys, read comics in French.
Were mummies scary? I needed to know.

Was riding a motorcycle as cool as it looked in the movies?
Could I jump cars like Evel Knievel?
Would I one day ride with a girl on the back,
smiling like it was the best thing ever?

I knew I wasn’t old enough for that part.
Maybe when I get big.

Would I be able to sing and dance?
Be cool like Elvis?
Tough like G.I. Joe?
Stretch like Stretch Armstrong?
Or maybe I’d just build the wild stuff I made with my Legos.

But mostly…
Mostly, I wanted to make my mom proud.

And now—
I did fly.

France, Italy, Spain, Japan—majestic in ways no book ever captured.
There’s nothing like flying over treetops with the chopper doors open.
Heart racing.
Then pounding.
Blood surging through my veins.
I felt something I still can’t describe with words.

I never jumped cars,
but I had that girl on the back.
Her arms around me,
her heartbeat against mine,
that sharp little yelp when things got wild.
Yeah, that was something.

I don’t sing, but boy, did I dance.
And when I stopped… I got fat.

Some say I was tougher than G.I. Joe.
And somehow, my influence stretched across the globe.
But no one will ever know my name.

What I remember most—
Mom’s smile as she talked about “the grands,”
each one certain they were her favorite.
Each one knowing they were loved.

As for me…
Did I make her proud?

God, I hope so.

Understanding Yourself Costs Nothing—But Changes Everything

Daily writing prompt
What’s something most people don’t understand?

DAILY PROMPT RESPONSE

It seems like most people don’t really understand themselves—not deep down, not at the core. We’re constantly hit with ads telling us to “live our best life” or “be our best self.” Sure, there are things we’d like to change. But we rarely have the resources to make those changes. Ask anyone what they need most to improve their life, and they’ll probably say: more money. And honestly, they’re not wrong. More money could solve a lot. But it also brings its own set of problems.

What we really need is a better understanding of ourselves. That alone could make a huge difference. And guess what? It doesn’t cost a thing—except time and the willingness to take an honest look inward. Then comes the hard part: doing the actual work to change. That’s tough, especially when we’ve been conditioned to look outside ourselves for answers. Blame is our default setting—blame the system, the job, the partner, the timing.

On the flip side, some people internalize everything. I’ve done that. I’ve paid the price for it too—meds meant to manage the fallout of swallowing emotions and ignoring my own needs. But here’s the truth: just realizing that about myself has helped more than any prescription ever could.

Weekend Writing Prompt #408

PROSE – WWP #408

Her heart whispered secrets and dreams only understood by the Moon.


From Craft to Clicks: Tech’s Effect on Careers

Daily writing prompt
How has technology changed your job?

DAILY PROMPT RESPONSE

My hands still ache, but in a different way now. My fingers still get stained—just for different reasons. I’m typing with the same number of fingers, making the same amount of mistakes.

Change has happened, but I’m starting to see the benefit.

I don’t have to press down hard to make triplekits anymore, but now the paper’s cheaper—it tears at the slightest pull. Speed replaced accuracy. People don’t bother learning the whole craft, just a piece of it. Then they turn around and make a video about how to do what they just learned, but they don’t know shit.

Now 24,000 people watched that video and walked away worse off than before. Would’ve been better if the person just said, “I don’t know—let a professional handle it.”

Shoddy work leads to crappy parts, which means more downtime, more delays. But hey, you got it in two days. That’s cool, right?

Bent but Breathing

FICTION – FFFC #313

Bent but Breathing

I’m a vagabond. A minimalist, or so I tell myself on Tuesdays, Thursdays, and every other Wednesday. Which Wednesday is it? On those Wednesdays, Mrs. Johnson from the Second Avenue Church of God in Christ leaves out the Bible study leftovers. She waits until I stumble by and grab the tray. Never smiles. Never waves. Just watches. Lately, she’s started leaving grocery bags so I can carry more. Got Ms. Pearl from the bakery to set aside day-old bread. Otis the butcher leaves scraps. Every other week, I eat like a king.

I’ve been living this way long enough to learn a few things. When you’re practically invisible, you see everything. People will walk right over you if you let them. Some look at you with pity, like helping earns them heaven points. Others can’t stand the sight of you. They try to tear you down, not realizing they’re dragging themselves lower in the process.

Then there are the few who see you. Really see you. They look you dead in the eyes and don’t flinch. Like maybe they’ve been through it too. Like they know what it takes to survive — and maybe, just maybe, what it takes to make it out the other side.

A Jewish woman, not much older than me — if at all — asked me what happened. Not in that judging way that makes you want to either run off or tell someone to kiss your ass. She asked, like she really wanted to know. The ask that says, Pull up a chair. Let’s sit. Not Let me fix you. Not Here’s a sandwich, now tell me your trauma. Just: I don’t want nothing from you. You don’t gotta clean nothing, or do no freaky shit. Just tell your truth. If you want to. Take your time. Say what you can.

I sat down, eyeing her, trying to figure her game. “I’m Ruth,” she said, and stuck out her hand. Left it there. Didn’t flinch. Didn’t speak. Just waited. So I shook it. She leaned in, like she was listening already. No pressure. No rush. It was crazy.

They sat in silence, sizing each other up — not like enemies, more like two people checking if the other is real. No threat. No fear. Just… reading the room, and each other.

Everybody wants something. Nothing’s free. That’s just how it is. Whether you’re on the street or in a boardroom, there’s always a game being played — whether or not you know it. Society teaches us that. You gotta play your role, follow the rules, if you want your piece of the pie. Do the right thing and get rewarded. Slip up, get nothing. Simple math, they say: Good people go to heaven. Bad people go to hell.

We can’t help ourselves. We were bred in an incentive-based society. You know — that carrot and stick shit. We want to do good, be better people. Lord knows we’ve seen enough misery. But somewhere along the way, it all got twisted. Long before we take our first breath, it stays twisted, and it stays that way long after we take our last breath.

I asked Ruth if she had a square. She held up a finger and walked out of the room. A few moments later, she came back and motioned toward the door. We flipped a couple of five-gallon buckets upside down and copped a squat. She handed me a square and lit one for herself. We smoked in silence. I watched her. She had that stare — the one you get when facing your demons, and they don’t blink. The kind of stare that says you’ve got something on your mind, and no one else can carry it but you.

I exhaled, and something eased up — for the first time in a long time. I looked at her, still locked in that staring match with her demons. “You are just another sister in the struggle,” I said. “Trying to stay above the churn.” She exhaled deeply and looked at me. Her gaze had softened — not by much, but enough. This is usually when you make your play. But I knew this wasn’t that kind of game. Hell, for some reason, I knew it wasn’t a game at all. I struggled to understand what was happening. She leaned back against the wall, arms folded, square resting between her fingers, waiting. So I laid it out. She’d earned it — my respect.

Top 5 Ways to Ask a Girl Out: Rule #1

FICTION – WDYS #281


Top 5 Ways to Ask a Girl Out: Rule #1
Don’t mention the creepy gnome.


I stood there, just… staring at the thing. A tiny metal gnome? Elf? Goblin? Whatever it was, it was perched on her balcony railing like it owned the place.

Did she put it there? She had to have, right? It’s not like little brass weirdos just wander onto balconies. But still—it felt like it was watching me. Judging me.

I thought about asking her, but no. That would blow up the whole operation. Can’t have her thinking I’m the kind of guy who interrogates her about lawn ornament choices. No, I’m the helpful friend. The guy offering to fix her absolute trainwreck of a car—for free. Out of kindness. Generosity. Totally not because I’m hopelessly into her and grasping at any excuse to spend time together.

God, I’m that guy. The one who offers free labor in the desperate hope of being seen as dateable. I’m one creepy figurine comment away from ruining it all. So I shut up, smile, and pretend like helping her isn’t the highlight of my entire month.

She leaned out the front door, holding two mugs. “Coffee? Or, uh… whatever this is. I might’ve forgotten how coffee works halfway through.”

“Perfect,” I said, taking one. I didn’t even like coffee, but it felt like the right thing to say. Plus, I wasn’t about to reject something she handed me with a smile that made my brain shut down like an overheating laptop.

I took a sip. It was… alarming. Bitter, burnt, and somehow both too hot and lukewarm at the same time.

“Be honest,” she said, raising an eyebrow.

“It’s… ambitious,” I offered.

She laughed. Progress.

We stood in silence for a second, both sipping this mysterious bean liquid and pretending it wasn’t a full-on sensory attack. I glanced back at the gnome. It hadn’t moved. Still smug.

“That little guy yours?” I asked, before my brain could stop my mouth.

Why? Why did I do that?

She looked over and grinned. “Oh! Yeah. Found him at a flea market. He looked like he knew secrets, you know? Like he’s seen some things.”

I nodded. “Yeah, like he knows exactly when you’re lying about liking the coffee.”

She snorted, almost spilling hers. “You’re terrible.”

Yes. Yes, I am. But also? Still here. Not banned. Not rejected. Maybe even kind of funny.

The gnome, I swear, winked at me.

Or maybe the coffee was already hitting my brain weird.

Toilet Paper and other Hard Truths

FICTION – FSS #193

He quickly climbed the trellis and reached the balcony outside of her bedroom. He watched her through her window. She was sitting on the floor, legs crossed, phone in hand, completely unaware. She always tied her hair back when she focused, and it was. Probably texting. Probably him.

Jason exhaled slowly, pressing his back against the wall just under the window. He hadn’t planned this. Not exactly. But after three days of being ignored, after seeing that one blurry photo on her story—just a hand on her thigh and a drink in the background—he couldn’t sit still.

He could hear The Cranberries playing in the background—Linger, soft and haunting. She moved to the music, not dancing exactly, but swaying in that unconscious way, like the song had tapped into something old and private inside her. Like it spoke to her soul. Like she was his private dancer and didn’t even know it.

With difficulty, he swallowed. He needed to go. He wasn’t that guy. Not the creepy ones—the ones who watched from the dark, who mistook obsession for romance. The ones who fantasized about a glance, a laugh, a shared elevator ride, and turned it into something it wasn’t.

The ones who, when they finally worked up the nerve, stood trembling and said, “Don’t you remember? You smiled at me once.” Eyes wide. Pleading. Every breath pulling them deeper into the abyss of desperation.

Jason stared at his hands. Pale knuckles, shaky grip on the cold railing.

This wasn’t who he was.
At least, he hoped not.

He jumped from the balcony, hurting his ankle but maintaining his dignity. The pain was excruciating, but it kept him honest. Every limp, every throb was a reminder: he didn’t belong up there. Not like that.

Branches whipped past as he hobbled through the trees behind her house. The cold air cut at his lungs, the wet grass soaked through his sneakers. But he kept going—because turning back would’ve been worse.

Finally, he reached the lake, where his friend Tina was waiting. She was pacing back and forth, arms crossed tight, hoodie pulled over her head. Her eyes lit up when she saw him.

“Did you do it?” she asked urgently, stepping toward him. “Well?”

He didn’t answer right away, sinking onto a bench near the water’s edge, leg outstretched, ankle swelling fast. He winced.

“I saw her,” he said, staring out at the dark water. “She was dancing.”

Tina blinked. “So… that’s a yes?”

Jason shook his head slowly. “No. I couldn’t. I’m not that guy.”

She let out a breath, relief and maybe a little disappointment mixing in her face. She sat next to him, pulling her knees up to her chest.

“Good,” she said. “Because if you were, I wouldn’t be here.”

They sat in silence for a while, the lake still, the sky just hinting at dawn.

How did I get here?
Jason stared at the rippling water like it might answer.

Where did this notion come from—the idea that if he just showed up, climbed high enough, looked long enough, maybe something would fall into place? Some moment, some clarity, some spark between them that would finally catch.

But there was no spark. Just a girl in her room, moving to music, living her life without him in it. And him, standing outside like a stranger.

He wasn’t always this guy. Was he?

Maybe it wasn’t about her at all. Maybe she was just the screen he projected it all onto.

“I think I scared myself,” he said aloud, not even sure if Tina was still listening.

She said nothing at first. Just nodded slowly.

“You weren’t trying to get her back,” she said after a while. “You were trying to find something in yourself. And you didn’t like what you saw.”

Jason closed his eyes.

That was it. That was exactly it.

Tina reached for his hand, hoping Jason would somehow see her, somehow feel her—not just her skin, but what was underneath. All the nights she answered when no one else did. All the pieces of him she held onto so he wouldn’t fall apart.

Her fingers brushed his knuckles. He didn’t pull away. But he didn’t look at her either.

Jason was still staring at the water, lost in his head, somewhere far away from this bench, this lake, from her.

She squeezed his hand gently, grounding him. Or maybe anchoring herself.

“You don’t have to chase ghosts,” she said, voice low. “You aren’t one.”

Jason finally turned to her, and for the first time that night, there was something behind his eyes. Not clarity, not yet—but something softer than the ache he’d been carrying.

He looked down at their hands, then back at her. And something between them shifted.

Tina noticed Jason was crying. Not sobbing, not breaking—but that controlled weep, the only kind allowed for men. Shoulders still. Jaw tight. Tears slipping down anyway.

He squeezed her hand tighter, but it wasn’t painful. It was grounding. Like he needed to make sure she was real.

She watched him, unsure if she should speak, unsure if words would help or just fracture the moment.

Were the tears for the girl he never really had?
Or for something else?
Something older. Deeper. Something even he hadn’t named yet.

Maybe it wasn’t about her at all. Maybe it was the weight of pretending he was okay for too long. The performance of being fine, being cool, being over it. Maybe this was the moment he stopped acting.

Tina didn’t move. She didn’t ask. She just let him feel it.

Because sometimes that’s the only way through.

Everyone knew Jason was the strong one. The steady one.
It was killing her to see him like this—silent, unraveling at the edges.

She remembered last summer. When she chucked every ounce of her self-respect out of the window for Marcus. God, Marcus. She could barely say the name without feeling her stomach turn.

Jason didn’t judge her. Didn’t say I told you so. He just sat next to her on the curb, handed her a Gatorade, and said, “You’ve got nothing to prove. Not to anyone.”

And then:
“I promise I’ll see you through to the other side. We can cry, get drunk, get high, and cry again—if that’s what you need.”

At the time, she thought he was just trying to make her feel better. Talking big, saying what friends say when they don’t know what else to do.

But he meant it.

The bastard was right there, holding her hair back as she worshipped the porcelain god, talking her through it like she was in labor. He had an endless supply of toilet paper, too—which, in hindsight, was no small thing. Because let’s be real: when a real crying fit hits, tissues don’t cut it. Toilet paper is the only thing that makes sense. There’s a lot, and it’s everywhere.

And now here he was. Finally cracked open.

And it was her turn.

“Why are you here, Tina?” Jason asked, voice rough. “Pity? Some sense of duty? Or something else?”

She didn’t flinch, but it stung. Not the words—she’d heard worse—but the fact that he said them. That he really didn’t know.

Tina leaned back, looked up at the night sky like it might help her find the right words. It didn’t.

“You think I came out here in the middle of the night, to a freezing-ass lake, because I pity you?” she said finally. “Come on, Jason. Give me more credit than that.”

He looked away, jaw tight.

“I’m here,” she said, softer now, “because I don’t like who you become when you think no one’s watching. Because I’ve seen you hold everyone else together for so long that I forgot you might fall apart, too.”

She paused.

“And maybe… yeah. Maybe because part of me was waiting for you to need me for once.”

The silence that followed wasn’t awkward. It was heavy. Honest.

Jason didn’t respond right away. But this time, when he looked at her, he really looked.

“There’s never been a time I didn’t need you,” he said, eyes low. “But I don’t think I knew that until right now.”

He ran a hand through his hair, exhaled like he’d been holding it for years.

“So I acted like a jackass.”

Tina didn’t speak right away. She just let it hang there, let him sit in it.

Then she smirked, just a little. “Yeah. You did.”

Jason gave a short, almost-laugh. “Thanks for the grace.”

She nudged his shoulder. “You’re welcome.”

And just like that, the cold didn’t feel so cold.
The silence didn’t feel so loud.
And maybe—for the first time in a long time—Jason felt like he wasn’t holding the weight alone.

Quo Vadis

Rarely have I collaborated with other poets. This was the first one I actually enjoyed working on.

An Andy Scott/Mangus Khan Collaboration

It was not suppose to be like this
when we took our cries to the streets
it was suppose to start a revelation for us all
where we would give freedom’s wall a kiss
living past the years of defeats
lifting the smothering shawl

I close my eyes to the truth
Mesmerized by freedom’s illusion
I close my eyes to the smoke
From smoldering cinders of liberty

I begin to choke …

Begin to choke …

Crying out, for my fears are becoming true
Denial, such a lovely color for you
Crying out, for my guilt is bleeding through
As the lies just sit and glare at you

How deep I don’t want to know…

I feel the knife of greed scrape to my bone
Grinding past where there is no more blood to bleed
All of the meat is gone from underneath my skin

Scream from my dried, chapped lips

“How much more to be taken?”
“There is nothing more to be taken!”

On my knees with defeated independence
a withered, empty body
with belief of tomorrow that will not escape
until, step by step, the embers rise again

My Master’s grace I beckon …

As I shudder, for I feel its warmth growing
I feel it creeping through every fiber of my being
Help me understand! What is this?
This is not the way I want to live!

Help me withstand this … Would you please?
Give me the strength to stomp out Hatred’s fiery desires
Give me the strength to stop this, before it
seduces my soul and engulfs my heart

Help me to stand with the courage of my beliefs
May I have the wisdom to have the understanding,
that the tomorrow I seek …Begins with me

Wordless Wednesday – 03192025

ART – AI GENERATED IMAGE – COLOR

My submission for Hugh’s Views & News blog, Wordless Wednesday post.

Why Women’s Day March Matters: A Global Perspective

ARTICLE – MINI BIO

Women’s Day March: More Than Just a Hashtag

Let’s talk about the Women’s Day March. You know, that annual event where millions of people worldwide take to the streets, wave signs, chant slogans, and, if history is any indication, thoroughly annoy certain politicians and social media trolls. But this isn’t just a performative stroll in comfy sneakers—it’s a global movement that has been shaking things up for over a century.

The Origins: From Protests to a Global Holiday

Back in the early 1900s, women weren’t just fighting for a cute photo op; they were demanding the right to work in decent conditions, vote, and hold public office—basic stuff that, shockingly, was considered radical. The first National Women’s Day in the U.S. (1909) was organized by the Socialist Party of America, inspired by the 1908 garment workers’ strike. Then, Clara Zetkin, a German socialist, decided in 1910 that the world needed a dedicated International Women’s Day. Boom—March 8th became the day to make noise. Today, International Women’s Day is observed globally on this date, with some countries even recognizing it as a public holiday, including Russia, China, and several nations across Eastern Europe and Central Asia.

Things escalated quickly. In 1917, women textile workers in Petrograd kicked off protests that led to the Russian Revolution (as one does). By 1975, the United Nations decided to get in on the action, officially recognizing International Women’s Day, probably realizing it wasn’t just going to disappear.

The Evolution: Expanding the Fight

Fast forward to the mid-20th century: the feminist movement expanded beyond suffrage and workplace rights to tackle issues like reproductive freedom, domestic violence, and workplace discrimination. This shift was fueled by legal battles (think Roe v. Wade in the U.S.), cultural shifts (hello, second-wave feminism), and high-profile activism that pushed these issues into the mainstream. Women weren’t just asking nicely anymore—they were suing, protesting, and demanding systemic change. By the late 20th century, marches started embracing an intersectional approach, recognizing that gender inequality doesn’t exist in a vacuum—it intersects with race, class, sexuality, and even environmental justice (hello, ecofeminism!).

Then came 2017. The Women’s March, sparked by the U.S. presidential election, saw millions of people worldwide rallying against threats to reproductive rights, gender equality, LGBTQ+ protections, and racial justice, all while making it clear that misogyny wasn’t going to be tolerated in silence. It reminded everyone that women’s marches weren’t just nostalgic history lessons—they were alive, global, and louder than ever.

Why We Still March

Women’s Day marches are more than just a moment to wear purple and wave a sign. They’re about real issues that persist:

  • Gender-based violence: Because we’re still fighting for a world where “No” actually means “No.”
  • Equal pay: Somehow, decades after “equal pay for equal work” became a slogan, it’s still a debate.
  • Reproductive rights: Because certain lawmakers love to remind us that controlling women’s bodies is apparently their favorite pastime.
  • Workplace rights: Paid maternity leave, fair treatment, and not being harassed in the office—what a concept!
  • Representation: More women in politics and leadership? Groundbreaking, right?

Global Perspectives: Different Marches, Different Struggles

Women’s Day marches aren’t one-size-fits-all. Some places host massive, colorful protests. Others… well, they get government pushback or even outright bans—like in Russia, where feminist activism faces heavy restrictions, or Iran, where women protesting for basic rights risk arrest. In places like Turkey, marches are often met with riot police, and in China, feminist organizers frequently find themselves censored online and monitored by authorities. Clearly, not every government is a fan of gender equality making too much noise.

  • Latin America: These marches are huge and often laser-focused on gender violence (femicide rates there are horrifying). Argentina’s “Ni Una Menos” movement? Game-changing.
  • Europe: Economic rights, work-life balance, and political representation dominate the agenda. Spain has even organized feminist strikes—because why march when you can shut the whole system down?
  • Asia: From Pakistan’s controversial Aurat March to South Korea’s fight against beauty standards, these protests are taking on deeply ingrained cultural norms.
  • Middle East & North Africa: Feminists are up against oppressive laws, but marches still happen in places like Tunisia and Lebanon, where women demand reforms.
  • U.S.: Women’s Day was once overshadowed by its socialist roots (Cold War paranoia, anyone?). Because it was originally championed by socialist and communist movements, many in the U.S. viewed it with suspicion during the height of anti-communist hysteria. But in recent years, it’s grown, often centering around reproductive rights and political representation.

Social Media: Tool or Corporate Gimmick?

Thanks to digital activism, Women’s Day marches now reach millions beyond those physically attending. Hashtags spread messages globally, but there’s a downside: corporate “femvertising.” Yes, we see you, companies posting pink-washed empowerment quotes while paying women less than their male counterparts.

Impact: Does It Actually Change Anything?

Great question. While some argue that marches are just symbolic, history begs to differ. Take the 1913 Women’s Suffrage Parade in Washington, D.C.—a march that helped pave the way for the 19th Amendment, granting women the right to vote. Or consider the protests that fueled the passage of the Violence Against Women Act in 1994, providing protections and resources for survivors of domestic violence. When enough voices demand change, even the most stubborn institutions have to listen. Sure, walking with a sign won’t fix centuries of oppression overnight, but collective action has a way of making power structures nervous. Just ask the suffragettes who marched their way to voting rights, or the activists behind #MeToo, which reshaped workplace policies worldwide. When enough voices demand change, even the most stubborn institutions have to listen. And that’s always a good start.

Conclusion: Keep Marching

Women’s Day marches aren’t just tradition; they’re a battle cry, a demand for justice, and a refusal to stay silent. Until gender equality isn’t just an aspiration but a reality, we’ll keep marching, rallying, and making noise—because the world doesn’t change by waiting politely. Until gender equality is so ingrained that protests become obsolete, we’ll keep marching, raising our voices, and demanding change. So, see you in the streets—or at least online, amplifying the message.

The Joy of Losing Yourself in Writing and Art

Daily writing prompt
What activities do you lose yourself in?

DAILY PROMPT RESPONSE

The last time I answered this prompt, I think I went with something obnoxiously grand like “A Good Story.” I should be shot for sounding so pretentious. But I wasn’t lying—just leaving out the messier bits of the truth.

When I’m in creation mode, the real world ceases to exist. I don’t hear, see, or care about anything other than the story I’m writing or the drawing I’m working on. It’s like my brain switches dimensions, and all outside stimuli become irrelevant. This used to drive my late wife insane. She’d be talking, calling my name, possibly setting the house on fire, and I’d be sitting there, oblivious, lost in whatever imaginary world had taken hold of me. I’d come back to reality only to find her standing there, arms crossed, staring daggers into my soul. And honestly? Fair. It’s a miracle I survived as long as I did.

Writers have been called time travelers, and I think that’s dead-on. But it makes me wonder—when we write, are we building new worlds or excavating old memories? Because when I write, the worlds feel real. I don’t mean in an “I have a well-thought-out setting with consistent internal logic” way. No, I mean in an I can hear the wind howling through the trees, smell the rain-soaked earth, and feel the blood on my hands kind of way. It’s a full-blown sensory experience. I write down everything I see, hear, and feel, but don’t ask me to explain where it all comes from because I genuinely have no clue.

And then there’s the time warp. I sit down to write, and suddenly, five hours have passed. Meals have been skipped. Hydration? Forgotten. Responsibilities? Who’s she? But in exchange for this self-imposed neglect, I get The Surge. The best way I’ve ever found to describe it comes from the movie Highlander. I call it The Quickening. It’s this electric, all-consuming rush—pure creative adrenaline surging through every nerve in my body. I’d say it’s better than drugs, but let’s be real, I wouldn’t know. It’s definitely better than caffeine, though. And I say that as someone whose blood type is probably espresso.

Drawing, however, is a completely different beast. I still lose track of time, but the sensation isn’t electric—it’s tranquil. A deep, bone-melting calm settles over me. My heartbeat slows, my breathing evens out, and for those few hours, the chaos of existence takes a backseat. If writing is an untamed storm, then drawing is a slow, meditative drift down a lazy river. It’s the only thing that relaxes me more than pretending I don’t have responsibilities.

So yeah, I love getting lost in a good story. But really, I just love getting lost. Period. Maybe that’s why I do what I do—because the real world is often too loud, too dull, or just too much. And if I’m going to vanish into another reality, it might as well be one of my own making.

Reflections on Society: The Weight of Words and Actions

PROSE – RANDOM THOUGHTS

In 1988, Chuck D hit us with this unforgettable line: “I got a letter from the government.” That line has lived rent-free in my head ever since, resurfacing when I least expect it—usually when I need it most. Those moments when I need a reminder of the mess we’re in.

I think it stuck with me because of its quiet punch. Public Enemy was known for sonically assaulting your eardrums and shaking your soul, but the opening of “Black Steel in the Hour of Chaos” starts like a casual conversation, just a couple of guys rapping about something that was on everyone’s mind.

“Man, can you believe this shit?”

Every time I got a letter from the government, that same question echoed in my head. It wasn’t some tinfoil-hat paranoia—it was my job. I was the source of that dread and anxiety. I was the one delivering news people didn’t want to hear, the harbinger of bureaucracy, the bearer of all things stamped, sealed, and official.

And you know what? That shit weighs on you.

Driving to an appointment one day, I saw someone I consider a member of “The Homeless”—and yes, I call homelessness a government-sanctioned movement because the fact that we even have a homelessness problem in this country is absurd. We act like it’s some unavoidable force of nature, like hurricanes or earthquakes, instead of a system we built and continue to uphold. We hold charity galas where rich people sip champagne and bid on paintings to “raise awareness,” while outside, a guy is digging through a trash can for half a sandwich. Cities spend millions not on housing solutions but on hostile architecture—park benches with dividers so no one can lie down and spikes under bridges to keep people from taking shelter. We pretend to care just enough to feel good about ourselves, but not enough to actually fix anything.

Some people have sacrificed everything to make this country function, and yet, this is the best we can offer them?

“Is this shit… the best?”

Really? This is it? The pinnacle of civilization? Get the fuck outta here!

But then I saw her. A woman draped in a mink blanket, rocking a floppy hat, standing on the corner like she owned the world. The traffic light changed as I drove past her, and she didn’t flinch. She was unbothered. Cool as she wanted to be. It was almost poetic.

I muttered to myself, “Yes.”


“You’re quite hostile.”

“I got a right to be hostile. My people are persecuted.”

Public Enemy said it best.

For me, “My people” has never been about race, color, or creed. It extends to everyone, no matter how they see me. We like to pat ourselves on the back for how “connected” we are, how much “progress” we’ve made, but let’s be real—we are more divided than ever. Dignity, honor, and respect? Those are punchlines now. If you’re lucky, someone will just forget them entirely instead of twisting them into a joke at your expense.

And “persecuted” doesn’t always come with fire and brimstone. Sometimes, it’s death by a thousand inconveniences. It’s getting pulled over for a busted taillight and knowing you’re about to make some cop’s day more exciting than it needs to be. Seeing corporations celebrate diversity initiatives while their leadership remains overwhelmingly homogenous is infuriating. It’s working twice as hard for half as much, and if you dare complain, you’re labeled “difficult.”

People lie to the very ones they claim to love. We open ourselves and share something close to us; we let them see us, only to be judged, only for them to rip our hearts out, show them to us, and then crush them just to make sure we know who did it and why. And then, just to rub salt in the wound, we’re told we have to be strong. We have to rise above. Sure. No problem. Let me just pop on my superhero cape and pretend I didn’t see that betrayal coming from a mile away.

But what really gets me, what keeps me up at night, is the way some people pick on the weak like it’s a sport. The sheer audacity of it, the cruelty, the absolute bullshit of it all.

Why can’t we just let people be who they are? Love them as they are? No adjustments required.

A movement preaches this very thing, and while it’s well-intended, undoing a hundred years of supreme malarkey is no small task. I admit that I used to be one of those people who judged unfairly. I can’t undo my past, but I can control who I choose to be moving forward. And that, at least, feels like something.


How cool would it be if we could bob in and out of time, cruising in a pink Cadillac with plush velvet seats, Robert Plant belting out the opening verse to “Heartbreaker”? Traveling back to the moment before we became assholes, before bitterness took root. Imagine if we could just press eject and launch all that baggage out the window like a bad mixtape.

But it doesn’t work that way.

Nothing lasts forever. Not even earth and sky.

Joy Mangano: The Inventor Who Changed Cleaning Forever

ARTICLE – MINI BIO

If you’ve ever waged war against a kitchen floor, armed with a flimsy, soggy mop that seems more interested in smearing dirt around than cleaning, you’ve probably muttered to yourself: There has to be a better way. Well, Joy Mangano didn’t just mutter—she got to work. She invented the Miracle Mop, a self-wringing, no-hand-dirtying, sanity-saving tool that turned her from a struggling single mom into a business mogul. And let’s be honest: if you’re going to be famous for something, making cleaning suck less is a pretty noble cause.

The Early Years: Before the Miracle Mop

Born on February 1, 1956, in Brooklyn, New York, Joy Mangano spent her childhood in Huntington, Long Island. Even as a teenager, she had a knack for problem-solving. Case in point: while working at an animal hospital, she had the brilliant idea for a fluorescent flea collar to keep pets visible at night. Unfortunately, Hartz beat her to market with something eerily similar. Did that crush her spirit? Nope. It just made her hungrier.

After earning a Business Administration degree from Pace University in 1978, Joy married Anthony Miranne and had three children. But life had other plans, and the marriage ended in divorce, leaving Joy to juggle single parenthood with a carousel of jobs—waitress, airline reservations manager, you name it. It was during this hectic period that her true entrepreneurial spirit took center stage.

The Miracle Mop: A Game-Changer

The legend of the Miracle Mop begins with something many of us know too well: an unholy mess. In 1990, during a dinner party, a guest spilled red wine all over her floor. As Joy wrestled with the sopping-wet, bacteria-breeding disaster that was a standard mop, she hit her breaking point. There had to be a better way.

So, she made one. Using her own savings (and likely a lot of caffeine-fueled nights), she designed the Miracle Mop: a self-wringing mop with a head made from a continuous loop of cotton. It could be wrung out without getting your hands dirty, and for anyone who’s ever gagged while touching old mop water, this was a revolution.

Of course, the road to success wasn’t smooth. Joy invested $100,000—her life savings—to produce her first 1,000 mops. Selling them door-to-door and at trade shows wasn’t exactly a Cinderella story; the response was slow. But Joy wasn’t about to back down. Her break came when she personally convinced QVC to let her demonstrate the mop on air. The result? She sold 18,000 mops in under 20 minutes. That moment didn’t just change her life—it cemented her as a home shopping legend.

From QVC to HSN: Building an Empire

After her smashing QVC debut, Joy became a regular on the Home Shopping Network (HSN). Her natural charisma and infectious enthusiasm made her a powerhouse. In 1999, she sold her company, Ingenious Designs, to USA Networks (HSN’s parent company). By 2000, the Miracle Mop alone was raking in $10 million annually.

But Joy wasn’t a one-hit wonder. She kept churning out wildly successful products, including the Huggable Hangers—yes, the space-saving velvet hangers that have somehow sold over 700 million units. (Seriously, how many closets even exist in the world?)

Her on-air sales? Absurd. At her peak, Joy was moving products at a pace of $1 million per hour. Forget the stock market—if you wanted real action, you tuned in to watch Joy Mangano sell hangers like they were going out of style.

Hollywood Comes Knocking: “Joy”

In 2015, Hollywood took notice. The biographical comedy-drama Joy, starring Jennifer Lawrence, hit the big screen. The film captured the essence of Joy’s relentless drive, though it took some creative liberties (like how she met her ex-husband—Hollywood, of course, had to make it more cinematic).

Regardless, the film highlighted her grit, her struggles, and the absolute circus that is inventing, marketing, and scaling a product. Jennifer Lawrence’s performance was so good that she snagged a Golden Globe and an Oscar nomination. Not bad for a movie about a mop, huh?

Lessons from Joy Mangano

Joy’s story isn’t just inspiring—it’s a masterclass in entrepreneurship. Here’s what we can learn:

  1. Act on Your Ideas – If you’ve ever had a “Why hasn’t anyone invented this?” moment, take a page from Joy’s book and actually do something about it.
  2. Persistence Pays Off – The woman literally went door-to-door to sell her mops. If she had given up at the first sign of rejection, we’d all still be squeezing dirty water out of mop heads like peasants.
  3. Bet on Yourself – She poured her savings into an idea that others doubted. That kind of belief in yourself is what separates dreamers from doers.

Joy Mangano Today: Still Innovating

You’d think after selling millions of products and getting a Hollywood movie, Joy would be kicking back with a cocktail somewhere tropical. Nope. She’s still inventing. In 2021, she launched CleanBoss, a brand focused on next-level cleaning products, and debuted America’s Big Deal, a reality competition show giving other entrepreneurs a shot at success.

Her legacy isn’t just about mops or hangers—it’s about resilience, creativity, and proving that even the most mundane frustrations (looking at you, dirty floors) can lead to something extraordinary.

Conclusion

Joy Mangano’s journey from single mom to self-made millionaire is proof that sometimes, success isn’t about grand, world-changing ideas—it’s about fixing everyday annoyances in a way no one else has. So, the next time you’re battling a stubborn mess, just remember: one woman got so fed up with cleaning that she built an empire.

Now, what are you doing with your frustrations?

Wordless Wednesday: The Beauty of AI Art in Color

ART – AI GENERATED IMAGE – COLOR

My submission for Hugh’s Views & News blog, Wordless Wednesday post.

The Legacy of Olympe de Gouges: Feminist Icon and Activist

ARTICLE – MINI BIO

Let’s set the scene: It’s 18th-century France. Powdered wigs are in. So are corsets, monarchy drama, and men named Jacques debating “liberty” while conveniently forgetting half the population. Enter Olympe de Gouges—a woman who took one look at the French Revolution’s “bro code” and said, “Non.” Part playwright, part activist, and full-time menace to the patriarchy, de Gouges spent her life trolling the establishment with feminist manifestos, abolitionist plays, and hot takes so spicy they literally guillotined her for it. Let’s unpack why this 18th-century icon deserves a spot in your group chat.

She Was the Original “Well, Actually…” Girlboss

Born Marie Gouze in 1748, Olympe rebranded herself as a Renaissance Fyre Festival influencer. After ditching her “meh” husband (RIP, Louis Aubry—we barely knew you), she stormed Paris with a new name, a side hustle in playwriting, and a vendetta against anyone who thought women belonged in the kitchen (unless it was to burn misogynist pamphlets).

Key Flex: She wrote 144 works—plays, essays, manifestos—while surviving a time when women’s highest achievement was… embroidering? Her 1791 Declaration of the Rights of Woman and of the Female Citizen was the ultimate clapback to the Revolution’s Declaration of the Rights of Man. Imagine subtweeting an entire government with: “Congrats on ‘liberty,’ kingslayers! Now let women vote?” Icon behavior.

Her Plays Were Cancelled Before “Cancel Culture” Existed

Olympe’s drama wasn’t just onstage. Her play Zamore et Mirza (1784) slapped audiences with a love story between enslaved Black characters—a radical move when France was still vibing with colonialism. Plantation owners threw tantrums and got the play shut down, and Olympe fired back: “I will make the world hear me!” (Spoiler: She did. The play finally premiered in 1789 to a very awkward crowd of slave traders.)

Side Note: If Netflix adapted this today, it’d be a mix of Bridgerton and The Hunger Games. Colonial villains? Check. Forbidden romance? Check. A heroine who’d yeet a baguette at Robespierre? Oui.

She Penned the Ultimate Feminist Mic Drop

The Declaration of the Rights of Woman (1791) was Olympe’s magnum opus. Let’s break down her greatest hits:

  • Article 1: “Woman is born free and stays lit AF.” (Paraphrased.)
  • Article 6: “Let women hold office, you cowards.”
  • Postscript: A rallying cry telling women to “wake up” and smell the patriarchy.

She even called for paternity suits (in 1791!) so deadbeat dads couldn’t ghost their kids. Mary Wollstonecraft stan’d her so hard she wrote A Vindication of the Rights of Woman a year later. Move over, Founding Fathers—Founding Mother just dropped.

She Fought for Everyone the Revolution Left Behind

While the guys in charge high-fived over “equality,” Olympe was out here advocating for:

  • Abolition of slavery: “Men of all colors are brothers,” she wrote in 1788—before it was cool.
  • Welfare programs: She proposed unemployment benefits and state-funded hospitals. In the 1700s.
  • Divorce rights: Because nothing says “liberty” like dumping a toxic husband.

Her take on taxes? “Rich people, pay for the poor. Sincerely, Common Sense.” How’s that for a hot take?

She Roasted Robespierre (And Paid the Price)

Olympe had zero chill for Jacobin extremists. When the Reign of Terror kicked off, she called Robespierre a “tyrant” and proposed letting France vote on three government options: republic, federalist, or constitutional monarchy. The Jacobins, allergic to democracy, arrested her for “attacking the sovereignty of the people” (translation: hurting their feelings).

At her trial, she doubled down: “I die for having spoken truths too loudly.” They guillotined her in 1793, but not before she dropped her final boss line: “Children of the Fatherland, you will avenge my death!” Cue slow clap.

Her Legacy Is a Mood for Modern Feminists

Olympe’s ghost is probably rolling her eyes at how long it took France to give women the right to vote (1944, mes amies). But today, she’s having a renaissance:

  • UNESCO added her Declaration to its Memory of the World Register in 2023.
  • Schools teach her as the “first feminist” who linked gender, race, and class oppression.
  • Historians debate whether she was a visionary or a chaos gremlin. (Porque no los dos?)

Pro Tip: Next time someone says “women’s rights are a new thing,” hit them with Olympe’s Wikipedia page.

Final Verdict: Olympe de Gouges, the Uncancelable Queen

Olympe de Gouges was messy, relentless, and decades ahead of her time. She weaponized art for activism, called out hypocrisy, and died refusing to shut up. In a world of lukewarm takes, she was spicy. So let’s raise a glass (or a guillotine blade) to the woman who proved revolution isn’t just for boys with fancy breeches.


Before you go channel your inner Olympe and rage-tweet about this post to your followers (#JusticeForOlympe), I get it, I’m fired up too. I’d be right there retweeting. I know I have a French flag around here somewhere. Hold up, wait a minute, chill, and think about people like Madame Olympe. You know, there’s something about history that sets my brain on fire. Let’s get one thing straight: history isn’t just dusty textbooks and dead white dudes in wigs. It’s full of chaotic icons like Madame de Gouges, who dared to flip the script and be themselves.

Your Homework: Comment below with the historical badass you think deserves a viral moment. I absolutely love researching and learning more about history. Yeah, I’m junkie, #BookWormAnonymous. Wrong answers only. (Looking at you, “Napoleon’s Short King Energy” stans.)

Stay tuned for more posts about people I discover in my daily reading.

P.S. If you enjoyed this post, Olympe’s ghost demands you share it. (She’s still salty about Robespierre’s PR team.)

Yeah, I know I’m a mess … guilty as charged. Remember, you are reading The Memoirs of Madness.

Until next time … be blessed …peace.

REBLOG: The Creative Chic’s Latest

In this life, we are bombarded with the notions of becoming “a better you”, “the best version”. While in this post, The Creative Chic has something to say about these notions. Check it out

I question who we will be when we step from behind someone else’s idea of who we are.

Random Fiction – 03062025

FICTION – CHALLENGE RESPONSES

Welcome to the world of Disbelief and Distrust—

Worlds where conflict eclipses triumph, where chaos consumes order, and where the seeds of doubt and treachery grow into forests of despair. But these realms were not always so. In the earliest days, when existence was still young and malleable, Disbelief and Distrust were mere flickers in the minds of creation’s first inhabitants.

Some say these forces were the unintended consequences of free will—a byproduct of curiosity and skepticism, given form and power through the thoughts of mortals. Others believe they were forged by celestial beings, birthed as cosmic safeguards to ensure that no single truth could dominate reality unchallenged. Whether accident or design, they grew unchecked, feeding on the uncertainties of gods and men alike.

Disbelief first manifested as a whisper—a single voice among the masses who dared question the unquestionable, challenge the sacred, and pull at the strings of fate. Basically, the original troublemaker who looked at the divine rulebook and said, ‘Yeah, but what if we didn’t?’ With each doubter, its presence strengthened, evolving from a mere notion into a force capable of unmaking destiny itself.

Distrust, its counterpart, festered in the spaces between souls, spreading like a silent toxin. It began as a quiet unease between rulers and their subjects, between lovers, and between allies on the battlefield. In time, it became an entity all its own, feeding off betrayal and paranoia, unraveling the very fabric of unity.

Together, these forces did not simply exist—they consumed, reshaped, and twisted the world until belief became fragile and alliances mere illusions. And so, the war began, not with swords or spells, but with doubt and deception, forces far more insidious than any weapon forged by mortal hands. Disbelief, a venomous force that poisons the soul, breeds Havoc and Turmoil, twisting reality into something grotesque and unrecognizable—like a bad haircut you were too confident about until you saw your reflection. It has existed in many forms, but each version of it is darker than the last, evolving with the fears and doubts of mankind. It was not always so—Disbelief was once a mere whisper, a subtle question in the hearts of mortals. But as time passed and the hearts of men grew uncertain, Disbelief found its roots deep within their souls, growing stronger with every doubt, every fear, every betrayal.

The origins of Disbelief can be traced back to the early days of creation, when mortals were still bound to the will of the gods—because, apparently, even celestial beings like to micromanage. In those days, the gods bestowed their gifts upon mankind, guiding them with divine wisdom. But as civilizations flourished, so too did pride and skepticism. Some began to question the gods’ intentions, wondering if their fates were truly dictated by celestial hands or if they had been deceived. This questioning fractured the foundation of faith, and from the cracks, Disbelief was born.

A nameless entity at first, Disbelief took shape in the minds of those who no longer saw the gods as their benefactors but as distant and uncaring overlords. It whispered to kings and scholars, to soldiers and poets, planting the seeds of doubt that would one day bloom into chaos. The first great war between mortals and the divine was not fought with swords but with defiance, as if the gods themselves had crafted the world from brittle tin, waiting for it to collapse under the weight of human uncertainty. As temples were abandoned and prayers went unanswered, Disbelief swelled in power, taking on a consciousness of its own.

As the gods watched their influence wane, some chose to leave, retreating beyond the veil of mortal comprehension, while others attempted to reclaim their dominion through force. But it was too late. Disbelief had become more than an idea—it was a force, a presence that fed on uncertainty, growing stronger with every soul that wavered, spreading like a blight across the minds of those who once held faith. When the gods fled the Earth during the distorted Age of Iron, Disbelief was free to roam unchecked, a shadow in every mind, a voice in every heart.

Now, Disbelief is no longer just a thought—it is an entity, a being that drifts unseen, whispering into the ears of rulers, warriors, and scholars alike—kind of like an overenthusiastic life coach, except instead of motivation, it peddles existential dread. It’s the mental equivalent of a mouse loose in your house—small, sneaky, and impossible to get rid of, no matter how many traps you set. It is a realm unto itself, a vast expanse where reality bends and truth is an illusion. Those who enter it rarely return, for within its depths, all certainty dissolves.

When combined with Distrust, the effect is catastrophic. The tension becomes unbearable, the mind a battlefield where shadows whisper lies, and truth is a fleeting ghost. Together, these forces break the spirit of Ian more thoroughly than the might of the ancient gods—gods who once claimed dominion over the will of mankind but who fled Earth during the distorted Age of Iron. An age when the world was stained with sin, riddled with betrayal, and reeking of dishonor.

When these two realms collide, a force unlike any other emerges—an all-encompassing dominance that suffocates even the strongest of beings. No matter how resilient and how indomitable one believes themselves to be, they are bound to fall, shackled by the unseen chains of paranoia and despair. This force, if harnessed, can become a weapon—a blade forged in suffering, wielded by those who thrive in chaos. In the hands of a master of mayhem, the devastation is boundless. The earth itself weeps beneath the carnage, rivers turning crimson with the blood of the fallen. The bodies of men and women, once vibrant, now lifeless, litter the ground, silent witnesses to the horror. A wrath unchallenged, its echoes rippling through time, distorting the lives of its many victims, unweaving their very essence until nothing remains but fragmented ghosts of who they once were.

Altered logic usurps rational thought, warping perception until truth and illusion intertwine. The world becomes an ever-shifting labyrinth where deception reigns supreme. The veil of reality is lifted, revealing visions conjured by unseen forces, images that flicker and shift like a mirage on a sun-scorched wasteland. What wicked hand has beckoned forth such a power? What dark scheme has set this storm of deception into motion? Could it be the cunning of Lucifer himself, resurrecting an age-old dominion?

If there is to be salvation, it lies in opposition. The forces of belief and trust, the antithesis of destruction, must rise to meet this encroaching void. These forces stand as mirror images to the realms of disorder, the counterbalance in an eternal war. The battle between these realms rages on, an endless clash of light and dark. Legends tell of past wars where champions of both forces rose and fell. The Celestial Reckoning, a war that shook the heavens and earth alike, saw the rise of the Radiant King, a true crackajack of battle and wisdom, whose unwavering belief in truth and order nearly sealed the fate of chaos forever. But from the abyss emerged the Harbinger of Doubt, a being forged from the very essence of Disbelief, who shattered the golden citadel and plunged the realms into turmoil once more.

The Forgotten War, fought in the silence between ages, saw the rise of the Forsaken Legion—warriors who once served the gods but fell victim to Distrust, which, honestly, is what happens when divine beings start playing favorites and forget that mortals have an attention span shorter than a goldfish on caffeine. It’s the celestial equivalent of giving a starving cat a single bite of food and then wondering why it won’t leave you alone. Their betrayal unleashed a darkness so profound that even the gods themselves hesitated to intervene, leaving mortals to fend for themselves in a world consumed by uncertainty.

Each battle carves deeper wounds into existence, proving time and again that neither side will ever truly claim victory. The war is eternal, and those who dare enter its fray find themselves lost to history, their names spoken only in whispers, their fates written in the blood-soaked annals of time. Some claim that good will always triumphs and that righteousness will endure. But to underestimate the power of chaos is to invite ruin.

For within the darkness lies a weapon beyond mortal comprehension. It remains dormant, a thing of insignificance, until one dares master it. Only those with unwavering conviction, boundless skill, and a deep-seated belief in its power can unlock its full potential. This belief is paramount, for without it, the very fabric of existence unravels. Reality would fragment, leaving us stranded in isolated worlds of our own making—prisons of the mind, where despair festers and hope withers.

The journey does not end here, for all paths eventually lead to the inevitable—

The Land of the Dead.

Or as some like to call it, ‘the afterlife’s waiting room,’ complete with an unsettling lack of background music and a never-ending queue.

Or as some like to call it, ‘the afterlife’s waiting room,’ where even the dead can’t escape bureaucracy.

The air grows heavy, thick with the scent of decay and the whispers of forgotten souls. The light dims, not into darkness but into an eerie, shifting twilight where shadows move with minds of their own. Each step forward feels like sinking into an unseen abyss, the very ground beneath shifting and unstable, as though reality itself is reluctant to let go. A deep chill seeps into the marrow of your bones, and an unsettling pressure coils around your chest as if unseen hands are testing your resolve.

A wind, carrying the echoes of wailing voices, howls through the void, neither warm nor cold but filled with an otherworldly weight. The transition is not abrupt but agonizingly slow, stretching time until past and present blur. The veil between worlds is thin here, and every sensation—every breath, every heartbeat—feels distant, detached, as though you are already half a ghost. And then, with a final step, you arrive. The land before you is neither fully alive nor fully dead, a liminal space where the lost linger, awaiting judgment or oblivion.

The Land of the Dead.

But before we reach its chilling gates, we pass through a place suspended in uncertainty, a world known to some as the Realm of Indecision, to others as the Land of Neutrality. Here, all must wander at some point in their existence. For indecision is a plague of the soul, a force that binds even the strongest hearts in shackles of hesitation. It thrives on the turmoil of man, growing stronger with each faltering step.

Your only true ally in this place is the resilience of your mind. If one’s thoughts twist and turn, they will be twisted in return. For the body is but a shell, its sole purpose to house the immortal soul. When its task is complete, the soul departs, moving toward a final reckoning. Only in completion does it find peace, shielded from the reach of mortals. For each soul has a mission, a destiny known only to itself.

As we tread further, the Land of the Dead reveals itself in all its haunting splendor. The inhabitants of this forsaken world drift like wraiths, their faces twisted in expressions of bewilderment and dread. Each soul lingers, uncertain of where their journey will take them next. Have they fulfilled their purpose? Or are they doomed to walk the path leading to eternal suffering?

There is yet another fate—one feared above all others. Some try to defy the inevitable, to twist fate itself, but they cannot escape the weight of their own existence. The judgment of the soul is final. If Lucifer is outwitted, freedom is granted. But if one falters, if darkness prevails, then the fate is clear—the soul is cast into the fiery abyss of Chaotic Evil, which is essentially Hell’s VIP section, but with worse music and a strict no-refunds policy.

Hell.

And so, the cycle continues.

The world you once knew fades into obscurity, replaced by something else entirely—a new realm, where the inhabitants bear a different curse. This world is inhabited by those who have chosen their fate. They followed the Path of Suicide, forsaking life, fleeing pain in the only way they knew. But their suffering did not end—it merely changed form.

The story does not end here. It never truly ends.

For the war between belief and disbelief, trust and betrayal, light and chaos is eternal. But there is a prophecy whispered among the remnants of faith, etched in the forgotten tongues of those who saw beyond the veil of chaos. It speaks of a final reckoning, a moment when the balance will be tipped for the last time.

Legends tell of a wanderer, neither fully bound to the realm of trust nor entirely lost to the abyss of doubt. This wanderer, marked by both worlds, holds the key to the war’s conclusion. Some say they will be the one to weave belief and disbelief into something new, something beyond the cycle of destruction. Others fear they will be the catalyst that plunges existence into an inescapable darkness.

And as the battle rages on, the forces of both sides seek this figure, eager to shape the prophecy to their will—before the prophecy shapes them.

And you are now a part of it.


Ah, the best-laid plans of mice, men, and procrastinating creatives. There I was, determined to take a “break” from my earth-shattering projects—you know, the ones that will undoubtedly revolutionize the art world and literature as we know it. I dramatically set aside my drawing pencils (because apparently, I’m too good for a simple #2) and closed my idea notebook with a satisfying thud. Today was going to be different. Today, I would be a normal human being and mindlessly scroll through WordPress like everyone else.

But the universe, in its infinite wisdom, had other plans. Not even a full morning had passed before I glanced down to find my notebook splayed open like an attention-seeking drama queen. Lo and behold, it was littered with hastily scribbled notes that had apparently manifested themselves through sheer force of creative genius. Or, you know, my subconscious refusing to take a day off. Thanks, brain.

“Well,” I sighed dramatically to my empty room (because talking to yourself is the first sign of genius or insanity—I’m banking on the former), “let’s make something up.” And that’s when it happened. Guppy, my feline overlord, executed a move so graceful it would make Simone Biles weep with envy. In one fluid motion, she raised her paw skyward, a look of utter bewilderment gracing her furry visage as her eyes darted to her treat bowl. It was as if she was auditioning for the floor exercise in some bizarre alternate universe where cats compete in gymnastics.

Naturally, this led me to ponder: Do domestic pets have their own Olympics? Picture it: Labradoodles doing synchronized swimming, hamsters on the balance beam, and goldfish competing in the 100-meter butterfly (pun absolutely intended). The opening ceremony alone would be worth the price of admission—assuming you could get all the animals to march in an orderly fashion without starting an inter-species war.

As I contemplated this groundbreaking concept, Guppy maintained her pose, no doubt wondering why her human was lost in thought instead of filling her bowl with the gourmet delicacies she so richly deserves. And there I was, once again, with pen in hand, jotting down ideas for yet another project that would surely change the world—or at least provide a solid 15 minutes of entertainment on social media.

So much for taking a break; at this rate, I’ll need a vacation from my vacation. Oh, wait, I’m retired. Maybe next time I’ll try locking my notebook in a safe and throwing away the key. Though knowing my luck, I’d probably end up writing the next great American novel on Post-it notes stuck to my forehead.

Whew! Where did that rant come from?

Thanks to the following challenges:

Ragtag Daily Prompt

Fandango’s FOWC

Linda Hill’s Stream of Consciousness Saturday

Wordless Wednesday – 03052025

ART – AI GENERATED IMAGE – COLOR

My submission for Hugh’s Views & News blog, Wordless Wednesday post.

Random Fiction – 02212025

FICTION

When you’re young, you wander through life with a carefree attitude, convinced that nothing tragic will ever befall you. It’s not that you think you’re made of steel; it’s just that misfortune always seems to strike elsewhere, affecting other people. You know these people—your classmates who sit a few rows ahead in math, friends who share secrets during recess, rivals who challenge you in sports, and those vaguely familiar faces passing in the school hallway whose names always escape you. “Who is that?” You recognize them; they might live across the street or next door, but their names never stick. You catch wind of their troubles in hushed conversations over cafeteria trays or notice the signs—a bruise blooming under an eye or a sudden empty desk where someone used to sit. But you? You’re shielded by an invisible armor. Untouchable. Until one day, that armor cracks, and the reality that you’re just as vulnerable as everyone else comes crashing down.

As a guy growing up, you were conditioned to believe the worst thing you could be called was a wimp or a pussy. Those words stung like a slap to the face. But the worst of all was “pansy.” It technically meant the same thing, yet it carried a unique venom, like an elite-tier insult that could ignite a brawl. They were fighting words, as the old-timers would say. I often imagined a secret list of such words that, when uttered, left you with no choice but to unleash the rage pent up inside the beast within us all, a primal code of manhood handed down through the ages by our Neanderthal ancestors. The rationale behind it was nonexistent—nonsensical, absurd, or downright foolish didn’t even begin to cover it. I even went so far as to ask friends and acquaintances, hoping to uncover this mythical list’s existence, but they just gave me strange looks as if I was the odd one out. “Weirdo.” There’s another term I’m certain once ranked high on that clandestine list.

If there was one thing certain to amplify male foolishness, it was the presence of a girl. You might assume it would be the confident ones with a smooth stride and an easy grin. But you’d be mistaken. It was simply the presence of any female. Something about her steady, evaluating gaze seemed to flick a switch in our lizard brains. Suddenly, we were all posturing like peacocks, vying for attention as if auditioning for the role of “Alpha Male #2” in a poorly scripted high school drama.

“Cut…cut, cut, cut…” the director’s voice echoed through the set, slicing through our bravado. He rose from his worn director’s chair with an exasperated sigh, his footsteps heavy as he approached. He muttered incoherently, his brows furrowing in frustration. Turning abruptly, he addressed a bewildered production assistant who appeared as if they had stumbled onto the wrong set altogether. “It’s missing… I don’t know,” he said, rubbing his temple as if the motion might conjure clarity from the chaos in his mind. The PA shrugged, their confusion mirroring his own.

“More, you know? More,” he declared, fixing his gaze on you with an intensity that suggested the simple word held the universe’s mysteries. It might, who knows? Because at that moment, you felt the weight of impending humiliation hanging over you like a storm cloud, threatening to unleash if you failed to decipher this cryptic instruction. So you reset, ready to reenact the scene with exaggerated bravado and clumsy confidence. A muscular guy, his shirt straining against bulging biceps, lunged forward to take a swing at a smaller guy. The smaller one stood his ground, fists clenched and eyes steely—not because he had faith in his victory, but because maintaining dignity in defeat was preferable to being labeled a pansy. Who needs self-preservation when fragile masculinity whispers its deceitful promises of status and respect in your ear?

The worst beating I ever took wasn’t even for something I did. And that, frankly, was offensive. I was the kind of kid who had done plenty to earn a few ass-kickings, but this one? This was charity work.

Susan Randle—radiant in a way that made heads turn in every hallway—sat beside me in the darkened movie theater. During what she half-jokingly called our “date” (really just two people sharing a row while an action film played), she eyed me with a mischievous smirk and accused me of being gay simply because I hesitated when she leaned over, voice low and daring, to ask if I wanted to “do it.” The dim light flickering over her face caught the earnest sparkle in her eyes before she suddenly closed the distance and pressed her lips against mine. In that charged moment, the unwritten, yet unanimously understood rule against “unsanctioned sugar”—the secret code dictating who could kiss whom—reared its head. No one ever seemed to grant an exception, whether you were a girl or a guy. And here I was, trapped between the dreaded labels: on one end lay the desperate horndog willing to prove his manhood at every twist, and on the other, the discredited possibility of being gay. I wasn’t interested in becoming just another name on her ever-growing list or dealing with the fallout of shattering her carefully constructed illusion of desirability. When a boy disrupted that illusion, the consequences were swift and ruthless.

That catalog wasn’t a myth—it was as real as the whispered rankings that circulated among us. It wasn’t enough to simply admire the “right” girl; if you dared to look away or, heaven forbid, question the unspoken challenges, your name was scrawled in the ledger of sins. Failed to laugh at the jokes delivered with just the right touch of irony, dress in conforming denim and sneakers, or walk with that practiced swagger? Sure enough, it was marked on the list.

My reluctance to follow these unwritten rules quickly made me a target. Over the following weeks, a series of meticulously scheduled beatings forced me to confront the cruel reality of teenage hierarchies. After school, I would find myself cornered in the deserted back lot behind the gym, where a group of boys awaited with grim determination. They’d shout derogatory names—“fairy boy” and a particular favorite, “pirate,” a crude truncation of “butt pirate”—words spat out with the casual cruelty of a rehearsed routine. Each blow landed with precision, and amid the sting and shock, I discovered a perverse sort of order; they made sure I wasn’t crippled for good. I clutched my prized 96 mph fastball as if it were a lifeline and leaned into my natural left-handed stance, determined to keep my place on the team even if I was labeled a “fairy boy” behind closed doors.

By the time the school year drew to a close, the beatings ceased as if a final judgment had been passed in some bizarre, secret rite of passage. One by one, the bullies patted me on the back with a mixture of grudging admiration and hollow platitudes, congratulating me on having “taken it like a man.” It was as if surviving their collective assault were the final exam in a twisted curriculum of manhood. They’d shrug and say, “It wasn’t personal. It was just something that needed doing.” To them, such senseless violence was nothing short of an honorable tradition—a sacred duty executed without a shred of genuine empathy.

That summer, I found brief refuge away from the tyranny of high school corridors with my father in Northern California. He was a truck driver, his bronzed, weathered hands as familiar with the hum of diesel engines as he was with the hard lines of a life lived outdoors, where emotions were as heavy as the cargo he hauled. My parents’ origins were a collage of chance encounters: they’d originally met at a sultry George Benson concert in the Midwest, where the guitar licks sultry under a neon haze had paved the way for something unexpected. Within nine months of that chance meeting, I came into the picture—a living reminder of their brief yet potent infatuation. They had the wisdom to avoid the charade of forced domesticity; soon after, my mom returned east while my dad continued chasing horizons out west. Mysterious fragments of half-truths and secrets that always belong to a larger narrative are as American as elitism and Chevrolets and need no full explanation.


I used the prompts listed below in this bit of flash fiction

RDP – beast

Fandango – FWOC – Date

Wordless Wednesday – 02192025

ART – AI GENERATED IMAGE – COLOR

My submission for Hugh’s Views & News blog, Wordless Wednesday post.

Late Night Grooves #136

I never knew my mother was such a jazz aficionado until I started digging through her vinyl collection – literally digging, as these treasures were buried under years of accumulated life in our old family home. The records sat there like time capsules, waiting for someone with enough musical maturity to appreciate them properly. Maybe it’s a blessing I waited this long to explore her collection; my teenage self would’ve probably dismissed Miles Davis as “that guy with the trumpet” and missed the genius entirely.

I’ve developed what I like to call a “vintage ear” over the years, an appreciation that comes with age, like finally understanding why adults made such a fuss about good wine. My father’s side of the family, bless their hearts, are musical in that genetic, can’t-help-it kind of way – there’s a guitarist or singer in every generation, like musical chickenpox that just keeps spreading. But they’re technicians, not lovers; they play music but don’t really feel it. It’s like they’re fluent in a language they never actually use for conversation.

Going through Mom’s collection now feels like reading someone’s diary but missing crucial pages. Each album cover tells a story, but I’m left imagining the chapters in between. What made her stop and replay that one Coltrane solo until the vinyl developed a slight wear? Which songs disappointed her so much she needed to tell someone about it? I picture her discovering some hidden B-side gem at 2 AM, wanting to wake someone up just to share it, but deciding to keep that perfect moment to herself. These are conversations we should have had, could have had, if I’d only known to ask.

The irony of my musical obsession hit me hard during deployment. There we were, in the middle of who-knows-where, supposedly focused on staying alive, and I’m shushing a bunch of armed soldiers because some unknown track caught my ear. Must have been quite a sight – combat gear, serious faces, and everyone frozen in place because some music junkie needed his fix. That track, whatever it was, became my personal soundtrack to surreal moments in a surreal time.

My wife, clever woman that she was, found her own way to deal with my musical fixation. Her “mandatory couples classes” rule initially felt like some kind of relationship boot camp – probably payback for all those times I zoned out during her favorite TV shows. But she was playing the long game, and I was too slow to catch on.

She’d strategically pick music history courses, knowing full well you can’t just read about music – that’s like trying to understand swimming by reading about water. You have to dive in, let it wash over you, and become part of the cultural current. And there she’d be, sitting on the couch with that innocent look, dropping casual questions about artists while I supposedly focused on “important” coursework.

Her technique was masterful, really. She’d start with that seemingly harmless phrase, “They were good, but…” and watch me take the bait every single time. I’d launch into these elaborate musical dissertations with historical context, personal interpretations, and probably way too many air guitar solos. It took me embarrassingly long to realize I’d been expertly manipulated into sharing my passion with her.

She didn’t need to match my enthusiasm for every blues riff or jazz improvisation; she just needed to understand why it mattered to me. While I was busy being a musical know-it-all, she quietly built bridges between our interests. Looking back, I have to admire her strategy – it was like watching someone solve a Rubik’s cube while pretending to fiddle with it.

The real kicker? She managed to turn my tendency to lecture about music into quality time together. Here I was, thinking I was educating her about the finer points of bebop while she was actually teaching me about the art of connection. Talk about your plot twists – turns out I wasn’t the only one who knew how to improvise.


Here is John Coltrane’s Blues Train

Daily Doodle – 02162025

ART – PENCIL SKETCHING

“I’d forgotten how much I loved sketching – funny how we abandon the things that feed our souls in favor of spreadsheets and Zoom meetings. There I was, rediscovering my artistic side like finding an old friend on Facebook, except this reunion didn’t involve awkward small talk about failed marriages or pyramid schemes.

The tools had been there all along, tucked between printer toner and Post-its like some sort of artistic Easter egg hunt in my office supplies. My sketchpad and pencils had apparently been practicing the art of camouflage among the corporate mundanity, patiently waiting while I churned out TPS reports and passive-aggressive emails about cleaning the break room fridge.

Despite my long hiatus from art (let’s call it an “extended creative sabbatical” – sounds fancier than “I got lazy”), it was remarkable how that artistic pulse still thrummed beneath my business-casual exterior. It’s like muscle memory for the soul, if you’ll pardon the brief descent into greeting card territory.

Time dissolves differently when you’re sketching – not in the “Oh god, I’ve been scrolling TikTok for three hours” way, but in a peaceful, meditative state that makes you forget about your inbox exploding or that weird noise your car’s been making. My hands remember what to do, channeling years of practice and training like some sort of artistic Jedi. Though I suspect Yoda would have something to say about my perspective skills: ‘Draw better angles, you must.’

It’s both humbling and exhilarating to realize that while climbing the corporate ladder, my creative spirit has been doing burpees in the background, staying surprisingly fit despite my neglect. Perhaps it’s time to pencil in (pun absolutely intended) regular dates with my sketchpad – right between ‘quarterly planning meeting’ and ‘pretend to understand cryptocurrency.'”


Latest Project

Weekend Writing Prompt #403

Here is my response to the Weekend Writing Prompt



The Theory of Everything eluded him, dancing just beyond his grasp like starlight through fog. In his cluttered office, equations sprawled across chalkboards, each variable a stepping stone toward universal truth. Years of research had led to this moment, yet certainty remained a stranger. Coffee grew cold beside scattered papers, forgotten in the pursuit of understanding. Perhaps, he thought, watching dust motes spiral in the afternoon light, the beauty lay not in finding the answer but in the endless quest itself.

Weekend Writing Prompt #402

Here is my response to the Weekend Writing Prompt



The old swing creaked in the autumn wind, a spook of childhood laughter echoing through the empty yard. Shadows stretched long, whispering secrets only the moon could understand. The house remembered everything.

Wordless Wednesday – 02122025

ART – AI GENERATED IMAGE – COLOR

My submission for Hugh’s Views & News blog, Wordless Wednesday post.

Random Fiction – 02112025

FICTION – START OF SOMETHING

“You can never trust the things you hear. Blowhards running around spreading rumors like it’s the national pastime – right up there with baseball and avoiding jury duty,” grunted Detective Maclan as he wrestled with an ancient copper kettle that had seen better days, probably during the Roosevelt administration. The first one.

Mac had the droopy eyes of a basset hound that had just been told Christmas was canceled, minus any of the charm that might make you want to pat his head and give him a biscuit. His face was a topographical map of poor life choices, sour mash, and too many late nights chasing leads that went nowhere.

He was from one of those big cities that think they’re God’s gift to civilization – Detroit, New York, Chicago, take your pick, I could never remember which one. You know the type: concrete jungles where dreams are made of, according to the tourism boards, and people who’ve never had to parallel park there in winter. The kind of places that plaster themselves across postcards nobody sends anymore, where the locals wear their area code like a badge of honor and treat their pizza preferences like a religion.

I’d been wondering, if these metropolitan wonderlands were such paradise on Earth, why Mac had spent the last two decades in our little corner of nowhere, where the most exciting thing to happen was that time someone stole the mayor’s garden gnome. Turned out it was the mayor’s wife, but that’s another story.

At least Mac had decent taste in music – Glenn Miller and Count Basie crooned from a dusty record player in the corner. The big band tunes almost made up for his personality, which had all the warmth of a February morning in Minnesota. Almost.


Prompts Used:

Fandango’s FOWC – Kettle

Ragtag Daily Prompt – Rumor

Wordless Wednesday – 02052025

ART – AI GENERATED IMAGE – COLOR

My submission for Hugh’s Views & News blog, Wordless Wednesday post.

Random Fiction – 02022025

FICTION – HUMOR

When it comes to love, I discovered it arrives in varying shades of peculiar. Initially, I assumed my lady cherished me for the conventional checklist – you know, the usual suspects: ruggedly handsome (if you squint just right), that winning smile (courtesy of years of orthodontic torture), or that ever-reliable “he’s so goofy he’s adorable” card that seems to work for some inexplicable reason. But my lady, bless her arachnophobic heart, marches to the beat of her own peculiar drum. Like every man who’s ever claimed his significant other is “different,” I too fell into that trap – except my situation actually warranted the label.

You see, she loves me for my prowess as an arthropod assassin. I ran through the usual litany of my supposed charms – my wit, my charm, my ability to reach things on high shelves – but she dismissed them with all the interest of a cat watching paint dry. No, my superhero cape, according to her, is a simple flyswatter.

One fateful afternoon, I heard the familiar banshee shriek that had become my bat signal. With the weary resignation of a seasoned veteran, I trudged to my weapon of choice hanging in its place of honor. Entering the living room, I encountered what my lady dramatically declared was “the biggest jumpy spider in the known universe and possibly several parallel dimensions.” Plot twist – it wasn’t flying solo. There were two of these eight-legged terrorists, probably plotting world domination from behind our couch.

A quick flick of the wrist, a satisfying thwack, and the threat to humanity was neutralized. Just another day in the life of your friendly neighborhood spider slayer. As I headed to the kitchen to clean my trusty weapon, I caught my lady staring at me with a look that could only be described as a mixture of relief and unbridled admiration.

“You’re so sexy to me right now. I love you so much,” she breathed, as if I’d just single-handedly saved Earth from an alien invasion rather than squashed a couple of wayward arachnids.

I smiled, finished sanitizing my instrument of justice, and hung it back in its sacred spot. Then, in what might be the most confident decision of my life, I canceled our pest control contract. Who needs professional bug hunters when you’ve got love’s own exterminator on speed dial? Besides, why pay someone else for what’s apparently my most attractive quality? Some men have six-pack abs; I have deadly accurate swatter reflexes. I’ll take it.

Random Fiction – 02012025

FICTION – FREEWRITE


The things I know about love could be scribbled on a matchbook’s blank side with room left for a bad limerick. Truth is, the original matchstick instructions—strike here, light fuse, watch things burn—hold more practical wisdom. Over years of singed fingers and smoldered hopes, I’ve gathered scraps of survival tactics. Never trust words spoken in dim light or daylight; most folks peddle lies they’ve yet to realize themselves. Study their hands—the way they flutter like trapped moths when spinning tales. Watch for the split-second flicker in their eyes when truth barges in uninvited. But don’t stare too long, or you’ll become the mirror they’re desperate to avoid.

This isn’t some grand philosophy unearthed in a desert monastery. Just rusty tools to patch the hull when the ship’s taking water. Save the “real men don’t cry” bravado for locker rooms—we all drown the ache somehow. A twelve-pack of Bud, a heart-to-heart with Jack Daniel’s, or sobbing into a motel pillow while Springsteen croons about highways on the tinny alarm clock radio. At least tears don’t leave you waking to that look: a woman recoiling under crumpled sheets, eyes wide as a spooked deer’s. She’ll mutter something about quitting gin as she retreats to the bathroom, and you’ll mumble back about swearing off scotch, both knowing neither promise will outlast the coffee brewing in the stained pot.

The real art lies in the exit. You hand her a chipped mug, steam curling like a question mark between you. She sips, eyebrows lifting—not at the bitterness, but at the shock of you still being there. You brace for the verdict: Is the coffee better than the sex? A half-smile. A nod toward the door. No words, just the unspoken script we all memorize by 30. Dignity intact, you slip into the dawn, both already drafting tomorrow’s excuses.

Gypsy—my ‘65 Ford pickup—taught me more about commitment than any human. She’s been my co-conspirator since high school, back when her engine purred and her bench seat fit two (or three, if we got creative). These days, her love language is breaking down at cinematic moments: snowy backroads, midnight escapes from jealous husbands, and that one time outside Tulsa when her transmission gave up just as Margo’s daddy’s headlights crested the hill. The split lip was worth it. Can’t pay child support if you’re always in the rearview, right?

But the road—Christ, the road. It’s a confession booth on wheels. Twenty miles in, the hum of asphalt strips away the bullshit. Past regrets roll by like telephone poles: Lisa’s laugh in ‘08, the stillborn promise to quit smoking, your father’s hands on the steering wheel that last July. By mile 200, you’re raw enough to pull over and let the tears come—not the pretty kind, but the ugly, snot-dripping ones that scald your cheeks. You cry for the man you thought you’d be, for the love letters burned, for the quiet horror of becoming exactly what you mocked at 22. Then you wipe your face on a gas station napkin, buy a lukewarm Dr Pepper and a honeybun, and drive until the road starts making sense again. Or until it doesn’t. Either way, you keep moving.

Random Fiction – 01182025

FICTION-THIRD PERSON

He sat staring at a blank page, its pristine surface mocking his creative paralysis. The page looked back at him with the same vacant stare, a mirror to his emptiness, reflecting frustration and the void between inspiration and expression. Perhaps it was their shared moment of creative purgatory, each waiting for the other to break first.

He was wrestling with the ethereal image of silhouettes dancing at sunrise, their forms both defined and formless against the awakening sky. The vision burned clear in his mind, yet words slipped through his grasp like morning mist. He just sat there, attempting to mold his scattered thoughts into the precise architecture of verse, trying to conform his words to the image that haunted him, into some sort of perfect form or acceptable stanza that could capture the ephemeral dance he witnessed.

The words began to flow slowly like dawn creeping over the horizon. He formed the stanzas on a whim, yet they fell into the perfect meter as if guided by some hidden hand. It became clear his conformity knew no bounds, yet within those bounds, wild freedom emerged. Line after line, he wrote, as a gentle breeze from a cracked window caressed his face, carrying with it the whispers of dawn.

The morning unveiled itself in layers of sound and sensation. He began hearing the birds chirp their morning song of grace, nature’s poetry accompanying his creation, as the filled pages fluttered to the floor like autumn leaves. The final sputter of the coffee pot signaled a new pot made, a percussion of domestic ritual marking time’s passage. Inhaling deeply, he filled his lungs with the fresh aroma, drawing inspiration with each breath as he walked into the other room to retrieve more paper. He poured a cup, the dark liquid steaming with promise, and returned to his office.

He sat back down, possessed now by the urgency of creation, and finished the screaming tale of his soul. The words poured forth like a confession, raw and honest, each line a revelation. He leaned back in his office chair, serenaded by the creaking leather’s ancient song, a counterpoint to his racing thoughts. He took a sip of coffee, letting its warmth spread through him like liquid courage, and began reading the pages he had just created.

The first page danced with intention’s perfection, each word precisely placed, each phrase carefully crafted. But the remaining pages bellowed from his soul with increasing abandon, breaking free from the constraints of form and structure. It was clear that while he had truly captured the essence of those silhouettes’ dance, conformity only went so far before the truth demanded its own wild choreography. His words had become their own dawn dancers, moving to rhythms beyond his control, and he realized that sometimes the most perfect expression comes not from constraint but from letting go.

Get to Know Us #50

Here is my response to Kymber’s Get to Know You

  1. If you could sit on a bench in beautiful woods, who would you like sitting next to you on the bench and why? My mom and my wife, I would listen to my mother’s memories of past memories as if she were right back in the moment. No detail was missed. I loved how she painted a picture with her words. She was the writer in the family. What I do is nothing more than scattered words on the page. My wife sits quietly, watching us, waiting for the moment I chime in with a tale of my own. The slightest smile sat on her face, and her eyes danced back and forth.
  2. What was your least favorite food as a kid, and do you still dislike it? Liver and green peas would have to be the worst food ever. My wife used different recipes for me to try, but they never worked.
  3. What game show would you like to be a contestant on? There were two game shows I could be a contestant on, but since the original hosts aren’t there anymore. I’m over it. Jeopardy and Who Wants to be a Millionaire. I only considered these shows due to prodding from friends and families.

Wordless Wednesday – 01152025

ART – AI GENERATED IMAGE – COLOR

My submission for Hugh’s Views & News blog, Wordless Wednesday post.

Random Thoughts – 01152025

Animals enrich our lives in ways we can’t describe. I often write about my adventures with my cats. However, this morning I found this interesting clip while cruising Reddit check it out…

It reminds me of training my Rottie’s and how they each had their own personalities. I had who loved to help me in the shop. While another would do yardwork with me. She’d drag the clipped branches to the curb. I never thought about the role that pets play in our lives, the effect they have on us, or the effect we have on them.

Song Lyric Sunday – 011152025

MINI BIO – SLS

Immersing myself in the musical offerings of my fellow melody enthusiasts has been an absolute delight. Each shared track opened new doors, introducing me to artists I’d never encountered and fresh interpretations of beloved classics. The experience was a powerful reminder of music’s eternal nature and remarkable ability to mend the soul. As I pondered my contribution to this musical exchange, I drew blanks beyond the familiar territory of standards. Rather than force a conventional choice, I ventured into uncharted waters. Taking a bold step away from my usual selections, I dove deep into my carefully curated blues collection – a genre I rarely explore in these challenges. What I discovered there was nothing short of magical – a hidden treasure patiently waiting for its moment to shine. Like a dusty gem catching the light for the first time, this blues piece emerged from the depths of my collection, ready to share its brilliance.


Let me share with you this incredible musical journey that starts with “Work with Me, Annie,” a deliciously cheeky rhythm and blues gem that burst onto the scene in 1954. Hank Ballard and The Midnighters crafted this irresistible tune with its playful winks and nudges, wrapped in an infectious melody that just makes you want to move. The song’s magic lies in its teasing nature – never crossing the line but dancing right up to it with a mischievous grin.

But here’s where my musical adventure takes an exciting turn. While exploring the blues rabbit hole, I stumbled upon Snooky Pryor’s take on this classic from his 1999 album “Shake My Hand.” Oh, what a discovery! Pryor takes this already spicy number and adds his own special sauce – that soul-stirring harmonica of his weaves through the melody like a river of pure blues feeling. He doesn’t just cover the song; he reimagines it, breathing new life into those suggestive lyrics with his raw, authentic blues voice while his harmonica tells stories of its own.

It’s like finding a cherished vintage photograph that’s been lovingly restored and enhanced, keeping all its original charm while adding new layers of depth and character. Pryor’s version is a beautiful testament to how great music can evolve while staying true to its roots, creating something that feels both wonderfully familiar and excitingly fresh.


Lyrics:

Song by Hank Ballard

(guitar intro)

(Oooh!)
Work with me, Annie
(a-um, a-um, a-um, a-um)
Work with me, Annie
Ooo-wee!
Work with me, Annie
Work with me, Annie

Work with me, Ann-ie-e
Let’s get it while the gettin’ is good

(So good, so good, so good, so good)

Annie, please don’t cheat
(va-oom, va-oom, va-oom, va-oom)
Give me all my meat (ooo!)
Ooo-hoo-wee
So good to me

Work with me Ann-ie-e
Now, let’s get it while the gettin’ is good

(So good, so good, so good, so good)

A-ooo, my-ooo
My-ooo-ooo-wee
Annie, oh how you thrill me
Make my head go round and round
And all my love come dow-ow-own
(Ooo!)

Work with me, Annie
(a-um, a-um, a-um, a-um)
Work with me, Annie
Don’t be ‘shamed
To work with me, Annie
Call my name
Work with me, Annie

A-work with me, Ann-ie-e
Let’s get it while the gettin’ is good

(So good, so good, so good, so good)

So Good!

(guitar & instrumental)

Oh, our hot lips kissing
(a-um, a-um, a-um, a-um)
Girl, I’ll beg mercy
Oh, hugging and more teasing
Don’t want no freezing

A-work with me, Ann-ie-e
Let’s get it while the gettin’ is good

(So good, so good, so good, so good)

Ooo-ooo
Umm-mmm-mmm
Ooo-ooo-ooo

FADES

Ooo-ooo-ooo-ooo.


While treasure hunting in my blues archive, something magical happened – you know how music just grabs you sometimes? There I was, ready to wrap things up, when the blues spirits themselves seemed to whisper, “Hold up now, we’ve got more stories to tell!” And just like that, this hypnotic groove reached out and caught me, channeling the spirit of the legendary John Lee Hooker himself. That unmistakable rhythm, that raw, pulsing energy – it was impossible to resist.

And I wasn’t the only one feeling it! There was Guppy, my faithful furry companion, already swaying to the beat. In a moment of pure joy, I reached for her paws, and we shared this impromptu dance party. Reality (and our respective ages) quickly reminded us to take a seat, but that groove? Oh, it wasn’t letting go! So there we were, two old souls – me in my trusty chair, Guppy on her favorite pillow – still caught up in the rhythm, still moving and grooving, still feeling that blues magic work its way through our bones.

You know those perfect little moments when music just takes over, and age becomes just a number? This was one of those precious times when the blues reached out and reminded us that you’re never too old to feel the rhythm, never too dignified to let loose and wiggle along with the beat. Guppy and I might not be spring chickens anymore, but in that moment, we were timeless dancers in our own little blues club.


Let me tell you about this absolute gem I uncovered – “Got to Have Money” by Luther “Guitar Junior” Johnson. Talk about finding the perfect blues treasure! This piece just oozes that authentic Chicago blues spirit, the kind that grabs you by the soul and doesn’t let go. Johnson doesn’t just play the blues; he lives and breathes it through every note, every guitar lick, every word that flows from his lips.

You know those songs that just tell it like it is? This is one of those honest-to-goodness truth-tellers. Johnson wraps his gritty, soulful voice around a story we all know too well – that endless dance with the almighty dollar. But it’s not just about the message; it’s how he delivers it. Those guitar riffs? Pure magic! They weave through the song like a conversation, sometimes whispering, sometimes crying out, but always speaking straight to the heart.

And that groove! Oh my goodness, that groove! It’s the kind that gets under your skin and makes your feet move whether you want them to or not. Johnson has this incredible way of taking something as universal as money troubles and turning it into this beautiful, moving piece of art that makes you feel less alone in your struggles. It’s like he’s sitting right there with you, nodding his head and saying, “Yeah, I’ve been there too, friend.”

This is exactly why I love diving into these blues archives – you never know when you’ll surface with a piece that speaks such raw truth while making your spirit dance at the same time.


Lyrics:

Yes, a little drive by upon the hill
And this is where It begin to start
Mama told Papa, said “Pack up son!”
“We gonna leave this sow land again”


I was just a little bitty boy
′Bout the age of five
Too much work
Not enough money
This what it’s all about


Got to have money
Got to have some money, y′all
Got to have money
Got to have some money, y’all


Muddy Waters got money
Lightnin’ Hopkins got it too
Tyrone got money
Want me some money too


Got to have money
Can′t get along without it
Got to have some money
Can′t get along without it


I used to have you water
15 bottles
For 15 cents a day
Shame a boy my age
Worked so hard everyday


But now I’m grown
I′m on my own
And this I want you to know
If you want me to work for you, baby
You got to give me big dough


‘Cause I got to have money
Got to have money, y′all
Can’t get along without it
Got to have money, y′all


They say money is a sign for sympathy
The root of all evil
If this is what money really is
Call the Doctor ’cause I got a fever

I got to have money
Got to have money, y’all
Can′t get along without it
Got to have money, y′all

Got to have some money
Got to have some money
I got to have some money


Writer(s): John T Williams

Here is the link to the challenge. Thanks Jim for hosting I had blast with one.

Late Night Grooves #135

So, tonight on LNG, I’m going to shift gears a bit. I intended to focus on some of my favorite female vocalists in R&B/Soul. However, after reading the post listed below, I was introduced to an immensely talented, amazing young woman. I took a few moments to review some of her work after reading Milepebbles’ post. Within her post, you will get the particulars about the covering the track young lady covers and information about the young lady herself.

After her fame from AGT, the young woman developed her own sound that seemed to evolve in every track. I worry every time I hear young artists compared to musical legends. There is so much pressure on the artist, especially if they don’t live up to the comparison. I listened to this young lady be compared to Janis Joplin. I completely understand why the comparison was made and the sentiment behind it. However, this young lady is no Janis Joplin. She is something else entirely. Even in the first video, you can see something different about her. As I continue to listen to her as I write this post.

Ladies and gentlemen, Courtney Hadwin’s Breakable


Still the Same

Daily writing prompt
What is the greatest gift someone could give you?

DAILY PROMPT RESPONSE

I reread my comments from a year ago, and they are as valid now as they were then. Here is what I had to say.

Wordless Wednesday – 01082025

ART – AI GENERATED IMAGE – COLOR

My submission for Hugh’s Views & News blog, Wordless Wednesday post.

Late Night Grooves #134

I discovered an unexpected musical universe while exploring my mother’s collection of 45 rpm records. Hidden within these vinyl discs were recordings by familiar artists I never knew existed, alongside completely unknown musicians who created remarkable work. I smile at my previous assumption of musical expertise, now humbled by the vastness of what remains unexplored. We often experience music through curated selections – songs deemed worthy by others’ judgment. While these choices frequently merit their status, countless talented artists and their exceptional works remain in obscurity, their songs gradually disappearing from collective memory, heard only through chance encounters with dusty records. It is in this spirit I selected tonight’s track. This was made famous and was covered by Nirvana, and when discussing the track, people are most familiar with Nirvana’s cover.

The Man Who Sold the World” is a cryptic and evocative song released by David Bowie in November 1970 in the US and April 1971 in the UK as the title track of his third studio album. The song features a distinctive circular guitar riff by Mick Ronson and haunting, phased vocals by Bowie, recorded on the final day of mixing. The song is built around a repeating electric guitar riff with an acoustic guitar underneath, primarily in the key of F. The musical arrangement creates a complex harmony that shifts between different chords, creating a disturbing yet compelling sound structure. The song explores themes of identity crisis, duality, and multiple personalities. Bowie explained that he wrote it while searching for a part of himself, reflecting the feeling of youth trying to discover one’s true identity. The lyrics were partially inspired by the 1899 poem “Antigonish” by William Hughes Mearns.



Late Night Grooves #133

Tonight on LNG, I’m featuring one of my favorite jazz artists. I discovered Oscar Peterson by accident in my thirties. He and Ahmad Jamal played in my home for several months as part of my exploration of jazz trios. So, tonight, here is a standard from the Oscar Peterson Trio.

Oscar Peterson‘s rendition of “Have You Met Miss Jones?” appears on his acclaimed 1964 album “We Get Requests.” The song, originally composed by Richard Rodgers with lyrics by Lorenz Hart, was transformed by Peterson’s trio into a masterful jazz interpretation. The piece is set in the key of F Major and is typically performed at a fast tempo3. Peterson’s version is notable for his sophisticated block chords and characteristic virtuosic piano style. The performance builds dramatically, showcasing the trio’s dynamic interplay and Peterson’s remarkable technical facility at the keyboard.


Ice Cream Solves Everything

Daily writing prompt
Do you spend more time thinking about the future or the past? Why?

DAILY PROMPT RESPONSE

The last time I approached this topic, I spoke about using the past from a writer’s perspective. This still remains true, but things are a little different this year. Here are my thoughts from last year.

Sometimes, it seems like my characters learn from my triumphs and follies. I try not to push my opinions on the characters I create. I try to let them live their own lives independently. To be free of my prejudices, quirks, and code. Honestly, I think there is a part of us in the characters we create, whether it’s the protagonist, antagonist, or supporting character. This upsets me now and again because I try so hard not to do this. It is an unrealistic endeavor, perhaps, but one I need to work towards. I think of this when frustration gets the better of me.

“The world is full of magic things, patiently waiting for our senses to grow sharper.”
— W.B. Yeats

I think about what Yeats is talking about, more precisely, what it means to me and how it can be applied. As I age, I repeatedly find that my opinion about certain things has changed drastically. I’m not a different person at the core, but I have definitely evolved. Whether better or worse, it is too early to say. I think that determination is what’s important. Yet, awareness of the evolution and acceptance are crucial for growth and understanding.

This quote comes to mind when thinking about the past or the future.

“Learn from yesterday, live for today, hope for tomorrow. The important thing is not to stop questioning.”
— Albert Einstein

I love this quote because life lessons shape our current lives, and I hope we can pass on the wisdom. I suppose it’s a part of our legacy—the things we have discovered along the way. Some may say it’s our duty to share this wisdom. I see the truth in that opinion. We watch others stumble about trying to accomplish something, and we have a different approach to assist them in completing their task. However, let’s take a moment to consider this: each person’s path to personal growth is, in fact, personal. We can advise them, not lead them. Also, Buddha advises us on the following:

“Do not dwell in the past, do not dream of the future, concentrate the mind on the present moment.”
— Buddha

If we spend too much time passing on the wisdom of our lessons learned, we are trying to fulfill our dreams of a brighter future—not only for ourselves but also for the person we pass on the knowledge to. By doing so, we aren’t concentrating on the most important period: the present.

My final thoughts: Our past, present, and future are contained in each breath. Our past has made us the people we are in this moment. It lays the foundation for the pathway of our future. Every breath is the catalyst for our evolution; don’t fight it. Remember, the difference between life and death is a single breath; don’t waste it.

Excuse me while I get coffee and an ice cream sandwich because ice cream solves everything.

Late Night Grooves #132

Tonight, on LNG, we are traveling back to the 1960s and listening to a legendary track from a band that has vanished from the headlines but remains in the hearts of so many. I’ve been a fan of The Stooges for years, but I hadn’t a clue to the depth of their music until recently. It’s always good to rediscover the music from periods we may have forgotten.


“I Wanna Be Your Dog” is one of The Stooges’ most iconic and influential tracks, released on their self-titled debut album in 1969. The song features a hypnotic, three-chord riff driven by distorted guitar and piano, creating a raw, primal sound that epitomizes proto-punk. Lyrically, it explores themes of submission and desire with stark simplicity, delivered through Iggy Pop’s snarling, visceral vocals. Its rebellious energy and stripped-down intensity made it a groundbreaking track, paving the way for the punk rock movement and leaving an enduring mark on alternative music.


Late Night Grooves #131

“Mad About You” is a signature song by Belgian band Hooverphonic. It was released in 2000 as the lead single from their third album, The Magnificent Tree. The track features dramatic orchestration and sweeping string arrangements reminiscent of a James Bond theme song, combined with elements of trip-hop.


A Day without Learning, A Day Wasted

Daily writing prompt
What colleges have you attended?

DAILY PROMPT RESPONSE

A year ago, I had this to say about this prompt

I still firmly believe in the benefits of distance learning, and online advancements have made it even easier. Since I first made this post, I’ve looked into the number of colleges and universities available, and the results are staggering. People who want an Ivy League education can take courses from those institutions for free, and many offer affordable online programs.

I started saying a mantra as a teenager.

“A day without learning something is a day wasted”

Everyday, I try to learn a new skill, add a layer to existing one, or practice. So, take the time to look into the programs that might interest you. Have fun and good luck!

Late Night Grooves #130

The first LNG of the year, we are featuring new music for me. I spent most of the day listening to the band. This is the track that stood out to me.

“Pioneer to the Falls” by Interpol is the opening track of their 2007 album Our Love to Admire. The song is a brooding, atmospheric piece marked by somber guitar melodies, deep basslines, and Paul Banks’ enigmatic vocals. With its hypnotic rhythm and melancholic tone, the track explores themes of longing, loss, and existential reflection, setting the mood for the rest of the album with its cinematic and haunting aura.

To be Young at Heart

Daily writing prompt
Do you play in your daily life? What says “playtime” to you?

DAILY PROMPT RESPONSE

A year ago, WordPress asked this same question. I responded with the post below.

I faced many challenges during that year. These challenges have reminded me that there are more important things than I ever imagined. It is very easy to get lost in the mayhem of life. One of the most important things we overlook is remaining young at heart. It’s important to remember to enjoy every opportunity.

Throughout my adult life, I have often lost sight of enjoying the little things. But I’ve learned to appreciate them in the past year, and I’ve rediscovered my love for the creative arts. So, “playtime” for me is diving deeper into my creativity. I love to see what I can create. The creative arts have helped me heal and kept me sane during one of the most trying times in my life. So, pick up what you use to enjoy yourself, then go crazy.

Excuse me while I make up a silly story and create bizarre images.


America’s Favorite Pastime (Revisited)

If you started a sports team, what would the colors and mascot be?

DAILY PROMPT RESPONSE

The last time this question was asked, I decided to write a bit of flash fiction as a response. The link to that story is listed below.

I never anticipated the response to the story. It blew me away. It was just a little idea I came up with, and I decided to write something. However, the comment that struck me the most was my brother’s comment that he wanted to see more artwork featuring pink ferrets and angry platypuses. I told him there was an image already with the story. He nodded as he peered over his glasses.

“I want to see what they would like now, seeing you are better with computer art.”

I laughed and said I would, but I never got around to it. Well, the prompt appeared again. Now, I need to reimage the graphics for the story. So, I sat down and created a roster for the Rico Strong Traveling Pink Ferrets and Angry Platypus. I will probably rewrite the story, but we start with the graphics first.

Here are a few mockups of the project.

Cute mockups:


Realistic Approaches:

Wordless Wednesday – 01012025

ART – AI GENERATED IMAGE – COLOR

My submission for Hugh’s Views & News blog, Wordless Wednesday post.

Late Night Grooves #129

Tonight on LNG, I figured we would go with the “last Monday of the year” theme. I found this little gem in some notes about music tucked away in one of my many notebooks. I swear I need to make some sort of resolution to organize these notes. I’m shaking my head. This is the equivalent of a vow to lose weight, exercise more, or quit smoking, and my all-time favorite, focus on me. This is my year. Anyway, I digress.

“Thank God It’s Monday” is a unique punk rock anthem released by NOFX in 2000 on their album “Pump Up the Valuum.” The song, written by Mike Burkett (Fat Mike), offers an ironic twist on the typical Monday blues sentiment. The track presents a contrarian view of weekdays, celebrating Mondays while criticizing traditional weekend activities. The lyrics express a preference for Mondays over Fridays, pointing out how weekends are filled with crowded, smoky bars and packed restaurants. The song’s protagonist lives a “5-day weekend” and a “year-long holiday,” embracing Mondays when most people are at work. Each day is compared to a holiday—Tuesdays are like Christmas, Wednesdays like Hanukkah, and Thursdays like Thanksgiving.


Have you read this?

Daily writing prompt
Who are the biggest influences in your life?

DAILY PROMPT RESPONSE

Many years ago, I learned that no one has all the answers. This revelation also led me to discover that wisdom can be found in the oddest places or with the strangest people. As I struggled to answer this prompt, I found an answer that said it all. The truth of this post moved me and helped me find my way to an answer.

I rely on my faith in my journey through the chaos we call life. It has guided me through some of the toughest situations. Without it, I’m not sure who or what I would be. I talked to many people as I’ve walked this journey searching for peace. Only to discover that the peace sought had resided within the entire time. I cannot remember the name of the person who pointed me toward this path, but I’m thankful.

Through my travels, I realize the potential of love resides in each of us, no matter the faith. I’ve seen people of different faiths band together to perform majestic things. It is a wonderful experience to witness and to feel. I don’t have the words to adequately describe its wonder. I’m inspired by people who are steadfast and true in their beliefs and commitment to help their fellow man.

Throughout my journey, I’ve studied several different texts in the hope of gaining a deeper understanding of the world. Though I have stumbled and sometimes questioned certain events, I feel that each step has been worth taking. I remember my father posing a query as he held up his tattered Bible.

Have you read this?