
Quote of the Day – 03042025
A place where I post unscripted, unedited, soulless rants of a insomniac madman
When you’re young, you wander through life with a carefree attitude, convinced that nothing tragic will ever befall you. It’s not that you think you’re made of steel; it’s just that misfortune always seems to strike elsewhere, affecting other people. You know these people—your classmates who sit a few rows ahead in math, friends who share secrets during recess, rivals who challenge you in sports, and those vaguely familiar faces passing in the school hallway whose names always escape you. “Who is that?” You recognize them; they might live across the street or next door, but their names never stick. You catch wind of their troubles in hushed conversations over cafeteria trays or notice the signs—a bruise blooming under an eye or a sudden empty desk where someone used to sit. But you? You’re shielded by an invisible armor. Untouchable. Until one day, that armor cracks, and the reality that you’re just as vulnerable as everyone else comes crashing down.
As a guy growing up, you were conditioned to believe the worst thing you could be called was a wimp or a pussy. Those words stung like a slap to the face. But the worst of all was “pansy.” It technically meant the same thing, yet it carried a unique venom, like an elite-tier insult that could ignite a brawl. They were fighting words, as the old-timers would say. I often imagined a secret list of such words that, when uttered, left you with no choice but to unleash the rage pent up inside the beast within us all, a primal code of manhood handed down through the ages by our Neanderthal ancestors. The rationale behind it was nonexistent—nonsensical, absurd, or downright foolish didn’t even begin to cover it. I even went so far as to ask friends and acquaintances, hoping to uncover this mythical list’s existence, but they just gave me strange looks as if I was the odd one out. “Weirdo.” There’s another term I’m certain once ranked high on that clandestine list.
If there was one thing certain to amplify male foolishness, it was the presence of a girl. You might assume it would be the confident ones with a smooth stride and an easy grin. But you’d be mistaken. It was simply the presence of any female. Something about her steady, evaluating gaze seemed to flick a switch in our lizard brains. Suddenly, we were all posturing like peacocks, vying for attention as if auditioning for the role of “Alpha Male #2” in a poorly scripted high school drama.
“Cut…cut, cut, cut…” the director’s voice echoed through the set, slicing through our bravado. He rose from his worn director’s chair with an exasperated sigh, his footsteps heavy as he approached. He muttered incoherently, his brows furrowing in frustration. Turning abruptly, he addressed a bewildered production assistant who appeared as if they had stumbled onto the wrong set altogether. “It’s missing… I don’t know,” he said, rubbing his temple as if the motion might conjure clarity from the chaos in his mind. The PA shrugged, their confusion mirroring his own.
“More, you know? More,” he declared, fixing his gaze on you with an intensity that suggested the simple word held the universe’s mysteries. It might, who knows? Because at that moment, you felt the weight of impending humiliation hanging over you like a storm cloud, threatening to unleash if you failed to decipher this cryptic instruction. So you reset, ready to reenact the scene with exaggerated bravado and clumsy confidence. A muscular guy, his shirt straining against bulging biceps, lunged forward to take a swing at a smaller guy. The smaller one stood his ground, fists clenched and eyes steely—not because he had faith in his victory, but because maintaining dignity in defeat was preferable to being labeled a pansy. Who needs self-preservation when fragile masculinity whispers its deceitful promises of status and respect in your ear?
The worst beating I ever took wasn’t even for something I did. And that, frankly, was offensive. I was the kind of kid who had done plenty to earn a few ass-kickings, but this one? This was charity work.
Susan Randle—radiant in a way that made heads turn in every hallway—sat beside me in the darkened movie theater. During what she half-jokingly called our “date” (really just two people sharing a row while an action film played), she eyed me with a mischievous smirk and accused me of being gay simply because I hesitated when she leaned over, voice low and daring, to ask if I wanted to “do it.” The dim light flickering over her face caught the earnest sparkle in her eyes before she suddenly closed the distance and pressed her lips against mine. In that charged moment, the unwritten, yet unanimously understood rule against “unsanctioned sugar”—the secret code dictating who could kiss whom—reared its head. No one ever seemed to grant an exception, whether you were a girl or a guy. And here I was, trapped between the dreaded labels: on one end lay the desperate horndog willing to prove his manhood at every twist, and on the other, the discredited possibility of being gay. I wasn’t interested in becoming just another name on her ever-growing list or dealing with the fallout of shattering her carefully constructed illusion of desirability. When a boy disrupted that illusion, the consequences were swift and ruthless.
That catalog wasn’t a myth—it was as real as the whispered rankings that circulated among us. It wasn’t enough to simply admire the “right” girl; if you dared to look away or, heaven forbid, question the unspoken challenges, your name was scrawled in the ledger of sins. Failed to laugh at the jokes delivered with just the right touch of irony, dress in conforming denim and sneakers, or walk with that practiced swagger? Sure enough, it was marked on the list.
My reluctance to follow these unwritten rules quickly made me a target. Over the following weeks, a series of meticulously scheduled beatings forced me to confront the cruel reality of teenage hierarchies. After school, I would find myself cornered in the deserted back lot behind the gym, where a group of boys awaited with grim determination. They’d shout derogatory names—“fairy boy” and a particular favorite, “pirate,” a crude truncation of “butt pirate”—words spat out with the casual cruelty of a rehearsed routine. Each blow landed with precision, and amid the sting and shock, I discovered a perverse sort of order; they made sure I wasn’t crippled for good. I clutched my prized 96 mph fastball as if it were a lifeline and leaned into my natural left-handed stance, determined to keep my place on the team even if I was labeled a “fairy boy” behind closed doors.
By the time the school year drew to a close, the beatings ceased as if a final judgment had been passed in some bizarre, secret rite of passage. One by one, the bullies patted me on the back with a mixture of grudging admiration and hollow platitudes, congratulating me on having “taken it like a man.” It was as if surviving their collective assault were the final exam in a twisted curriculum of manhood. They’d shrug and say, “It wasn’t personal. It was just something that needed doing.” To them, such senseless violence was nothing short of an honorable tradition—a sacred duty executed without a shred of genuine empathy.
That summer, I found brief refuge away from the tyranny of high school corridors with my father in Northern California. He was a truck driver, his bronzed, weathered hands as familiar with the hum of diesel engines as he was with the hard lines of a life lived outdoors, where emotions were as heavy as the cargo he hauled. My parents’ origins were a collage of chance encounters: they’d originally met at a sultry George Benson concert in the Midwest, where the guitar licks sultry under a neon haze had paved the way for something unexpected. Within nine months of that chance meeting, I came into the picture—a living reminder of their brief yet potent infatuation. They had the wisdom to avoid the charade of forced domesticity; soon after, my mom returned east while my dad continued chasing horizons out west. Mysterious fragments of half-truths and secrets that always belong to a larger narrative are as American as elitism and Chevrolets and need no full explanation.
I used the prompts listed below in this bit of flash fiction
RDP – beast
Fandango – FWOC – Date

My submission for Hugh’s Views & News blog, Wordless Wednesday post.


I never knew my mother was such a jazz aficionado until I started digging through her vinyl collection – literally digging, as these treasures were buried under years of accumulated life in our old family home. The records sat there like time capsules, waiting for someone with enough musical maturity to appreciate them properly. Maybe it’s a blessing I waited this long to explore her collection; my teenage self would’ve probably dismissed Miles Davis as “that guy with the trumpet” and missed the genius entirely.
I’ve developed what I like to call a “vintage ear” over the years, an appreciation that comes with age, like finally understanding why adults made such a fuss about good wine. My father’s side of the family, bless their hearts, are musical in that genetic, can’t-help-it kind of way – there’s a guitarist or singer in every generation, like musical chickenpox that just keeps spreading. But they’re technicians, not lovers; they play music but don’t really feel it. It’s like they’re fluent in a language they never actually use for conversation.
Going through Mom’s collection now feels like reading someone’s diary but missing crucial pages. Each album cover tells a story, but I’m left imagining the chapters in between. What made her stop and replay that one Coltrane solo until the vinyl developed a slight wear? Which songs disappointed her so much she needed to tell someone about it? I picture her discovering some hidden B-side gem at 2 AM, wanting to wake someone up just to share it, but deciding to keep that perfect moment to herself. These are conversations we should have had, could have had, if I’d only known to ask.
The irony of my musical obsession hit me hard during deployment. There we were, in the middle of who-knows-where, supposedly focused on staying alive, and I’m shushing a bunch of armed soldiers because some unknown track caught my ear. Must have been quite a sight – combat gear, serious faces, and everyone frozen in place because some music junkie needed his fix. That track, whatever it was, became my personal soundtrack to surreal moments in a surreal time.
My wife, clever woman that she was, found her own way to deal with my musical fixation. Her “mandatory couples classes” rule initially felt like some kind of relationship boot camp – probably payback for all those times I zoned out during her favorite TV shows. But she was playing the long game, and I was too slow to catch on.
She’d strategically pick music history courses, knowing full well you can’t just read about music – that’s like trying to understand swimming by reading about water. You have to dive in, let it wash over you, and become part of the cultural current. And there she’d be, sitting on the couch with that innocent look, dropping casual questions about artists while I supposedly focused on “important” coursework.
Her technique was masterful, really. She’d start with that seemingly harmless phrase, “They were good, but…” and watch me take the bait every single time. I’d launch into these elaborate musical dissertations with historical context, personal interpretations, and probably way too many air guitar solos. It took me embarrassingly long to realize I’d been expertly manipulated into sharing my passion with her.
She didn’t need to match my enthusiasm for every blues riff or jazz improvisation; she just needed to understand why it mattered to me. While I was busy being a musical know-it-all, she quietly built bridges between our interests. Looking back, I have to admire her strategy – it was like watching someone solve a Rubik’s cube while pretending to fiddle with it.
The real kicker? She managed to turn my tendency to lecture about music into quality time together. Here I was, thinking I was educating her about the finer points of bebop while she was actually teaching me about the art of connection. Talk about your plot twists – turns out I wasn’t the only one who knew how to improvise.
Here is John Coltrane’s Blues Train
“I’d forgotten how much I loved sketching – funny how we abandon the things that feed our souls in favor of spreadsheets and Zoom meetings. There I was, rediscovering my artistic side like finding an old friend on Facebook, except this reunion didn’t involve awkward small talk about failed marriages or pyramid schemes.
The tools had been there all along, tucked between printer toner and Post-its like some sort of artistic Easter egg hunt in my office supplies. My sketchpad and pencils had apparently been practicing the art of camouflage among the corporate mundanity, patiently waiting while I churned out TPS reports and passive-aggressive emails about cleaning the break room fridge.
Despite my long hiatus from art (let’s call it an “extended creative sabbatical” – sounds fancier than “I got lazy”), it was remarkable how that artistic pulse still thrummed beneath my business-casual exterior. It’s like muscle memory for the soul, if you’ll pardon the brief descent into greeting card territory.
Time dissolves differently when you’re sketching – not in the “Oh god, I’ve been scrolling TikTok for three hours” way, but in a peaceful, meditative state that makes you forget about your inbox exploding or that weird noise your car’s been making. My hands remember what to do, channeling years of practice and training like some sort of artistic Jedi. Though I suspect Yoda would have something to say about my perspective skills: ‘Draw better angles, you must.’
It’s both humbling and exhilarating to realize that while climbing the corporate ladder, my creative spirit has been doing burpees in the background, staying surprisingly fit despite my neglect. Perhaps it’s time to pencil in (pun absolutely intended) regular dates with my sketchpad – right between ‘quarterly planning meeting’ and ‘pretend to understand cryptocurrency.'”
Here is my response to the Weekend Writing Prompt
The Theory of Everything eluded him, dancing just beyond his grasp like starlight through fog. In his cluttered office, equations sprawled across chalkboards, each variable a stepping stone toward universal truth. Years of research had led to this moment, yet certainty remained a stranger. Coffee grew cold beside scattered papers, forgotten in the pursuit of understanding. Perhaps, he thought, watching dust motes spiral in the afternoon light, the beauty lay not in finding the answer but in the endless quest itself.
Here is my response to the Weekend Writing Prompt
The old swing creaked in the autumn wind, a spook of childhood laughter echoing through the empty yard. Shadows stretched long, whispering secrets only the moon could understand. The house remembered everything.
My submission for Hugh’s Views & News blog, Wordless Wednesday post.

“You can never trust the things you hear. Blowhards running around spreading rumors like it’s the national pastime – right up there with baseball and avoiding jury duty,” grunted Detective Maclan as he wrestled with an ancient copper kettle that had seen better days, probably during the Roosevelt administration. The first one.
Mac had the droopy eyes of a basset hound that had just been told Christmas was canceled, minus any of the charm that might make you want to pat his head and give him a biscuit. His face was a topographical map of poor life choices, sour mash, and too many late nights chasing leads that went nowhere.
He was from one of those big cities that think they’re God’s gift to civilization – Detroit, New York, Chicago, take your pick, I could never remember which one. You know the type: concrete jungles where dreams are made of, according to the tourism boards, and people who’ve never had to parallel park there in winter. The kind of places that plaster themselves across postcards nobody sends anymore, where the locals wear their area code like a badge of honor and treat their pizza preferences like a religion.
I’d been wondering, if these metropolitan wonderlands were such paradise on Earth, why Mac had spent the last two decades in our little corner of nowhere, where the most exciting thing to happen was that time someone stole the mayor’s garden gnome. Turned out it was the mayor’s wife, but that’s another story.
At least Mac had decent taste in music – Glenn Miller and Count Basie crooned from a dusty record player in the corner. The big band tunes almost made up for his personality, which had all the warmth of a February morning in Minnesota. Almost.
Prompts Used:
Fandango’s FOWC – Kettle
Ragtag Daily Prompt – Rumor

My submission for Hugh’s Views & News blog, Wordless Wednesday post.

In my usual digital existence, I conjure AI-birthed masterpieces from the depths of my imagination, letting algorithms do the heavy lifting while I play puppet master of pixels. But the other day, something snapped in my perfectly curated technological sanctuary. After weeks of wrestling with an inexplicable urge – like a cat trying to resist knocking things off a table – I finally surrendered to my baser artistic instincts.
In a fit of creative madness, I dismantled my pristine computer lab, a temple of processing power and blinking lights, transforming it into something almost prehistoric: an actual art studio. The horror. I excavated long-buried art supplies like an archaeologist unearthing artifacts from a civilization that knew how to function without Wi-Fi. The sketch pad emerged from its tomb, probably wondering what year it was, while dried-up markers and dusty pencils rolled around like confused time travelers.
My reluctance to embrace traditional art wasn’t unfounded – my last serious artistic endeavor predated the invention of social media. Since then, my artistic expressions had been limited to absent-minded scribbles during those endless phone calls with customer service, where “your call is important to us” plays on a loop that would make Dante reconsider the circles of Hell. These masterpieces typically featured abstract demons and nameless entities that looked like they’d been rejected from a budget horror movie’s creature department.
Yet here I stood, analog tools in hand, facing the blank white void of possibility – or possibly just facing the void of my artistic abilities. The paper stared back, judging me with its pristine emptiness, daring me to make my mark. It knew, as did I, that this could either be the renaissance of my artistic journey or just another reason why I should stick to pressing buttons and letting AI do the heavy lifting.

I’m discovering that artistic atrophy is real – like trying to do splits after decades of couch-surfing real. The muscle memory in my fingers has apparently retired to a beach somewhere, sipping cocktails and laughing at my current predicament. I’d conveniently forgotten about the sheer labor involved in sketching, the way it demands patience that my Twitter-trained attention span no longer possesses.
Here I am, yanking out what precious few strands remain on my increasingly reflective dome, while my fingers are stained with pretentious charcoal imported from some artisanal mine in the depths of European forests. Because apparently, American charcoal is too pedestrian, too lacking in that je ne sais quoi that only comes from being excavated by third-generation charcoal artisans who whisper sweet nothings to each piece before packaging. Meanwhile, the humble No. 2 pencil, that faithful companion that birthed countless doodles and masterpieces alike, now sits in the corner like a neglected relic, deemed too barbaric for my evolved artistic sensibilities.
The absurdity isn’t lost on me as I sit here, surrounded by tools that cost more than my first car, trying to remember how I ever managed to create anything with those basic supplies in my youth. It’s like watching a master chef refuse to cook without their imported Japanese knife collection, completely forgetting they first learned to slice vegetables with a butter knife in their mother’s kitchen.
We’re masters at this kind of self-deception, aren’t we? Convincing ourselves that we need the finest tools, the most expensive equipment, the most exotic supplies to create something worthwhile. Meanwhile, our younger selves were out there making magic with crayons and notebook paper, blissfully unaware that their tools were “inferior.” They were too busy having fun, too engrossed in the pure joy of creation to worry about the pedigree of their materials.
Sure, as we develop our craft, better tools can enhance our capabilities – like upgrading from a tricycle to a mountain bike. But somewhere along the way, we’ve started believing that the tools make the artist, rather than the other way around. We’ve forgotten that creativity doesn’t flow from the price tag of our supplies but from that childlike spark that made us pick up a pencil in the first place – that pure, unadulterated joy of making something exist that didn’t before, even if it looked like it was drawn by a caffeinated squirrel, named Ennis.

Let’s be honest – half the time I’m sitting here with the artistic confidence of a drunk penguin attempting interpretive dance. My lines wobble like a politician’s promises, and my attempts at perspective make M.C. Escher look like a strict realist. But here’s the beautiful paradox: I couldn’t care less if I tried. The sheer audacity of not knowing what I’m doing has become its own kind of superpower.
There’s something magnificently liberating about embracing your artistic incompetence with the enthusiasm of a golden retriever chasing its own tail. I’m scribbling away like a mad scientist’s journal entries, creating shapes that probably violate several laws of physics and maybe a few of geometry. My art style could best be described as “enthusiastic chaos meets questionable life choices,” with a dash of “what even is that supposed to be?”
But sweet heavens, am I having fun! The kind of unadulterated joy that usually requires either a prescription or a warning label. I’m doodling with the abandoned glee of a toddler who’s found an unguarded Sharpie, minus the property damage, inevitable time-out, and the utterance in unknown language from my mother. My creative process has all the sophistication of a sugar-rushed squirrel with an art degree, and I’m absolutely here for it.
In this moment, I’ve achieved a state of zen that monks spend decades trying to reach – the perfect balance of complete cluelessness and total contentment. It turns out that sometimes the secret to happiness is just letting your hand do whatever questionable things it wants to do on paper, while your inner art critic takes a much-needed vacation to somewhere far, far away.
When it comes to love, I discovered it arrives in varying shades of peculiar. Initially, I assumed my lady cherished me for the conventional checklist – you know, the usual suspects: ruggedly handsome (if you squint just right), that winning smile (courtesy of years of orthodontic torture), or that ever-reliable “he’s so goofy he’s adorable” card that seems to work for some inexplicable reason. But my lady, bless her arachnophobic heart, marches to the beat of her own peculiar drum. Like every man who’s ever claimed his significant other is “different,” I too fell into that trap – except my situation actually warranted the label.
You see, she loves me for my prowess as an arthropod assassin. I ran through the usual litany of my supposed charms – my wit, my charm, my ability to reach things on high shelves – but she dismissed them with all the interest of a cat watching paint dry. No, my superhero cape, according to her, is a simple flyswatter.
One fateful afternoon, I heard the familiar banshee shriek that had become my bat signal. With the weary resignation of a seasoned veteran, I trudged to my weapon of choice hanging in its place of honor. Entering the living room, I encountered what my lady dramatically declared was “the biggest jumpy spider in the known universe and possibly several parallel dimensions.” Plot twist – it wasn’t flying solo. There were two of these eight-legged terrorists, probably plotting world domination from behind our couch.
A quick flick of the wrist, a satisfying thwack, and the threat to humanity was neutralized. Just another day in the life of your friendly neighborhood spider slayer. As I headed to the kitchen to clean my trusty weapon, I caught my lady staring at me with a look that could only be described as a mixture of relief and unbridled admiration.
“You’re so sexy to me right now. I love you so much,” she breathed, as if I’d just single-handedly saved Earth from an alien invasion rather than squashed a couple of wayward arachnids.
I smiled, finished sanitizing my instrument of justice, and hung it back in its sacred spot. Then, in what might be the most confident decision of my life, I canceled our pest control contract. Who needs professional bug hunters when you’ve got love’s own exterminator on speed dial? Besides, why pay someone else for what’s apparently my most attractive quality? Some men have six-pack abs; I have deadly accurate swatter reflexes. I’ll take it.

The things I know about love could be scribbled on a matchbook’s blank side with room left for a bad limerick. Truth is, the original matchstick instructions—strike here, light fuse, watch things burn—hold more practical wisdom. Over years of singed fingers and smoldered hopes, I’ve gathered scraps of survival tactics. Never trust words spoken in dim light or daylight; most folks peddle lies they’ve yet to realize themselves. Study their hands—the way they flutter like trapped moths when spinning tales. Watch for the split-second flicker in their eyes when truth barges in uninvited. But don’t stare too long, or you’ll become the mirror they’re desperate to avoid.
This isn’t some grand philosophy unearthed in a desert monastery. Just rusty tools to patch the hull when the ship’s taking water. Save the “real men don’t cry” bravado for locker rooms—we all drown the ache somehow. A twelve-pack of Bud, a heart-to-heart with Jack Daniel’s, or sobbing into a motel pillow while Springsteen croons about highways on the tinny alarm clock radio. At least tears don’t leave you waking to that look: a woman recoiling under crumpled sheets, eyes wide as a spooked deer’s. She’ll mutter something about quitting gin as she retreats to the bathroom, and you’ll mumble back about swearing off scotch, both knowing neither promise will outlast the coffee brewing in the stained pot.
The real art lies in the exit. You hand her a chipped mug, steam curling like a question mark between you. She sips, eyebrows lifting—not at the bitterness, but at the shock of you still being there. You brace for the verdict: Is the coffee better than the sex? A half-smile. A nod toward the door. No words, just the unspoken script we all memorize by 30. Dignity intact, you slip into the dawn, both already drafting tomorrow’s excuses.
Gypsy—my ‘65 Ford pickup—taught me more about commitment than any human. She’s been my co-conspirator since high school, back when her engine purred and her bench seat fit two (or three, if we got creative). These days, her love language is breaking down at cinematic moments: snowy backroads, midnight escapes from jealous husbands, and that one time outside Tulsa when her transmission gave up just as Margo’s daddy’s headlights crested the hill. The split lip was worth it. Can’t pay child support if you’re always in the rearview, right?
But the road—Christ, the road. It’s a confession booth on wheels. Twenty miles in, the hum of asphalt strips away the bullshit. Past regrets roll by like telephone poles: Lisa’s laugh in ‘08, the stillborn promise to quit smoking, your father’s hands on the steering wheel that last July. By mile 200, you’re raw enough to pull over and let the tears come—not the pretty kind, but the ugly, snot-dripping ones that scald your cheeks. You cry for the man you thought you’d be, for the love letters burned, for the quiet horror of becoming exactly what you mocked at 22. Then you wipe your face on a gas station napkin, buy a lukewarm Dr Pepper and a honeybun, and drive until the road starts making sense again. Or until it doesn’t. Either way, you keep moving.
He sat staring at a blank page, its pristine surface mocking his creative paralysis. The page looked back at him with the same vacant stare, a mirror to his emptiness, reflecting frustration and the void between inspiration and expression. Perhaps it was their shared moment of creative purgatory, each waiting for the other to break first.
He was wrestling with the ethereal image of silhouettes dancing at sunrise, their forms both defined and formless against the awakening sky. The vision burned clear in his mind, yet words slipped through his grasp like morning mist. He just sat there, attempting to mold his scattered thoughts into the precise architecture of verse, trying to conform his words to the image that haunted him, into some sort of perfect form or acceptable stanza that could capture the ephemeral dance he witnessed.
The words began to flow slowly like dawn creeping over the horizon. He formed the stanzas on a whim, yet they fell into the perfect meter as if guided by some hidden hand. It became clear his conformity knew no bounds, yet within those bounds, wild freedom emerged. Line after line, he wrote, as a gentle breeze from a cracked window caressed his face, carrying with it the whispers of dawn.
The morning unveiled itself in layers of sound and sensation. He began hearing the birds chirp their morning song of grace, nature’s poetry accompanying his creation, as the filled pages fluttered to the floor like autumn leaves. The final sputter of the coffee pot signaled a new pot made, a percussion of domestic ritual marking time’s passage. Inhaling deeply, he filled his lungs with the fresh aroma, drawing inspiration with each breath as he walked into the other room to retrieve more paper. He poured a cup, the dark liquid steaming with promise, and returned to his office.
He sat back down, possessed now by the urgency of creation, and finished the screaming tale of his soul. The words poured forth like a confession, raw and honest, each line a revelation. He leaned back in his office chair, serenaded by the creaking leather’s ancient song, a counterpoint to his racing thoughts. He took a sip of coffee, letting its warmth spread through him like liquid courage, and began reading the pages he had just created.
The first page danced with intention’s perfection, each word precisely placed, each phrase carefully crafted. But the remaining pages bellowed from his soul with increasing abandon, breaking free from the constraints of form and structure. It was clear that while he had truly captured the essence of those silhouettes’ dance, conformity only went so far before the truth demanded its own wild choreography. His words had become their own dawn dancers, moving to rhythms beyond his control, and he realized that sometimes the most perfect expression comes not from constraint but from letting go.
Here is my response to Kymber’s Get to Know You
My submission for Hugh’s Views & News blog, Wordless Wednesday post.

Animals enrich our lives in ways we can’t describe. I often write about my adventures with my cats. However, this morning I found this interesting clip while cruising Reddit check it out…
It reminds me of training my Rottie’s and how they each had their own personalities. I had who loved to help me in the shop. While another would do yardwork with me. She’d drag the clipped branches to the curb. I never thought about the role that pets play in our lives, the effect they have on us, or the effect we have on them.
Immersing myself in the musical offerings of my fellow melody enthusiasts has been an absolute delight. Each shared track opened new doors, introducing me to artists I’d never encountered and fresh interpretations of beloved classics. The experience was a powerful reminder of music’s eternal nature and remarkable ability to mend the soul. As I pondered my contribution to this musical exchange, I drew blanks beyond the familiar territory of standards. Rather than force a conventional choice, I ventured into uncharted waters. Taking a bold step away from my usual selections, I dove deep into my carefully curated blues collection – a genre I rarely explore in these challenges. What I discovered there was nothing short of magical – a hidden treasure patiently waiting for its moment to shine. Like a dusty gem catching the light for the first time, this blues piece emerged from the depths of my collection, ready to share its brilliance.
Let me share with you this incredible musical journey that starts with “Work with Me, Annie,” a deliciously cheeky rhythm and blues gem that burst onto the scene in 1954. Hank Ballard and The Midnighters crafted this irresistible tune with its playful winks and nudges, wrapped in an infectious melody that just makes you want to move. The song’s magic lies in its teasing nature – never crossing the line but dancing right up to it with a mischievous grin.
But here’s where my musical adventure takes an exciting turn. While exploring the blues rabbit hole, I stumbled upon Snooky Pryor’s take on this classic from his 1999 album “Shake My Hand.” Oh, what a discovery! Pryor takes this already spicy number and adds his own special sauce – that soul-stirring harmonica of his weaves through the melody like a river of pure blues feeling. He doesn’t just cover the song; he reimagines it, breathing new life into those suggestive lyrics with his raw, authentic blues voice while his harmonica tells stories of its own.
It’s like finding a cherished vintage photograph that’s been lovingly restored and enhanced, keeping all its original charm while adding new layers of depth and character. Pryor’s version is a beautiful testament to how great music can evolve while staying true to its roots, creating something that feels both wonderfully familiar and excitingly fresh.
Lyrics:
Song by Hank Ballard
(guitar intro)
(Oooh!)
Work with me, Annie
(a-um, a-um, a-um, a-um)
Work with me, Annie
Ooo-wee!
Work with me, Annie
Work with me, Annie
Work with me, Ann-ie-e
Let’s get it while the gettin’ is good
(So good, so good, so good, so good)
Annie, please don’t cheat
(va-oom, va-oom, va-oom, va-oom)
Give me all my meat (ooo!)
Ooo-hoo-wee
So good to me
Work with me Ann-ie-e
Now, let’s get it while the gettin’ is good
(So good, so good, so good, so good)
A-ooo, my-ooo
My-ooo-ooo-wee
Annie, oh how you thrill me
Make my head go round and round
And all my love come dow-ow-own
(Ooo!)
Work with me, Annie
(a-um, a-um, a-um, a-um)
Work with me, Annie
Don’t be ‘shamed
To work with me, Annie
Call my name
Work with me, Annie
A-work with me, Ann-ie-e
Let’s get it while the gettin’ is good
(So good, so good, so good, so good)
So Good!
(guitar & instrumental)
Oh, our hot lips kissing
(a-um, a-um, a-um, a-um)
Girl, I’ll beg mercy
Oh, hugging and more teasing
Don’t want no freezing
A-work with me, Ann-ie-e
Let’s get it while the gettin’ is good
(So good, so good, so good, so good)
Ooo-ooo
Umm-mmm-mmm
Ooo-ooo-ooo
FADES
Ooo-ooo-ooo-ooo.
While treasure hunting in my blues archive, something magical happened – you know how music just grabs you sometimes? There I was, ready to wrap things up, when the blues spirits themselves seemed to whisper, “Hold up now, we’ve got more stories to tell!” And just like that, this hypnotic groove reached out and caught me, channeling the spirit of the legendary John Lee Hooker himself. That unmistakable rhythm, that raw, pulsing energy – it was impossible to resist.
And I wasn’t the only one feeling it! There was Guppy, my faithful furry companion, already swaying to the beat. In a moment of pure joy, I reached for her paws, and we shared this impromptu dance party. Reality (and our respective ages) quickly reminded us to take a seat, but that groove? Oh, it wasn’t letting go! So there we were, two old souls – me in my trusty chair, Guppy on her favorite pillow – still caught up in the rhythm, still moving and grooving, still feeling that blues magic work its way through our bones.
You know those perfect little moments when music just takes over, and age becomes just a number? This was one of those precious times when the blues reached out and reminded us that you’re never too old to feel the rhythm, never too dignified to let loose and wiggle along with the beat. Guppy and I might not be spring chickens anymore, but in that moment, we were timeless dancers in our own little blues club.
Let me tell you about this absolute gem I uncovered – “Got to Have Money” by Luther “Guitar Junior” Johnson. Talk about finding the perfect blues treasure! This piece just oozes that authentic Chicago blues spirit, the kind that grabs you by the soul and doesn’t let go. Johnson doesn’t just play the blues; he lives and breathes it through every note, every guitar lick, every word that flows from his lips.
You know those songs that just tell it like it is? This is one of those honest-to-goodness truth-tellers. Johnson wraps his gritty, soulful voice around a story we all know too well – that endless dance with the almighty dollar. But it’s not just about the message; it’s how he delivers it. Those guitar riffs? Pure magic! They weave through the song like a conversation, sometimes whispering, sometimes crying out, but always speaking straight to the heart.
And that groove! Oh my goodness, that groove! It’s the kind that gets under your skin and makes your feet move whether you want them to or not. Johnson has this incredible way of taking something as universal as money troubles and turning it into this beautiful, moving piece of art that makes you feel less alone in your struggles. It’s like he’s sitting right there with you, nodding his head and saying, “Yeah, I’ve been there too, friend.”
This is exactly why I love diving into these blues archives – you never know when you’ll surface with a piece that speaks such raw truth while making your spirit dance at the same time.
Lyrics:
Yes, a little drive by upon the hill
And this is where It begin to start
Mama told Papa, said “Pack up son!”
“We gonna leave this sow land again”
I was just a little bitty boy
′Bout the age of five
Too much work
Not enough money
This what it’s all about
Got to have money
Got to have some money, y′all
Got to have money
Got to have some money, y’all
Muddy Waters got money
Lightnin’ Hopkins got it too
Tyrone got money
Want me some money too
Got to have money
Can′t get along without it
Got to have some money
Can′t get along without it
I used to have you water
15 bottles
For 15 cents a day
Shame a boy my age
Worked so hard everyday
But now I’m grown
I′m on my own
And this I want you to know
If you want me to work for you, baby
You got to give me big dough
‘Cause I got to have money
Got to have money, y′all
Can’t get along without it
Got to have money, y′all
They say money is a sign for sympathy
The root of all evil
If this is what money really is
Call the Doctor ’cause I got a fever
I got to have money
Got to have money, y’all
Can′t get along without it
Got to have money, y′all
Got to have some money
Got to have some money
I got to have some money
Writer(s): John T Williams
Here is the link to the challenge. Thanks Jim for hosting I had blast with one.
So, tonight on LNG, I’m going to shift gears a bit. I intended to focus on some of my favorite female vocalists in R&B/Soul. However, after reading the post listed below, I was introduced to an immensely talented, amazing young woman. I took a few moments to review some of her work after reading Milepebbles’ post. Within her post, you will get the particulars about the covering the track young lady covers and information about the young lady herself.
After her fame from AGT, the young woman developed her own sound that seemed to evolve in every track. I worry every time I hear young artists compared to musical legends. There is so much pressure on the artist, especially if they don’t live up to the comparison. I listened to this young lady be compared to Janis Joplin. I completely understand why the comparison was made and the sentiment behind it. However, this young lady is no Janis Joplin. She is something else entirely. Even in the first video, you can see something different about her. As I continue to listen to her as I write this post.
Ladies and gentlemen, Courtney Hadwin’s Breakable
I reread my comments from a year ago, and they are as valid now as they were then. Here is what I had to say.
Today I taking a break from all things Web. Be back tomorrow
My submission for Hugh’s Views & News blog, Wordless Wednesday post.

I discovered an unexpected musical universe while exploring my mother’s collection of 45 rpm records. Hidden within these vinyl discs were recordings by familiar artists I never knew existed, alongside completely unknown musicians who created remarkable work. I smile at my previous assumption of musical expertise, now humbled by the vastness of what remains unexplored. We often experience music through curated selections – songs deemed worthy by others’ judgment. While these choices frequently merit their status, countless talented artists and their exceptional works remain in obscurity, their songs gradually disappearing from collective memory, heard only through chance encounters with dusty records. It is in this spirit I selected tonight’s track. This was made famous and was covered by Nirvana, and when discussing the track, people are most familiar with Nirvana’s cover.
“The Man Who Sold the World” is a cryptic and evocative song released by David Bowie in November 1970 in the US and April 1971 in the UK as the title track of his third studio album. The song features a distinctive circular guitar riff by Mick Ronson and haunting, phased vocals by Bowie, recorded on the final day of mixing. The song is built around a repeating electric guitar riff with an acoustic guitar underneath, primarily in the key of F. The musical arrangement creates a complex harmony that shifts between different chords, creating a disturbing yet compelling sound structure. The song explores themes of identity crisis, duality, and multiple personalities. Bowie explained that he wrote it while searching for a part of himself, reflecting the feeling of youth trying to discover one’s true identity. The lyrics were partially inspired by the 1899 poem “Antigonish” by William Hughes Mearns.
Tonight on LNG, I’m featuring one of my favorite jazz artists. I discovered Oscar Peterson by accident in my thirties. He and Ahmad Jamal played in my home for several months as part of my exploration of jazz trios. So, tonight, here is a standard from the Oscar Peterson Trio.
Oscar Peterson‘s rendition of “Have You Met Miss Jones?” appears on his acclaimed 1964 album “We Get Requests.” The song, originally composed by Richard Rodgers with lyrics by Lorenz Hart, was transformed by Peterson’s trio into a masterful jazz interpretation. The piece is set in the key of F Major and is typically performed at a fast tempo3. Peterson’s version is notable for his sophisticated block chords and characteristic virtuosic piano style. The performance builds dramatically, showcasing the trio’s dynamic interplay and Peterson’s remarkable technical facility at the keyboard.
The last time I approached this topic, I spoke about using the past from a writer’s perspective. This still remains true, but things are a little different this year. Here are my thoughts from last year.
Sometimes, it seems like my characters learn from my triumphs and follies. I try not to push my opinions on the characters I create. I try to let them live their own lives independently. To be free of my prejudices, quirks, and code. Honestly, I think there is a part of us in the characters we create, whether it’s the protagonist, antagonist, or supporting character. This upsets me now and again because I try so hard not to do this. It is an unrealistic endeavor, perhaps, but one I need to work towards. I think of this when frustration gets the better of me.
“The world is full of magic things, patiently waiting for our senses to grow sharper.”
— W.B. Yeats
I think about what Yeats is talking about, more precisely, what it means to me and how it can be applied. As I age, I repeatedly find that my opinion about certain things has changed drastically. I’m not a different person at the core, but I have definitely evolved. Whether better or worse, it is too early to say. I think that determination is what’s important. Yet, awareness of the evolution and acceptance are crucial for growth and understanding.
This quote comes to mind when thinking about the past or the future.
“Learn from yesterday, live for today, hope for tomorrow. The important thing is not to stop questioning.”
— Albert Einstein
I love this quote because life lessons shape our current lives, and I hope we can pass on the wisdom. I suppose it’s a part of our legacy—the things we have discovered along the way. Some may say it’s our duty to share this wisdom. I see the truth in that opinion. We watch others stumble about trying to accomplish something, and we have a different approach to assist them in completing their task. However, let’s take a moment to consider this: each person’s path to personal growth is, in fact, personal. We can advise them, not lead them. Also, Buddha advises us on the following:
“Do not dwell in the past, do not dream of the future, concentrate the mind on the present moment.”
— Buddha
If we spend too much time passing on the wisdom of our lessons learned, we are trying to fulfill our dreams of a brighter future—not only for ourselves but also for the person we pass on the knowledge to. By doing so, we aren’t concentrating on the most important period: the present.
My final thoughts: Our past, present, and future are contained in each breath. Our past has made us the people we are in this moment. It lays the foundation for the pathway of our future. Every breath is the catalyst for our evolution; don’t fight it. Remember, the difference between life and death is a single breath; don’t waste it.
Excuse me while I get coffee and an ice cream sandwich because ice cream solves everything.
Tonight, on LNG, we are traveling back to the 1960s and listening to a legendary track from a band that has vanished from the headlines but remains in the hearts of so many. I’ve been a fan of The Stooges for years, but I hadn’t a clue to the depth of their music until recently. It’s always good to rediscover the music from periods we may have forgotten.
“I Wanna Be Your Dog” is one of The Stooges’ most iconic and influential tracks, released on their self-titled debut album in 1969. The song features a hypnotic, three-chord riff driven by distorted guitar and piano, creating a raw, primal sound that epitomizes proto-punk. Lyrically, it explores themes of submission and desire with stark simplicity, delivered through Iggy Pop’s snarling, visceral vocals. Its rebellious energy and stripped-down intensity made it a groundbreaking track, paving the way for the punk rock movement and leaving an enduring mark on alternative music.
“Mad About You” is a signature song by Belgian band Hooverphonic. It was released in 2000 as the lead single from their third album, The Magnificent Tree. The track features dramatic orchestration and sweeping string arrangements reminiscent of a James Bond theme song, combined with elements of trip-hop.
A year ago, I had this to say about this prompt
I still firmly believe in the benefits of distance learning, and online advancements have made it even easier. Since I first made this post, I’ve looked into the number of colleges and universities available, and the results are staggering. People who want an Ivy League education can take courses from those institutions for free, and many offer affordable online programs.
I started saying a mantra as a teenager.
“A day without learning something is a day wasted”
Everyday, I try to learn a new skill, add a layer to existing one, or practice. So, take the time to look into the programs that might interest you. Have fun and good luck!
The first LNG of the year, we are featuring new music for me. I spent most of the day listening to the band. This is the track that stood out to me.
“Pioneer to the Falls” by Interpol is the opening track of their 2007 album Our Love to Admire. The song is a brooding, atmospheric piece marked by somber guitar melodies, deep basslines, and Paul Banks’ enigmatic vocals. With its hypnotic rhythm and melancholic tone, the track explores themes of longing, loss, and existential reflection, setting the mood for the rest of the album with its cinematic and haunting aura.
A year ago, WordPress asked this same question. I responded with the post below.
I faced many challenges during that year. These challenges have reminded me that there are more important things than I ever imagined. It is very easy to get lost in the mayhem of life. One of the most important things we overlook is remaining young at heart. It’s important to remember to enjoy every opportunity.
Throughout my adult life, I have often lost sight of enjoying the little things. But I’ve learned to appreciate them in the past year, and I’ve rediscovered my love for the creative arts. So, “playtime” for me is diving deeper into my creativity. I love to see what I can create. The creative arts have helped me heal and kept me sane during one of the most trying times in my life. So, pick up what you use to enjoy yourself, then go crazy.
Excuse me while I make up a silly story and create bizarre images.
If you started a sports team, what would the colors and mascot be?
The last time this question was asked, I decided to write a bit of flash fiction as a response. The link to that story is listed below.
I never anticipated the response to the story. It blew me away. It was just a little idea I came up with, and I decided to write something. However, the comment that struck me the most was my brother’s comment that he wanted to see more artwork featuring pink ferrets and angry platypuses. I told him there was an image already with the story. He nodded as he peered over his glasses.
“I want to see what they would like now, seeing you are better with computer art.”
I laughed and said I would, but I never got around to it. Well, the prompt appeared again. Now, I need to reimage the graphics for the story. So, I sat down and created a roster for the Rico Strong Traveling Pink Ferrets and Angry Platypus. I will probably rewrite the story, but we start with the graphics first.
Here are a few mockups of the project.
Cute mockups:




Realistic Approaches:




My submission for Hugh’s Views & News blog, Wordless Wednesday post.

Tonight on LNG, I figured we would go with the “last Monday of the year” theme. I found this little gem in some notes about music tucked away in one of my many notebooks. I swear I need to make some sort of resolution to organize these notes. I’m shaking my head. This is the equivalent of a vow to lose weight, exercise more, or quit smoking, and my all-time favorite, focus on me. This is my year. Anyway, I digress.
“Thank God It’s Monday” is a unique punk rock anthem released by NOFX in 2000 on their album “Pump Up the Valuum.” The song, written by Mike Burkett (Fat Mike), offers an ironic twist on the typical Monday blues sentiment. The track presents a contrarian view of weekdays, celebrating Mondays while criticizing traditional weekend activities. The lyrics express a preference for Mondays over Fridays, pointing out how weekends are filled with crowded, smoky bars and packed restaurants. The song’s protagonist lives a “5-day weekend” and a “year-long holiday,” embracing Mondays when most people are at work. Each day is compared to a holiday—Tuesdays are like Christmas, Wednesdays like Hanukkah, and Thursdays like Thanksgiving.
Here is my response to RDP prompt – festivities
Many years ago, I learned that no one has all the answers. This revelation also led me to discover that wisdom can be found in the oddest places or with the strangest people. As I struggled to answer this prompt, I found an answer that said it all. The truth of this post moved me and helped me find my way to an answer.
I rely on my faith in my journey through the chaos we call life. It has guided me through some of the toughest situations. Without it, I’m not sure who or what I would be. I talked to many people as I’ve walked this journey searching for peace. Only to discover that the peace sought had resided within the entire time. I cannot remember the name of the person who pointed me toward this path, but I’m thankful.
Through my travels, I realize the potential of love resides in each of us, no matter the faith. I’ve seen people of different faiths band together to perform majestic things. It is a wonderful experience to witness and to feel. I don’t have the words to adequately describe its wonder. I’m inspired by people who are steadfast and true in their beliefs and commitment to help their fellow man.
Throughout my journey, I’ve studied several different texts in the hope of gaining a deeper understanding of the world. Though I have stumbled and sometimes questioned certain events, I feel that each step has been worth taking. I remember my father posing a query as he held up his tattered Bible.
Have you read this?
I find this post quite interesting because I’ve been quite nostalgic lately. I’ve been having these moments of return about things I hadn’t thought about in a very long time. I like this post because Regina drives into nostalgia. She provides a window into something we rarely discuss but often participate in. Take a look at the post. And if you haven’t been to her blog, there are several interesting posts. Enjoy!
I’ve always been a fan of history. I can babble about various eras throughout at a moment’s notice. I once had a secretary tell me I could do things that happened 3000 years ago, but I can’t remember to check my email or voicemail. I laughed my butt off when she said it because it was entirely accurate. Despite all the things in history I researched, I never looked into the year I was born.
So, spent most of the day researching events of 1969 and discovered I did, in fact, know many of them. So, the excitement I was feeling sort of dwindled. Then I kept digging and found some cool stuff that requires further research so things are right in the universe again. I would have had this post out earlier, but I fell into the rabbit hole and started reading newspaper articles about the events I was researching. I also started following local events that were only important to the people involved. So deep, I became jittery from the lack of coffee. So, I had to stop and get my caffeine and nicotine levels back in tolerance.
I’m not even close to finishing my research in 1969, but I thought I had better stop and post the research outline I had composed. I fully expect several from the stoop and knucklehead reports to stem from my research.
ART INSPIRED BY RDP PROMPT
“Confronting a storm is like fighting God. All the powers in the universe seem to be against you and, in an extraordinary way, your irrelevance is at the same time both humbling and exalting.”
I suppose everyone would love to say yes to the prompt question, and that would be correct, generally speaking. We have had a lifetime of experiences to teach about the content of one’s character—a lifetime of trial and error, a lifetime of being hoodwinked. Hoodwinked was the title of my response to this question a year ago. That post can be found here.
I think we want to take people at their word. For centuries, we have judged people based on so many different aspects that it would make your head spin. We’ve judged people by race, creed, religion, and sexual orientation. We never even bothered to find out what kind of person they were at the core. We have relied on stereotypes and preconceptions taught to us by society. Societal standards aren’t altogether false; we all have certain beliefs based on these standards. However, we have to be strong enough to stand up against the things that have proven false.
Let me take a moment and list a few things I have heard over the years. These examples should provide a clearer picture of the point I’m trying to illustrate.
I’ve heard this nonsense in the last year, and it’s hard to believe that some of it is still being said. I won’t even touch some things I see on social media. The hardest pill to swallow is when the mess comes out of the mouth of someone you thought you knew. Events like these make you question your judgment. We sometimes change our opinion of someone based on a single action or statement. However, I suggest not reacting in haste because everyone has a bad day. Also, we have no idea of their struggles and haven’t shared.
Dr. Maya Angelou offers this advice.

I’ve found this quote to be quite helpful over the years. I’ve tried to minimize placing my expectations or principles on individuals and allowed them to be themselves. In some cases, you will be surprised by someone’s actions. I’ve been in situations where the least likely person came to my aid. You just never know. The only I can hope for is not to be hoodwinked.
A year ago, I had just begun dealing with my health issues and thought everything would be over in a few weeks. I just wanted everything to be over, and I could return to my life. Friends and family were on my case about taking a step back and focusing on my health. Of course, this advice was like a thousand spikes hammered into my ears. I didn’t want to step back from work, retire, or any other nonsense in that arena. Do you think I’m soft? I got this! Who are you calling soft? No one was calling me soft, but that was my mindset.
A few months later, I got better, like I said from the beginning. However, my health improvement was short-lived. It was non-existent if I’m honest about it. Nothing more than a figment of my imagination. The characters I create for my stories are closer to reality than my reprieve from illness. My condition worsened, forcing me into retirement, and I was pissed. Here’s the problem: I wasn’t sure what I was actually upset about. I had prepared financially for retirement in a year or so. 2026 was the target year, but I could retire at any time before that. However, I didn’t like the idea of being forced to do something. However, health-wise, I was in no condition to do anything but try to get better.
Well, it turns out that my condition was worse than I thought, to the point where it was almost impossible for me to make this post or any others. Yeah, the shit had got real. So, no, where I am today versus a year ago. Not even close. I’m blessed

I reread this post from earlier this year and realized nothing has changed. Yet, I wonder why WordPress can’t develop any new material. Have we entered the remake era for daily prompt questions? If so, I don’t remember things going all that well with movies.
My submission for Hugh’s Views & News blog, Wordless Wednesday post.

“The clearest way into the Universe is through a forest wilderness.”
– John Muir
The Yellowjackets
In several previous posts, you’ve heard me yammer on about my musical journey and how different things in my life helped establish my evolving musical tastes. During the 1980s, I became a fan of jazz and the sub-genre of jazz fusion. This was spurred by my introduction to Al Dimeola, legendary guitarist of the Jazz Fusion trio Romantic Warrior. As I drove deeper into jazz fusion, I discovered “The Yellowjackets.”
The Yellowjackets are a highly influential American jazz fusion band formed in 1977 in Los Angeles. Assembled initially as a backup band for guitarist Robben Ford, they evolved into one of jazz’s most respected groups. Ford left the band to pursue a different musical direction after recording their first album. The track Rush Hour on their 1981 self-titled release is often considered Robben Ford’s best work.
After Ford’s departure, the band continued as a trio. Despite Ford’s departure, the band maintained the sound band established with Ford. Mirage a Trois (1983) marked the transition of the band’s sound into a direction. They added saxophonist Marc Russo to add in the transition. Their album Shades (1986) cemented their sound, unique to their previous sound.
The band currently consists of:
Throughout their 43-year history, the Yellowjackets have recorded 25 albums and received 17 Grammy nominations, winning two. Modern rhythms, strong melodies, and innovative jazz fusion compositions characterize their music.
Here is an interesting article about the Dollar Tree. It illustrates a condition we seldom want to discuss openly.
I can remember a world when the personal computer was something we saw on television. Interestingly enough, computers were often portrayed as villains. So, I smile when I read this prompt, thinking about how much our world has become intertwined with computers. I spend a considerable amount of time working on one of my computers daily. My life without a computer will be significantly affected, but not as much as you might think.
Today, I spent most of the day working with a notebook and a pen. I was collecting my thoughts about a post I want to publish here. I used several references to gather the information I needed to establish the point I was trying to make. Yet, these references weren’t a product of a Google search but rather from my personal library. I reviewed various volumes of information about philosophy, religion, and psychology. I didn’t have to use my computer once. All I needed was a notebook and a pen.
Last year, I told the story of my first day in the military, which I thought would be appropriate for today’s prompt.
Here is my previous response to the prompt
My submission for Hugh’s Views & News blog, Wordless Wednesday post.

WordPress says I have already answered today’s prompt. Again, there is no sense repeating myself, so it’s REBLOG time.
Here is my response to the Weekend Writing Prompt – Diamond
Fractured light danced through the diamond’s heart, each facet holding a universe of trapped rainbows and whispered secrets.
Here is my response to the Weekend Writing Prompt – Hunter
The hunter moved through mist that tasted of stardust and forgotten dreams. Her arrows, woven from moonbeams, hung weightless in a quiver made of twilight shadows. Each step left crystalline footprints that bloomed into phosphorescent flowers, their petals humming ancient lullabies. Above, constellations rearranged themselves like curious children watching her passage. She was hunting something that existed between heartbeats, a creature born in the space between reality and imagination. Its trail was a ribbon of liquid silver, leading her deeper into a forest where trees whispered in languages lost to time.
Here is my response to the Weekend Writing Prompt – Occident
Amidst the fading twilight of the Occident, ancient stories whispered through cobblestone streets, carrying echoes of empires long surrendered to time’s embrace.
Here’s my response to Sadje’s WDYS

It was career day, and the children were excited to present their family members. You see some sat with their chest popped out, beaming with pride. While others did their best to appear innocent. They terrorize one another in the classroom or on the playground. Spitwads, mudballs, and name-calling are weapons in their arsenal. Yet, today, they are the perfect little angels their parents and grandparents believe them to be. I looked around the classroom, making sure all the children were present. The presentation was going to start at any moment.
Echo came bursting through the door, water splashing from his bucket. Echo Gibbons was the only child who didn’t have anyone here for the presentation. Echo lived in foster care with Lida Jefferies, a local legend in town. She had helped so many children in their time of need, providing a stable and loving environment for them to strive in. Echo was no different.
Echo went to the blackboard and began cleaning it. I heard the rumblings of some of his classmates calling him a brown noser under their breath. Their parents hushed them and then looked at me apologetically. I nodded and turned to watch Echo expertly clean the blackboards. He stood back and examined his work, dropping his rag in the bucket. He adjusted his hoodie and looked at me.
“What do you think, Mr. Green?” he asked, I smiled and nodded.
”It looks perfect, Echo,” I replied, a slight smile crept up on his face. He grabbed his bucket and walked out of the room. Echo returned a few moments and sat in the corner by the window. There were some wonderful presentations. The children sat there listening with all smiles until Mr. Hill started talking about being a banker. I had never seen children fall asleep so fast. He brought charts and didn’t notice the kids napping. When he did, his face reddened, and he grabbed his things. He sat down in a huff.
There was an aroma that filled the room. Lida Jeffries stood in the doorway with a pan of freshly baked croissants. The children gathered around her. Echo slipped past them and sat on her lap. She held him affectionately; it was the first time I saw the young man at peace. She told stories about the children she’d helped and even more stories about life. I learned something: if you want to hold the children’s attention, it’s all about the baked goods.
As it turns out, my favorite cartoon hasn’t changed in a year. Imagine that! I suppose I could make up something about how I loved SpaceGhost or He-Man, but I’d be lying, and you guys would see right through it
uld see right through it
Here is my response to Reena’s Xploration Challenge #359
I walked in and pulled over the metal chair by a sliding door. I slid the door back and walked to the window. I sat down and leaned back in the chair, staring into the night sky. Closing my eyes and slowing my breathing, I prepared myself to see the possible scenarios I would face. I picked up something from a Tibetan. I cleared my mind of all the distractions. It wasn’t easy; it never was. The amount of baggage we carry around day to day is staggering. We cling to things we deem essential but are quite trivial in the larger scheme of things. The idea was to picture myself in a peaceful place. This place is different for everyone. Once you achieve the mediative state, the mind and spirit are in harmony, and the visions will come. Images flashed in my mind, displaying the different challenges that I might face. For each challenge, I came up with a possible solution. It wasn’t like I could see the future or anything, but I had been in this game long enough to know most of the problems I would face.
Author’s Note:
I’ve been working on a large writing project for the last month, and I wrote a portion of a larger scene in which the protagonist meditates. When taking a break earlier this week, I saw the above image, which stood out for some reason. I couldn’t place it at the time. I put the image on a separate scene, sat back, and let it talk to me. Then, it occurred to me why the picture was critical. I opened Scrivener, and sure enough, there was a note for me to work on that scene. So, I began to play with the scene using the picture. I decided to post this excerpt as I continued playing with the scene. Most likely, it will end up much different than what you see, but this sketch provides a good placeholder.
Over the last several years, I’ve been constantly complaining about the amount of time I don’t have. I can’t wait to retire so I can do what the hell I want… I remember going on about several times over the years. However, not that I’m here I find I have too much time on my hands. I occupy it with ridiculous projects. I’ve might have mentioned character analysis of the character’s in Superman universe. Now, let me ask you, if I were to write a post with my findings about the Superman’s character … would you care? I mean really?
Yes, I long for the days of being overworked and underappreciated by “the man” or wait… can we say, “the man” anymore?
The forest stood still, ancient and unyielding as if defying time itself. But now, a strange silence hung in the air—not the serene quiet of life breathing gently, but the uneasy hush of something amiss. The once-crystal stream that wound through the heart of the woods, a lifeline to countless creatures, was no longer clear. Its waters, tainted with an oily sheen, seemed to pollute the very essence of the forest’s soul.
A deer approached hesitantly, its hooves crunching softly on the brittle grass. It bent to drink but recoiled, sensing something wrong. The poison ran deeper than just the water; it was in the air, the earth, the whispers of the leaves. Who had done this? Who could destroy something so pure, so vital?
Perhaps it was the folly of man, always reaching, always taking. It was greed that sought to conquer instead of coexist. Or perhaps—just perhaps—it was the forest itself, tired of centuries of neglect, silently fighting back in ways no one yet understood.
The trees shivered as if sharing a secret, their shadows casting long and mournful patterns across the poisoned ground. And as the sun dipped below the horizon, the forest seemed to sigh, wondering if salvation was still possible in a world so carelessly polluted by those who claimed to love it.
One of my favorite parts of writing is the creation of the story. To listen to the story being told to my soul. I know that sounds a little strange, zany even, but this is how I feel whenever I pick up a pen and start writing a story. In this instance, I’m more of a recorder than a writer. Strange, I know, but it is like my pen has a mind of its own. Telling the story in bits and pieces. Sometimes, these fragments make sense, but for others, I have no idea where the fragments come from. It sounds exciting and a blast but isn’t the best part.
Editing is the best part. Once she reads this, my editor will tap into her editor’s magic and send thousands of those dreaded red marks to ensure my happiness. It will bring her joy as I scream in frustration and try to unravel the madness these red marks always bring. I can see her now. Her eyebrow raised, peering over her glasses, muttering something like the following …
“Really?” she says, looking at me bewildered. Which frightens me a bit because she doesn’t do bewilderment.
I look at her with all the confidence I can muster, hoping she buys it. I respond, “Yep!”
She holds my gaze, clearly not buying it. She picks up my latest draft and begins doing her thing. The once-white paper is now red with the faintest glimmers of white remaining. She tosses the draft on the table beside me, smirking, “Have fun!”
“What the f…” I reply
She chuckles harder, “Teaspoon.”
Of course, I don’t find the situation humorous at all. However, I begin the process. I clear the mechanism of doubt and start the next part of the journey.
Editing is the portion where, as writers, we shape our creation into something unexpected and unintended. If we are lucky, we allow it to grow into something magical. So many times, I’ve written things telling one story, but by the time I’m finished editing, it has become something else. Because of this, I’ve been able to reuse concepts to establish foundations or fill in gaps as needed.
There’s something about finding another storyline within a sentence or paragraph or scribbling a note on a napkin. So, excuse me as I prepare to get my butt kicked.
I got caught up in listening for candidates for tonight’s post. I must have listened to nearly every song from the 80s. Of course, I didn’t, but it felt that way. There were several tracks I found myself dancing to—well, at least what passes for dancing in my current condition. Then, there were others that I simply shook my head, wondering how these songs were recorded. But tonight, I’m featuring another track track I actually enjoyed. Again, it isn’t a lyrical masterpiece, nor does it please you sonically. Yet, there is something about this track that still makes me smile.
Here’s E.U. classic – Da Butt
Here is my post from a year ago. I had just started dealing with my illness and was feeling pretty vulnerable. So, that was what the QOTD was about. It is still relevant today.
When the war moved in, not the day it started, but the day it became real.
There are no bullets, no sound to remind you that you’re not home.
It’s the silence that creeps into your pores; now you know what unsettling means.
You taste the blood of the unhealed wounds, neath the scars you cleverly hide.
Sunlight radiates against your skin. You’re hot to the touch, drenched with sweat.
Yet, you stumble as you try to find your way through the darkness.
Searching for that light of hope, that fairytale, that legend we were taught to believe.
Something to cling to as we crash against the waves of uncertainty beating us into submission.
Suddenly, in the distance, we see it …
The Lighthouse of Hope
Authors note:
This piece was partially inspired by the opening line of Stacey C. Johnson’s piece called shelled.
For some reason, Jetpak likes to recycle questions for their prompts. Usually, when this happens, I either ignore the question or provide a different answer. However, my previous response is still valid since this prompt was only asked a few months ago.
Tonight, our silly song from the 80s is one of my favorites. Wall of Voodoo came out of nowhere to record this track. I think I enjoyed it so much, because it so different than the rest of the tracks of the time. The lyrics were ridiculous, but not to point of being absurd. It’s a fun song I sang along with over many drunken nights.
If you were to ask my late wife this question, she would respond that my favorite place to visit was my house. I was never home. It didn’t matter what country we lived in; it seemed like I dropped off her and the kids and then left. In many ways, she would be wrong. Often, I wonder how I didn’t end up a member of statistics concerning service members and the divorce rate. Military life isn’t for everyone. I’ve seen it break some of the nicest people. I watched them become caught in the churn of military life and drown in a slow, miserable death. Both service members and their families. I suppose I was lucky to a degree.
I don’t have a favorite place, per se; I have more like a region I enjoy spending time in, the Pacific Northwest. I have hundreds of stories about my travels in that area, but none accurately convey my feelings about traveling on Highway 101. I’ve traveled up and down that highway more than I could count. Once you start traveling north on that highway, the world changes. Northern California is completely different than Southern California. Once you cross the border into Oregon, the world changes. This magic repeats itself as you enter Washington.
I also enjoy the time I spent traveling through Montana, Wyoming, and even Idaho. The scenery is breathtaking. All one has to do to feel better is just breathe
I traveled the world,
looking, searching
for the beauty promised
to us all.
The beauty often
overlooked, under appreaciated
perhaps, I don’t know
take a moment
To bask the beauty
of it’s splendor
Tonight, we continue with the silly songs of the 1980s. I remember playing this game at the arcade and later on the Atari 2600. I had forgotten about this track until I started researching the era. Those who remember this track are probably shaking their heads. For those who love 80s music, this track will demonstrate that we didn’t always get it right.
I remember being at an age when I took stock of my skills and abilities and wondered if these things defined the person I was supposed to become. Over the years, I have realized that titles, lists, or attributes aren’t what shape you. Our strengths and weaknesses change over time. Things we were good at when we were young may seem impossible to accomplish now. We may not even figure out how we did them in the first place. As we age, new abilities surface we never knew we possessed. Hopefully, we have gained wisdom along with experiences in life. We do the best we can with what we have to work with.
I sit smiling, remembering when this stuff mattered.
In the vicinity of forgotten dreams, shadows whispered ancient tales. Moonlight painted silver streaks across crumbling walls, while time stood still. Echoes of laughter drifted through empty corridors, carrying memories of those who once walked these halls into the velvet night.
My submission for Hugh’s Views & News blog, Wordless Wednesday post.
