The Stories That Never Really End

Daily writing prompt
What’s a book you think deserves a sequel?

In reading Count a Lonely Cadence, I’m reminded why we write. Some stories change the world by quietly changing the reader. They ask us to confront the things we’d rather leave alone—the quiet wounds, the private failures, the moments that shake us to our core and linger long after the final page.

This novel doesn’t need a sequel in the traditional sense. Character-driven fiction rarely does. Gordon Weaver gave us a complete story. Yet that’s precisely why I find myself wanting another chapter.

Not because the plot is unfinished, but because the people feel unfinished in the way real people always do. Life doesn’t end when the last page is turned. It keeps moving, carrying its triumphs, regrets, and unanswered questions with it. Eventually, we stop talking about them like characters and start talking about them like people we once knew.

Years after reading it, I still catch myself wondering what came next. Did they find peace? Did they become someone different? Or did life simply continue, as it so often does?

That’s the mark of great fiction. It doesn’t demand a sequel—it quietly earns one.

“You remember, Bean?”

“I wonder whatever happened to that guy.”

The Villain in the Mirror

Daily writing prompt
What villain actually had a good point?

Most people will probably answer this question with Magneto, Killmonger, or some other modern villain whose motives were understandable even if their methods weren’t. Those are good answers.

Mine is different.

I would argue that Professor Moriarty had the best point—not because of anything he said, but because of what Arthur Conan Doyle was saying through him.

I’ve always believed Holmes and Moriarty are far more alike than different. They possess extraordinary intellects, an almost unsettling ability to detach emotion from reason, and an obsessive pursuit of their chosen purpose. One uses those gifts to restore order. The other uses them to create chaos. Strip away the labels of “hero” and “villain,” and what remains are two men standing at opposite ends of the same road.

To me, that’s the point.

The greatest adversary isn’t the person standing across from us.

It’s the person we could become.

I’ve always found it interesting that we prefer stories where evil is easy to identify. We point to the villain because it’s comforting to believe darkness lives somewhere outside ourselves. It’s much harder to accept that the line separating Holmes from Moriarty isn’t intelligence, talent, or even opportunity. It’s character. It’s the thousands of choices we make when no one is watching.

That’s why I’ve never viewed Moriarty as simply a criminal mastermind. I’ve always seen him as Holmes’s reflection. Not his opposite, but his possibility.

In many ways, Doyle separates into two characters what most of us experience within ourselves. We all possess ambition, pride, resentment, compassion, discipline, and temptation. The struggle isn’t defeating someone like Moriarty. It’s deciding which parts of ourselves we’ll feed and which parts we’ll keep on a leash.

That reminds me of an old saying often attributed to the comic strip character Pogo: “We have met the enemy and he is us.” I’ve always thought those words captured something literature has been trying to tell us for centuries. Before we can confront the darkness in the world, we have to acknowledge the shadows we carry ourselves.

That’s why I think we so often point outward instead of inward. It’s easier to condemn a villain than to acknowledge that, under different circumstances—or after enough bitterness, ego, or fear—we might recognize pieces of ourselves in him.

Maybe that’s why Holmes fascinates me just as much as Moriarty. Holmes doesn’t win because he’s smarter. He wins because he chooses a different purpose for the very gifts that could have made him just as dangerous. His greatest victory isn’t over Moriarty. It’s over the version of himself he refuses to become.

So, what villain actually had a good point?

For me, it wasn’t something Moriarty argued. It was something his existence revealed.

Sometimes the greatest villain in the story isn’t the one we’re chasing.

It’s the one staring back at us from the mirror.

Poem of the Day – 06122026

Imitation

Poet: Edgar Allan Poe

A dark unfathomed tide
Of interminable pride –
A mystery, and a dream,
Should my early life seem;
I say that dream was fraught
With a wild and waking thought
Of beings that have been,
Which my spirit hath not seen,
Had I let them pass me by,
With a dreaming eye!
Let none of earth inherit
That vision of my spirit;
Those thoughts I would control,
As a spell upon his soul:
For that bright hope at last
And that light time have past,
And my worldly rest hath gone
With a sigh as it passed on:
I care not though it perish
With a thought I then did cherish.


Personal Reflection

Some poems feel less like statements and more like echoes.

Imitation is one of them.

Written when Poe was still very young, the poem already carries themes that would follow him throughout his life: memory, longing, isolation, and the uneasy relationship between dreams and reality. Even here, he seems haunted by the feeling that he sees the world differently than those around him.

The poem looks backward.

Not toward a specific event, but toward a state of being.

A time when imagination felt limitless, when the mind wandered through mysteries no one else could see. The speaker recalls visions and thoughts that shaped him, experiences so personal and strange that he hesitates to pass them on to others.

That hesitation feels familiar.

Most people carry an inner world they rarely share completely.

Private fears.
Private hopes.
Private versions of themselves that never quite make it into conversation.

We learn how to function in the world, but some part of us remains hidden, known only through memory, dreams, or moments of solitude.

Poe’s speaker seems caught between gratitude and grief.

Gratitude for having experienced those visions.

Grief because they cannot be recovered.

That may be the deepest truth in the poem.

Growing older is not simply gaining years.

It is realizing that certain versions of yourself exist only in memory.

The child who believed impossible things.
The dreamer who saw wonder everywhere.
The person who stood at the edge of life before disappointment, responsibility, and loss began reshaping the landscape.

We cannot return to those earlier selves.

But neither do they disappear entirely.

They remain within us, influencing how we see beauty, sadness, love, and meaning.

Perhaps that is why the poem resonates.

It reminds us that memory is not just a record of the past.

It is a conversation between who we were and who we have become.


Reflection Prompts

  • What part of your younger self do you miss most?
  • Are there dreams you once cherished that still influence your life today?
  • How has your understanding of wonder changed as you’ve grown older?