
Dispatches Of Splinters Of My Mind Entry 25:
There are people who spend their entire lives being seen without ever being known.
At first glance, that sounds impossible. How can someone stand in front of the world every day and remain hidden? Yet it happens constantly. We hide behind accomplishments. Behind humor. Behind anger. Behind competence. Some people disappear into crowds. Others disappear into attention. The method changes. The intention rarely does.
The woman wears her hair like a curtain.
Not fashion.
Architecture.
A carefully constructed barrier between herself and everything beyond it. The strands fall with impossible precision, concealing her eyes completely. No expression. No gaze. No invitation. No warning. The face remains visible enough to suggest humanity but obscured enough to deny intimacy.
It is a remarkable thing, the lengths people will go to protect themselves from being known.
Most do not even realize they are doing it.
The world encourages visibility while punishing vulnerability. It asks people to share their lives while discouraging them from revealing anything truly inconvenient. Be authentic, it says, but not too authentic. Be unique, but only in approved ways. Show your scars, provided they have already healed. Reveal your struggles, provided they can be transformed into inspirational anecdotes by the final paragraph.
The result is a culture crowded with performances pretending to be confessions.
The air around her feels still.
Not peaceful.
Still.
The kind of stillness found inside old churches after everyone has gone home. The kind that amplifies the smallest sounds. The faint shift of fabric. The subtle movement of breath. The low electrical hum that seems to exist inside silence itself.
There is loneliness in such spaces.
Not because no one is present.
Because too much remains unsaid.
She remembers a conversation from years ago. A friend asked a simple question.
“How are you?”
Not the casual version people throw around like punctuation. A real question. One that lingered in the air waiting for an honest answer.
She responded automatically.
“Fine.”
The lie arrived so quickly she barely noticed it.
That frightened her later.
Not the dishonesty.
The efficiency.
Some defenses become so practiced they stop feeling like choices.
People imagine deception as something active, but much of it is instinctive. Entire identities are built from adaptive responses learned during difficult seasons. The child who becomes invisible to avoid conflict. The teenager who becomes funny to survive rejection. The adult who becomes indispensable because usefulness feels safer than intimacy.
Years pass.
The adaptation hardens.
The performance becomes personality.
And eventually even the performer forgets where the role ends.
The darkness surrounding her is absolute.
Not a room.
A void.
The kind of blackness that erases context. No background. No landmarks. Nothing to measure herself against except her own existence. It is unsettling because human beings rely heavily on contrast. We understand ourselves through comparison. Through relationships. Through reactions from others.
Remove those things and identity begins behaving strangely.
Who are you when no one is watching?
More importantly—
Who are you when no one needs anything from you?
That question unsettles people more than they admit.
Many discover they have spent years becoming what circumstances required rather than what their spirit desired. Careers chosen for stability. Relationships maintained through habit. Opinions inherited rather than examined. Entire lives organized around expectations that arrived from outside rather than within.
There is comfort in conformity.
There is also danger.
The danger is not that you become someone else.
The danger is that you forget you ever had a choice.
A single strand of white hair hangs lower than the rest, brushing against her cheek like a fault line. The image feels deliberate. Almost ceremonial. As if the concealment itself has become sacred. As if whatever lies behind the curtain must remain hidden at all costs.
Many people live exactly this way.
Protecting wounds that no longer need protection.
Defending territories long after the war has ended.
Carrying emotional armor so heavy they can no longer distinguish its weight from their own.
The tragedy is understandable.
Pain teaches caution.
Betrayal teaches vigilance.
Loss teaches distance.
The lessons make sense.
Until they don’t.
Until the defenses built to protect life begin preventing it.
That transition happens gradually. A person who once guarded themselves from harm eventually finds themselves guarded from joy as well. The same walls that stop heartbreak also stop connection. The same skepticism that prevents disappointment prevents wonder. The same caution that avoids risk avoids possibility.
Protection and imprisonment often share a border.
The body knows this before the mind does.
A tightening in the chest during meaningful conversations. Exhaustion after social gatherings that required excessive performance. The strange ache that follows moments of genuine connection because vulnerability has become unfamiliar terrain.
The nervous system recognizes confinement long before the intellect creates language for it.
She tilts her face upward slightly.
Not enough to reveal her eyes.
Enough to suggest awareness.
Enough to imply that beneath all the concealment something remains awake.
That matters.
Because no matter how elaborate the disguise becomes, some part of the self continues waiting. Patiently. Quietly. Like an animal beneath snow. Like roots beneath frozen ground. Like embers beneath ash.
Waiting is its own form of resilience.
People often mistake awakening for sudden transformation. Lightning. Revelation. Dramatic reinvention. But more often it begins with a subtle discomfort. A growing inability to tolerate the distance between who you are and who you present. A quiet restlessness. A feeling that something essential has been postponed for too long.
You cannot always explain it.
You simply know.
The old performance feels heavier.
The old stories fit less comfortably.
The old answers sound rehearsed.
And somewhere beneath the carefully arranged curtain, beneath years of adaptation and survival and strategic concealment, something begins pressing gently toward the surface.
Not demanding.
Requesting.
A chance to breathe.
A chance to see.
A chance to finally exist without requiring disguise.
The darkness remains.
The curtain remains.
The protective architecture remains.
For now.
But there is a difference between hiding forever and hiding while gathering courage.
Only one leads back to life.
And perhaps that is what makes the image unsettling—not the concealment itself, but the sense that concealment is ending.
That behind the white veil of carefully arranged identity, behind the practiced silence and the cultivated mystery, behind every adaptation mistaken for selfhood—
a pair of eyes has already opened.
And sooner or later,
they are going to look back.
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The result is a culture crowded with performances pretending to be confessions. Some defenses become so practiced they stop feeling like choices. Sia immediately comes to mind. I wonder was it a publicity stunt, performative or a persona she adopted to protect herself?
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