Morse of the Dead


The city’s traffic lights started blinking in Morse code, spelling out a warning almost no one could understand. Red. Green. Yellow. Not colors anymore—just pulses like a drunk heartbeat trying to send a message before flatlining.

I lit a cigarette I didn’t want. Rain kept it alive longer than it should’ve. People passed me like cattle, faces blue from their phones, all of them locked in their private prisons. Nobody looked up. Nobody saw.

The code spelled one word: WAIT.

So I did. For a breath. Maybe two. Then the crosswalk man glitched. Froze mid-step, legs twisted like snapped matchsticks, head stretched long enough to whisper a name I’d buried years ago. Nobody else twitched. Not even a pause in their stride.

The lights blinked again. WE.

A bus hissed through the intersection. Windows fogged, seats empty. Except the reflection waving from the glass wasn’t mine. Too many teeth. My hands were in my pockets. I didn’t wave back.

The smoke in my throat turned copper. Tasted like biting down on the city’s own wires. The rain stuck to me too long—warm, clingy, like breath on the back of my neck.

Another blink. Faster.
WAIT. WE WAIT. INSIDE.

The crowd moved, blind, obedient. I stayed behind. The city didn’t need their eyes. It only needed mine.

And I knew then—whatever was inside the lights had been patient for years.
And patience is the one thing I don’t have left.


Author’s Note
It’s been raining here in my head for days. I came across this image, stared too long, and the city started talking back. Not in words, but in signals—broken, blinking, urgent. Madness has a way of showing up like that: subtle at first, quiet enough to miss if you’re sane.

This one was sparked by Fandango’s Story Starter—proof that sometimes all it takes is a single sentence to push the mind off balance and let the city whisper its warnings.

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