Why “Sometimes It Snows in April” Still Hurts So Good

CHALLENGE RESPONSE – MMB

One of my nephews stopped to visit. We talked about philosophy, music, and a bunch of other things. Almost like he knew I needed to get out of my own head for a moment and be reminded of something that’s always been soothing—music.
After he had left, I plugged in the headphones and got to work.


Prince’s music has left a mark on humanity.
However, the music I enjoyed the most was songs seldom played on the radio—the tracks only discussed quietly among the fans who kept searching for the ones that touched them deepest.

For me, “Sometimes It Snows in April” is one of those songs.

It’s not built for the charts. No booming drums or flashy guitar solos. Just a delicate piano, soft guitar, and Prince’s voice—fragile, almost whispering. It’s stripped down in a way that makes you sit still. Makes you feel.

The song was part of the Parade album in 1986, which doubled as the soundtrack to Under the Cherry Moon. Prince played Christopher Tracy in the film—a charming romantic who dies too soon. The song is what comes after: mourning, confusion, and the quiet heartbreak of losing someone who wasn’t supposed to be gone yet.

And Prince didn’t try to clean it up. He kept the raw demo. You can hear creaking chairs and fingers sliding on strings. Those imperfections? They’re what make it real.

The lyrics hit like a conversation you didn’t want to have but needed:
“Sometimes it snows in April / Sometimes I feel so bad, so bad.”
Simple words, but when Prince sings them, they carry weight. It’s not performance—it’s confession.

Then came April 21, 2016. Prince passed away. Suddenly, a song about losing someone too soon became eerily personal. It was recorded in April. He died in April. And just like that, it sounded like he’d written his own farewell without knowing it.

And here’s the part that always gets me—I often wonder why we don’t truly appreciate an artist until after their transition.
Why do we wait?
Why do the tributes flood in only once they’re gone?
It’s a question that’s never been answered—at least not a good one.

Maybe it’s human nature. Maybe we think there’ll always be time. Maybe we don’t realize what someone gave us until we can’t get more of it.

With Prince, we had a genius in real-time. But songs like “Sometimes It Snows in April” remind us that his deepest gifts weren’t always the loudest. They were the quiet truths tucked in between the hits—the kind you don’t hear until you’re really listening.

“Sometimes It Snows in April” isn’t just about death. It’s about love, memory, and the strange ache of time. It’s about the moments we don’t talk about much—but feel the deepest.

And that’s why it still hurts. In the best kind of way.


Late Night Grooves #113

One of my favorite artists is Prince. Like many, I’ve listened to his music for decades. Tonight, on LNG, I’m featuring one of his deep cuts called Joy In Repetition. Joy in Repetition was released on Prince’s 1990 album Graffiti Bridge. The track has a hypnotic, funk-infused groove and is known for its minimal yet atmospheric production. Lyrically, it tells the story of a man who enters a nightclub and becomes captivated by a woman singing the same phrase over and over, reflecting on the powerful emotions stirred by the repetition.


Evening Writing Grooves – 06202024

PROSE – STATION BREAK

My editor threatened to quit if I didn’t stop playing around with AI imagery. Normally, I don’t respond well to threats, but in her case, I’d be a good boy and start writing again. So long, lovely people who reside in the splinters of my mind. Well, not really so long, but your visualization will have to wait for a bit. Now, don’t pout. Hey, missy, why are you looking at me in that tone of voice? That goes double for you, mister!

Sorry about that. Can you believe these people? Trying to get out of my head any way they can, the nerve! As I was saying, I’m going to do a little for the next couple of days. Is that alright with you folks?


I hear the fluttering of its wings, my breathing quickens, and my heart begins to pound. My fingers inch their way to my inkwell. My quill and inkwell shun me.

“Come on, now don’t be like that!” I plead

My quill gives me a quick look, but my inkwell is not having any of it. He has been fooled before. I pause for a moment, thinking. Then, it occurs to me.

“Alexa! Oh, Alexa, Prince, please!”

Playing Prince from Spotify playlist “They funky Sh**!” She replies as her blue lights lit the room. I watch the Inkwell begin to groove.

“Don’t hurt yourself, now!” I tease

“Shut up and write!” The Inkwell replies

So, the inkwell, quill, and Sophie continue grooving. I chuckle as I pick up the laptop and begin to do my thing.