TUNAGE – SLS

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This post has been over 30 years in the making. Let me explain with a little back story. So, in 1987, a guy I knew in high school suggested three albums. Over a period of several months, this guy and I had drunken conversations about heavy metal. During this time, I knew hardly anything about the genre beyond the typical bands everyone listened to at the time, Van Halen, Motley Crue, and alike. Plus, I had one huge disadvantage. I was Black.

Today, no one gives two shakes about what music you like, but back then, in my region of the world, it was a big deal. I recall getting flack for my taste in music. However, this one guy would come up to me, and we’d rap about metal and drink beer. So, the last album he suggested I buy was King Diamond’s Abigail. He gave me the rundown on how King Diamond used to be with Mercyful Fate and all that. So, I bought the album without reservations because his previous recommendations were solid. In fact, I still listen to those artists.

I put on this album and was immediately thrown. Yeah, I was mindfucked. There was no one there telling me they loved me. No foreplay or heavy petting. Just take this, and you’re gonna like it; I did. Abigail was nothing like any music I had heard before. I sat for hours trying to figure out what I was listening to. All I knew was that I was drawn to it. None of my friends listened to this style of music, so I couldn’t discuss the album. For years, I’ve tried to find someone I could talk to about this album. Either they couldn’t stand King Diamond or never heard of him. I even had people question why a Black guy was listening to heavy metal. Without further ado or hyperbole, I present King Diamond’s Abigail. This entire album is some eerie shit!

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Narrative and Concept

“Abigail” is a concept album that tells a gothic horror story set in 1845. The narrative follows a young couple, Jonathan and Miriam La’Fey, who inherit a mansion. Seven mysterious horsemen warn them about a terrible fate awaiting them if they stay in the house. Ignoring the warning, they encounter the spirit of Abigail, a stillborn child whose spirit possesses Miriam, leading to a tragic and gruesome series of events.

The album’s storytelling is a standout feature, with each song advancing the plot while creating a vivid, eerie atmosphere. The lyrics, written by King Diamond, are rich in detail and character development, immersing the listener in the dark tale. Songs like “Arrival,” “The Family Ghost,” and “Black Horsemen” are essential pieces of the narrative puzzle, each contributing to the unfolding horror.

Musical Composition and Style

Musically, “Abigail” blends heavy metal, speed metal, and progressive elements. Its complex arrangements, technical proficiency, and King Diamond’s distinctive falsetto vocals characterize it. The album showcases the exceptional musicianship of the band members: Andy LaRocque and Michael Denner on guitars, Timi Hansen on bass, and Mikkey Dee on drums.

The guitar work on “Abigail” is particularly noteworthy. It features intricate riffs, harmonized solos, and melodic passages, enhancing the album’s dramatic effect. Andy LaRocque and Michael Denner’s dual guitar interplay is a highlight, providing both aggression and melodic depth. Tracks like “A Mansion in Darkness” and “The 7th Day of July 1777” display their technical prowess and ability to convey the album’s ominous mood.

The rhythm section, with Timi Hansen on bass and Mikkey Dee on drums, provides a solid foundation for the album’s intensity. Dee’s drumming is dynamic and precise, adding to the album’s relentless energy, while Hansen’s bass lines add depth and complexity to the compositions.

Thematic Elements and Atmosphere

“Abigail” is steeped in themes of horror, possession, and the supernatural, drawing heavily from gothic fiction and classic horror films. The album’s lyrics are filled with vivid imagery, creating a cinematic experience for the listener. King Diamond’s theatrical vocal techniques, including his famous high-pitched falsetto and menacing growls, bring the characters and story to life.

The atmosphere of “Abigail” is dark and foreboding, achieved through the music and the production. The album was produced by King Diamond and Roberto Falcao, who crafted a sound that balances clarity with a raw, menacing edge. The production emphasizes the album’s dramatic dynamics, from the quiet, suspenseful moments to the explosive, intense sections.

Keyboards and sound effects further enhance the album’s eerie ambiance. These elements are used sparingly but effectively, adding to the overall sense of dread and tension. For instance, the haunting intro of “The Possession” and the chilling conclusion of “Black Horsemen” feature atmospheric sounds that contribute to the storytelling.

Impact and Legacy

“Abigail” is widely regarded as one of the greatest concept albums in metal history and a defining work in King Diamond’s career. Its success helped establish King Diamond as a solo artist and set a high standard for narrative-driven metal albums. The album’s blend of horror themes, theatricality, and musical complexity has influenced countless metal bands and artists.

The impact of “Abigail” extends beyond its initial release. Many metal musicians have cited it as influencing numerous tribute performances and covers. The album’s storytelling approach has also paved the way for other concept albums in metal, encouraging artists to explore ambitious, narrative-driven projects.

King Diamond’s ability to create a cohesive and compelling story through music is a significant achievement, demonstrating the potential of the concept album format. “Abigail” remains a testament to his creativity and vision, showcasing his unique blend of horror and metal in a way that continues to resonate with fans.

Conclusion

“Abigail” by King Diamond is a masterful album that combines intricate storytelling, exceptional musicianship, and a haunting atmosphere to create a landmark in the metal genre. Its gothic horror narrative, driven by King Diamond’s distinctive vocals and the band’s technical prowess, has left an indelible mark on the world of heavy metal. More than three decades after its release, “Abigail” continues to be celebrated as a classic, influencing new generations of metal artists and captivating listeners with its dark, compelling tale.

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Lyrics:

Abigail

Song by

King Diamond

Abigail, I know you’re in control of her brain, Abigail
And I know that you’re the one that’s speaking through her, Abigail
Miriam, can you hear me?

I am alive inside your wife
Miriam’s dead, I am her head

I am alive inside your wife
Miriam’s dead, I am her head

Abigail, don’t you think I know what you’ve done, Abigail
I’ll get a priest
He will know how to get her soul back

Oh, Jonathan, this is Miriam
Our time is out
Remember the stairs, the only way

Abigail, nothing I can do but give in, Abigail
Follow me to the crypt
Abigail, you aught to be reborn where you died, Abigail
Jonathan, I agree, yes, I do

I am alive inside your wife
Miriam’s dead, I am her head
Soon I’ll be free

Songwriters: Kim Bendix Petersen.

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Thanks, Jim and Di, for coming up and hosting this theme.