How an acoustic guitar and a raspy voice turned a genre-bending hit into something quietly devastating.
I’ve always been a fan of the acoustic guitar. In fact, it’s my favorite style. I’ve always felt that if an artist can make the acoustic guitar speak, then they’re really talented. There’s something about that sound—it adds a layer to the music that gets lost in the distortion of its electric counterpart. It’s honest. Exposed. No tricks to hide behind.
I first heard Ray LaMontagne’s Gossip in the Grain and was hooked immediately. That album had a mood I couldn’t shake—soulful, grounded, a little haunted. So when I found out he covered “Crazy,” I got excited. I wondered what he’d bring to it. I already knew it would be something special.
Not just because of Ray’s style, but because “Crazy” already lives in this weird, beautiful space between genres. I love it when songs do that. Even more, I love when a cover respects the original but still brings a fresh voice to it—makes it something completely different, without losing what made it great in the first place.
That’s exactly what Ray does here.
Yes, it’s the same “Crazy” that Gnarls Barkley made famous—but this isn’t just an acoustic remix. This is a complete reinvention. No beats. No polish. Just Ray, his guitar, and that worn, aching voice of his. And somehow, it feels bigger because it’s so stripped down.
He slows the whole thing down, stretches out the space between lines, and sings like he’s living every word. There’s one moment—when he softly asks, “Does that make me crazy?”—that just lingers in the air. It’s not a performance; it’s a question he doesn’t know the answer to.
Where the original had swagger, this version has weight. It feels like someone sorting through their own history, looking back on a breakdown that already happened. It’s quiet. It’s tired. And it hits like truth.
I’ve heard a lot of covers of this song, but none of them hit like this. No over-singing. No flash. Just soul. The acoustic guitar does all the emotional heavy lifting—carrying the tension, the silence, and everything in between.
If you’re into music that guts you in the gentlest way, this one’s for you. Just press play, close your eyes, and let it wreck you a little.
One of the things I enjoy the most about listening to music is finding artists who aren’t part of mainstream popularity. It’s rewarding to watch your discovery become super famous, but sometimes, you want to stay small. It’s having your own secret band in your back pocket. Tenpenny Joke is such a band.
Tenpenny Joke was an Australian rock band from Melbourne’s Mornington Peninsula in 1997. They made their mark in the melodic rock scene.
Musical Journey
The band achieved a significant milestone in 2004 when they signed with Shock Records/Sing Sing Productions. Their debut album, “Ambush on All Sides,” was released in 2005. It was produced by Matt Voigt, known for his work with The Living End, Kiss, and Aaliyah.
Band Lineup
Craig “Boz” Boswell – drums
Anthony Casey – vocals
Peter Coon – guitars
Tim Kill – bass guitar
Brian Rimmer – vocals and guitar
Musical Style and Impact
Their sound was primarily melodic rock, incorporating progressive and alternative elements. The band gained international recognition, receiving airplay across multiple countries, including the US, UK, Europe, New Zealand, and Asia. They were particularly successful in Japan, where their track “Across The Ocean” became highly requested on Yellowbeat radio.
Notable Works
Ambush on All Sides” (2005) – Full-length album
Notable Tracks
Across the Ocean – An excellent track showcasing the band’s classic rock influences
“Evil Things” – A light-hearted composition that highlights their musical range
During most of Tori Amos’ rise to stardom, my face was buried in the used record stacks, looking for classic jazz and blues. Though I collected many treasures, it wreaked havoc on my sinuses. I’m not sure if I ever fully recovered. Despite my obsession, I remember some of the women ranting about the excellent music of Tori Amos. I’m telling you, if it wasn’t Davis, Monk, Parker, Wolf, or Waters, I wasn’t trying to hear it.
As it turned out, I had three female soldiers assigned to my section. Although I had worked with female soldiers before in various limited capacities, I had never had any assigned to my section. Although they were from different backgrounds and musical tastes, they were all fans of Tori Amos. Finally, they talked me into listening. Here’s the particulars. Let’s get started:
Tori Amos, an American singer-songwriter and pianist, has captivated audiences worldwide with her distinctive voice and profound lyrical content. Known for her emotionally intense songs that blend classical music influences with alternative rock, Amos has carved a unique niche in the music industry. This blog post delves into her life, music, activism, and enduring legacy, offering a comprehensive look at one of the most influential artists of her generation.
Early Life and Musical Beginnings
Born Myra Ellen Amos on August 22, 1963, in North Carolina, Tori Amos demonstrated prodigious musical talent from a young age. Encouraged by her Methodist minister father and her mother of Eastern Cherokee descent, Amos began playing the piano at two and composing by age five. Her early exposure to gospel music and classical compositions profoundly influenced her musical style.
Amos’ prodigious talent earned her a scholarship to the prestigious Peabody Institute at Johns Hopkins University when she was five. However, her inclination towards rock and popular music led to her dismissal at 11. Undeterred, she played in bars and clubs in the Washington D.C. area during her teenage years, honing her skills and developing her distinctive style.
Her first professional music endeavor was as the lead singer of the 1980s synth-pop band Y Kant Tori Read, which was not a commercial success. This setback paved the way for Amos to establish her solo career, leading to her breakthrough debut solo album, “Little Earthquakes,” in 1992.
Breakthrough and Mainstream Success
“Little Earthquakes” marked a significant turning point in Amos’ career. The album’s raw, emotional intensity and unconventional songwriting resonated with listeners and critics, establishing her as a unique voice in the music industry. With hit singles like “Silent All These Years” and “Crucify,” Amos gained a devoted following and critical acclaim.
Her subsequent albums, including “Under the Pink” (1994) and “Boys for Pele” (1996), continued to explore complex emotional and social themes while showcasing her virtuosic piano skills and innovative arrangements. Amos’ ability to blend classical music elements with contemporary styles helped her maintain a distinctive identity in the evolving music scene of the 1990s.
Amos has received numerous accolades throughout her career, including multiple Grammy Award nominations. Her fearless approach to addressing personal and societal issues through her music has cemented her status as an influential figure in the industry.
Artistry and Musical Style
Tori Amos’ music defies easy categorization, blending classical, rock, electronica, and folk elements. Her classically trained piano skills are at the forefront of her compositions, often complemented by intricate arrangements and a wide range of instrumentation. Her lyrics are known for their depth, exploring themes such as religion, sexuality, feminism, and personal trauma.
Amos draws inspiration from various sources, including mythology, literature, and personal experiences. Her storytelling ability is evident in her songwriting, where she creates vivid, emotionally charged narratives. Her voice, with its distinctive timbre and dynamic range, adds an additional layer of expressiveness to her music.
Her musical influences are as eclectic as her style, ranging from classical composers like Debussy and Rachmaninoff to rock and folk artists like Led Zeppelin and Joni Mitchell. This blend of influences has helped Amos create a sound that is uniquely her own, resonating with fans across different genres and generations.
Notable Works and Albums
Throughout her career, Tori Amos has released a multitude of albums that have garnered critical and commercial success. “Little Earthquakes” and “Under the Pink” are often cited as her most impactful works, featuring songs that address complex emotions and personal struggles. “Boys for Pele” showcased her experimental side, incorporating harpsichord and brass instruments into her music.
Other significant albums include “From the Choirgirl Hotel” (1998) and “Scarlet’s Walk” (2002), each demonstrating Amos’ evolution as an artist and storyteller. Her ability to adapt and explore different musical landscapes while maintaining her core artistic identity is a testament to her talent and versatility.
Activism and Impact
Beyond her music, Tori Amos is a passionate advocate for various causes, including women’s rights, sexual assault awareness, and LGBTQ+ rights. She co-founded the RAINN (Rape, Abuse & Incest National Network), which has become the largest anti-sexual violence organization in the United States.
Amos’ activism is reflected in her music, where she often tackles challenging and taboo subjects, offering support and solidarity to those who have experienced trauma. Her dedication to these causes has inspired her fans and fellow artists, amplifying her impact beyond the music industry.
Legacy and Influence
Tori Amos’ influence extends far beyond her discography. As a pioneering female artist in the alternative rock and singer-songwriter genres, she has inspired countless musicians with her authenticity, musical innovation, and lyrical depth. Her contributions to music and activism have earned her a dedicated fanbase and a lasting legacy as an influential and respected figure in the industry.
Butterfly Lyrics :
[Verse 1] Stinky soul, get a little lost in my own Hey General, need a little love in that hole of yours So one way’s now and Saturday’s now And our kittens all wrapped in cement From cradle to gumdrops got me running girl as fast as I can
[Chorus] And is it right, Butterfly They like you better framed and dried?
[Verse 2] Daddy, dear, if I can kill one man why not two? Well, nurses smile when you’ve got iron veins You can’t stain their pretty shoes And pompoms and cherry blondes And the kittens still wrapped in cement From God’s saviors to gumdrops got me running girl as fast as I can
[Chorus] And is it right, Butterfly They like you better framed and dried?
[Outro] Got a pretty pretty garden; pretty garden, yes Got a pretty pretty garden; pretty garden, yes You’ll be a pretty pretty garden; pretty garden
I’m a little behind because of my recent prolonged illness, so please forgive my tardiness. Here is my response to Glyn’s MMB.
From the moment I heard, “There’s a crack in the mirror and bloodstain on the bed,” I was floored. I wondered who the hell was this singing and what band is this? I must have listened to that song back to back for a week straight. I’m sure it wasn’t that long, but I played it repeatedly. Well, the band Concrete Blonde, and the song was Bloodletting
The opening bass line captured my attention, and I was grooving. However, when the vocals arrived mixed with powerful lyrics, I seemed to be teleported into the song. I could feel everything she was singing about. Yeah, yeah, I was young, and everything was so damn serious. It was the best thing I’d ever heard blah, blah. However, Concrete Blonde has remained one of my favorite bands throughout my lifetime. Here are the particulars:
Concrete Blonde occupies a unique and enduring place in the rich tapestry of alternative rock music. Formed in the vibrant musical landscape of Los Angeles in the 1980s, Concrete Blonde emerged as a beacon of emotional depth and musical innovation. Led by the captivating vocals and songwriting prowess of Johnette Napolitano, the band’s distinctive blend of rock, punk, and folk influences captivated audiences and earned them a devoted following. This essay explores Concrete Blonde’s evolution, impact, and enduring legacy, delving into their thematic depth, musical craftsmanship, and cultural significance.
Formation and Early Years:
Concrete Blonde traces its origins to the convergence of talents between vocalist/bassist Johnette Napolitano, guitarist James Mankey, and drummer Harry Rushakoff in the mid-1980s. Drawing inspiration from the eclectic music scene of Los Angeles, the band forged a sound that defied easy categorization, blending elements of punk, rock, folk, and alternative music. Their eponymous debut album, “Concrete Blonde,” released in 1986, showcased their raw energy and emotional intensity, laying the foundation for their subsequent success.
Thematic Depth and Musical Craftsmanship:
At the heart of Concrete Blonde’s music lies a profound exploration of the human condition, infused with love, loss, longing, and redemption themes. Johnette Napolitano’s evocative lyrics and soul-stirring vocals serve as a conduit for raw emotion, resonating with listeners on a deeply personal level. Whether channeling heartache and despair in “Joey” or exuding defiance and resilience in “Bloodletting (The Vampire Song),” Concrete Blonde’s music transcends genre boundaries, inviting listeners into a world of introspection and catharsis.
Musically, Concrete Blonde’s compositions are characterized by their dynamic arrangements, melodic hooks, and rich instrumentation. James Mankey’s masterful guitar work ranges from atmospheric textures to blistering solos, complementing Napolitano’s emotive vocals with nuance and depth. The rhythm section, anchored by Harry Rushakoff’s propulsive drumming, provides a solid foundation for the band’s sonic exploration, while guest musicians add layers of sonic richness to their sound.
Cultural Impact and Enduring Legacy:
Throughout their career, Concrete Blonde left an indelible mark on the alternative rock landscape, influencing subsequent generations of musicians and earning critical acclaim for their distinctive sound and uncompromising vision. Their breakthrough album, “Bloodletting,” released in 1990, propelled them to mainstream success, fueled by the haunting single “Joey” and the atmospheric title track “Bloodletting (The Vampire Song).” Subsequent albums, including “Walking in London” and “Mexican Moon,” further cemented their reputation as one of the preeminent bands of the alternative rock era.
Beyond their musical achievements, Concrete Blonde’s impact extends to their engagement with social and political issues, using their platform to advocate for causes ranging from environmental conservation to LGBTQ rights. Their music resonates with audiences worldwide, providing solace, inspiration, and a sense of connection in an ever-changing world.
The song that made me a fan.
Lyrics: Dance Along the Edge
Sometimes we laugh like children Go running holding hands I never felt like this before, I never will again Sometimes we cry like babies I hold you to my heart. I just can’t stand to see you sad, It tears me all apart
And we’re so afraid and it’s such a shame, There is no reason we should doube it. The things we want to say we’ver never said! And we look away and it’s all ok and Never really talk about it It’s a shame the way we dance along the edge Dance along the edge.
We always seem so careful, We’re always so unsure. Our past mistakes they make us shakey… eyes on the door. When do we stop searching For what we’re searching for? Then when it comes, we question love and try for more!
And we’re happy here, but we live in fear We’ve seen a lot of temples crumble. Some of flesh and blood from love under glass. Will we come undone? Will we turn and run? And will we know it when we find it? It’s a game the way we dance along the edge. And we’ll walk the line and we’ll do our time For just as long as we’ve been given, And pretend that we don’t hear the things they’ve said. Can we promise love? Is it all too much And do our old souls still believe it? It’s insane the way we dance along the edge.
For this week’s challenge, I couldn’t decide which band to feature, so I chose to feature two bands I had the privilege of watching on the same day. Let’s get to it, shall we?
Band Maid
Band Maid, an all-female rock band hailing from Japan, has been creating a significant impact on the international music scene with their unique fusion of hard rock, pop, and traditional Japanese music. The band is known for their distinctive aesthetic, which blends traditional maid outfits’ visual elements with rock and roll’s edginess.
Their powerful performances and energetic live shows have earned them wide acclaim. Each member of Band Maid is a skilled musician, and their concerts are known to showcase their musical prowess, defying the stereotypical image of a “maid.” The band’s sound, characterized by heavy guitar riffs, powerful drums, and catchy melodies, is familiar and fresh to the listeners.
Their stage presence is charismatic, engaging audiences worldwide and earning them a cult following. Their music and unique aesthetic set them apart in the rock scene, making them stand out.
Band Maid has also made significant strides in spreading their music globally. They have toured extensively, performing in countries like the US, UK, and Germany, and have released several albums that have been well-received by critics and fans alike. Their unique blend of hard rock, pop, and Japanese music, coupled with their distinct aesthetic, has made them a standout act in the world of rock music.
In conclusion, Band Maid is not just a novelty act. They are skilled musicians with a unique sound and look that sets them apart from other bands. Their music is powerful and catchy, and their performances are energetic and engaging. Band Maid’s unique blend of hard rock, pop, and traditional Japanese music is a breath of fresh air in the rock scene, and their increasing popularity worldwide is a testament to their talent and appeal.
Personal Reaction:
I take my metal seriously. I’ve been a metalhead before It was cool. So, I will not be swayed by attractive women dancing around in maid uniforms. I’m not having such foolishness. It’s no different with male bands that bolster some gimmick. However, my brother said they were good, and he hadn’t let me down yet, so I listened. Armed with skepticism by God.
All I can say is those ladies threw down. Totally blown away. If you get a chance, check them out.
Badflower
Badflower, the Los Angeles based American rock band, is making significant strides in redefining the rock genre with their unique and raw sound that resonates deeply with listeners. Their gritty and emotionally resonant music is a stark contrast in an era dominated by synthesized pop and electronic music, reminding listeners of the visceral energy of early punk rock bands, further enriched by the sophistication of modern alternative music.
Their rise to fame was not simply overnight. It resulted from relentless touring, engaging live performances, and their compelling sonic experience. Their debut album, “OK, I’m Sick,” was a turning point, receiving critical acclaim upon its release in 2019. This album propelled them to the forefront of the rock scene. The album’s lead single, “Ghost,” was a commercial success, earning a gold certification from the RIAA and reaching the top of the Billboard Mainstream Rock chart. This success has been consistent with their subsequent releases, solidifying their status as one of the decade’s most exciting new rock bands.
Badflower’s success proves the continued relevance and demand for rock music in an era when pop and hip-hop typically dominate the charts. Their raw and emotive sound and thought-provoking lyrics have resonated with a new generation of rock fans, showing that rock music can still be fresh, innovative, and impactful.
Personal Reaction:
Badflower’s set was after Band-Maid- not directly after, but after. Now, we had seen Badflower previously and were excited to see them again. This show was great, but something happened during the set that sticks with me.
So, the band was playing Ghost, and something was happening in the audience. They stopped the show. They made sure the fan was okay before continuing. I’ve seen that before. Badflower is a definite class act.
Bonus Feature:
Twenty or so years ago, I had the privilege of watching the legendary B.B. King. My late wife was a tremendous fan, and I was like, he got a couple songs I like. I’ve always been more of a John Lee Hooker fan. So, one year, I had just returned from a very long assignment and wanted to do something special for my wife. I had no idea what special would be, but I wanted to do something. I kept looking for something and wasn’t having any luck. Then, one of the soldiers left a newspaper on the desk, and I found what I looking for.
B.B. King was giving a Mother’s Day special concert. So I bought tickets. I told her the three hours before the concert. She didn’t believe me. I produced the tickets, and she got dressed. Mind you, I never saw my wife get dressed that fast the entire time we were married. She even had to lay out some appropriate attire for me. Apparently, jeans, t-shirts, and boots wouldn’t cut it to see B.B. King. I protested and then quickly got dressed.
Did you know B.B. King had a jazz band? His band played a full set of jazz standards before King joined them on the stage. The show was about three hours long. It was one of the best shows I have seen. Yeah, but I’m still more of a John Lee fan.
Here is a version of a classic my wife and I both loved
Memoirs of Madness 