ARTICLE – MINI BIOGRAPHY – MMB TUNAGE
Here is my response to week 6 of Glynn’s Mixed Music Bag
On my birthday in 1983, a back known as Chicago released an album which inadvertenly changed my life. Yes I know, you hear things such as these all the time and they rather rise to the occasion. Yet, I submit you the following; let us stop for a moment and consider that event may in some significant changed the person describing the incident’s life. Though, the event may be small for us it may majestic for them at the time. We have no way of knowing.
However, for me I will never forget the name of the band who meant so much to me, but I didn’t know it at the time. Allow me to explain. In 1983, they had just released to album it was a big deal at the catholic school I attended. One lucky young lady had the album and agreed to play it at our Confirmation. I believe it was Chicago 17 but I’m not sure. Well, I kept bumping into the record player and ended up scratching the album to hell. I was supposed to replace it, but never did. So from that point, I cringed every time I heard someone talking about Peter Cetera and Chicago.
The strange thing was I had several songs by the band recorded on cassette. I had no idea I was listening to Chicago. The songs were from their earlier albums and I love these songs still. So, a little over decade ago, I come across a list of the 1001 albums you need to hear before you die or some nonsense like that. I ran across an album by a band called the Chicago Transit Authority. I listened and it contained several of my favorites. So, finally I knew who recorded these songs. After researching a little further, I discovered Chicago Transit Authority was actually my dreaded Chicago. I looked at my computer screen and silently screamed.
Though, I haven’t listened any of there work from the 80’s, I still jam their earlier with gusto. Yeah, don’t judge me!
Here are the particulars about the band
In the grand tapestry of music history, certain bands stand out for their exceptional talent and profound impact on the cultural landscape. Among these luminaries is the band Chicago, a group that transcended boundaries and defied conventions to etch its name into the annals of musical history. From its humble beginnings in the late 1960s to its enduring presence in the contemporary music scene, Chicago has captivated audiences with its eclectic blend of rock, jazz, and pop, leaving an indelible mark on generations of listeners worldwide.
Origins and Evolution:
Chicago’s journey began in 1967 when a group of young musicians from DePaul University formed a rock band that would soon revolutionize the music industry. Originally known as The Big Thing, the band underwent several transformations before settling on the name Chicago Transit Authority, paying homage to the bustling city that inspired their sound. Led by the visionary partnership of Robert Lamm, Terry Kath, and James Pankow, Chicago quickly distinguished itself with its innovative fusion of rock instrumentation and jazz-inflected arrangements.
The band’s eponymous debut album, released in 1969, served as a bold declaration of their musical prowess, featuring a dynamic blend of brass-heavy compositions and intricate instrumental passages. Tracks like “Beginnings” and “Does Anybody Really Know What Time It Is?” showcased Chicago’s knack for crafting sophisticated arrangements while maintaining an infectious sense of groove. Bolstered by critical acclaim and commercial success, the album laid the foundation for Chicago’s meteoric rise to fame.
In the ensuing years, Chicago continued to push the boundaries of their sound, experimenting with different genres and incorporating diverse influences into their music. Albums such as “Chicago II” and “Chicago V” showcased the band’s versatility, blending rock anthems with soulful ballads and complex jazz compositions. With each new release, Chicago further solidified its reputation as a musical powerhouse, earning accolades and amassing a diverse devoted fan base.
Innovative Fusion:
One of Chicago’s most distinctive features is its innovative use of horns, which became a signature element of the band’s sound. Unlike traditional rock bands that relied solely on guitars and keyboards, Chicago integrated a full brass section into its lineup, comprising saxophones, trumpets, and trombones. This unconventional approach set Chicago apart from its contemporaries and allowed the band to explore new sonic territories, infusing their music with a rich tapestry of textures and colors.
The seamless fusion of rock and jazz elements became a hallmark of Chicago’s style, earning them widespread acclaim and admiration from audiences and critics alike. Tracks like “25 or 6 to 4” and “Make Me Smile” exemplify the band’s ability to marry intricate instrumental arrangements with catchy melodies, creating a sound that is both sophisticated and accessible. Chicago’s innovative approach to songwriting and arranging paved the way for countless artists to explore new avenues of musical expression, leaving an indelible mark on the evolution of popular music.
Enduring Legacy:
Over five decades since its inception, Chicago’s legacy remains as vibrant as ever, with its music continuing to resonate with global audiences. With a discography spanning 25 studio albums and countless hits, the band has left an indelible imprint on the fabric of popular culture, influencing subsequent generations of musicians across genres.
From sold-out concerts to prestigious awards, Chicago’s impact on the music industry is undeniable. Inducted into the Rock and Roll Hall of Fame in 2016, the band has received numerous accolades for its contributions to music, including multiple Grammy Awards and a star on the Hollywood Walk of Fame. Despite facing adversity and tragedy, including the untimely death of guitarist Terry Kath in 1978, Chicago persevered, demonstrating resilience and fortitude in the face of adversity.
Conclusion:
In the ever-changing landscape of popular music, few bands have left as profound a mark as Chicago. Their innovative fusion of rock, jazz, and pop reshaped the musical landscape, inspiring generations of artists and captivating audiences with their timeless melodies and infectious grooves. As they continue to enthrall listeners with their electrifying performances and enduring hits, Chicago stands as a testament to the power of music to transcend boundaries and unite hearts across the globe.

CTA is one of the albums I wore the grooves off of as a teenager. Lost it along the way but was lucky enough a couple of years ago to find it again in vinyl. I love their sound. I also just listened to half of “Spike” and hear a lot of horns in there. Good choice and nice write-up!
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If I would have known about it during my LP’s period I would have done the same thing. Though, albums sound better in my opinion, I enjoy the ability to backup the essential albums of my collection. So, I listened to “King of America” today. It had such a different feel than “Spike”, yet I found myself lost in its rapture. I found myself listening to a few more Costello albums. I sang out loud to “Watching the Detectives.” “Radio, radio” teleported right back to the time sitting front of my mom’s rack system making cassettes. TDK’s was my goto, but I preferred Maxell’s when I had the coin.
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Back then, unless you had a reel-to-reel, vinyl was the only way to go. Then came the horrible 8-tracks, then the cassettes iirc. Today’s generation doesn’t even bother with hard copies it’s all streamed. Glad you had a chance to listen to King of America. It’s a good’n. I got about halfway through Spike for now. Such a wide range of genres on one album.
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Spike is such strange album in comparison to his stuff. I didn’t get chance to use a reel to reel until I was an adult. I remember a buddy and I did an weekend jazz session. I wonder if he still has a recording of that session.
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Didn’t realize you are a musician. I remember after 8-tracks were cassettes, and I still have a shoe box full of them in the cupboard, including my older son on one as a toddler, singing “I got my mind set on you” by George Harrison. Son is close to 40 now 🙂
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I’m not a musician of any sort that counts. However, I’d argue with any of them my love for music runs just as deep. Many have remarked over the years that are surprised I have became one officially. My reply is I let me brothers deal with all that foolishness.
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If you’re going to get one Chicago album, it’s got to be that one
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For sure, I find it hard to listen to the later albums in their entirety. Thanks Glyn
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